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Entries in Danny Kaye (5)

Friday
Dec252020

How had I never seen... "White Christmas"?

by Cláudio Alves

As someone who loves Christmas and the musical genre, I'm ashamed to say I'd never seen 1954's White Christmas until this year. Irving Berlin's classic is beloved by many, and it has become one of those immortal holiday movies that seem to have everlasting popularity. Starring Bing Crosby, Danny Kaye, Rosemary Clooney, and Vera-Ellen, the picture's a jolly affair full of merry dance breaks and one of those ridiculous "let's put on a show" stories that were so common in musicals of this particular era. 

It's with great sadness that I admit I wasn't won over by White Christmas, not completely. That being said, there's plenty to love about this Yuletide affair. Because now's a time for merriment and celebration, let's sprint through the negatives to get to the positives…

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Monday
Nov302020

It's Virginia Mayo's Centennial 

by Nathaniel R

Today marks the centennial of another Old Hollywood star that seems to be forgotten these days but perhaps there are fans among you? Born in Missouri on this day in 1920, Virginia Clara Jones hit the Vaudeville circuit as a professional entertainer when she was 17 and adopted the stage name of "Virginia Mayo" even before Hollywood came calling in the early 1940s. Her first credited film role was in the biopic Jack London (1943) starring Michael O'Shea (who she would marry four years later). Though she was a leading lady with many box office hits to her name, enduring classics (mostly) eluded her. Naturally then she's best remembered today in a supporting role as the unfaithful wife in the superb Best Picture winner The Best Years of Our Lives (1946), one of those utterly magic films where every single actor is killing it...

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Tuesday
Sep292020

Beauty Break: International Coffee Day

Happy International Coffee Day! How do you take yours? If you need inspiration, here's a gallery after the jump of beautiful stars having a cup of joe...

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Sunday
Dec162018

Top 25 Reasons to Watch "White Christmas" This Season

Members of Team Experience have been asked to share their favorite Christmas movie. Here's new contributor Eurocheese...

25 Reasons to Watch White Christmas (Again)

01 Eye popping color (the first VistaVision film!) at every opportunity

02 The “Sisters” number! A surprise drag number where the actors can’t stop giggling in the 1950s? Yes please.

03 The way the movie teases snow until we almost demand it...

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Friday
Nov152013

AFI Fest 2013 Part 2: Danny Kaye, War Movies and Nebraska

Anne Marie concludes her AFI adventures. Nathaniel picks up the baton tomorrow. He's running behind as per usual!

At the midway point of AFI Fest, I experienced what I’m sure many film festival-goers experience at some point: fatigue. The films were Great with a capital G, which meant that while many were truly great films they were also very heavy and in most cases very, very depressing. (Dear Academy, please nominate more comedies!) Nevertheless I persevered, and started Day Four with a little light comedy.

Get it? Got it! Good

Day 4 Part 1: The Court Jester - Sometimes you just need Danny Kaye singing tongue twisters in Technicolor to start your day. If I ever write a list of Greatest Swordfights In Film, Kaye’s comic fight with Basil Rathbone will definitely make the list. And for you Old Hollywood actressexuals, there are not one but TWO actresses: The always lovely Glynis Johns plays Kaye’s love interest, and the devilishly fantastic Angela Lansbury in villainess mode plays the selfish princess.

Day 4 Part 2: Omar - Let’s get this out of the way right now: Adam Bakri is a very, very handsome man. (He also favorited one of my tweets. Heeeeey Adam!) However, there’s more to life than being really, really ridiculously good-looking. This latest film by Hany Abu-Assad, Palestine's Oscar submission this year, doesn’t court as much controversy as Paradise Now did in 2005. Omar is a Romeo and Juliet love story, an espionage thriller, and a drama, all of which make the political message about Israel’s treatment of Palestinians more palatable. Omar would give any Hollywood thriller a run for its money, but the human story and the realities of life of the West Bank give the film raw power.

Day 5: Nebraska - This was my favorite film of the festival. Hollywood has a love affair with Middle America this year, but Alexander Payne’s new film stands out from the rest. Bruce Dern is best known for his big, showy performances (memorialized at AFI Fest by a typically exuberant introductory speech / clip show by Quentin Tarantino). However, as the reticent Woody Grant, Dern is subtle, sad, and sincere. Undoubtedly Dern will get a Best Actor nomination, but I’m also rooting for June Squibb as his foul-mouthed Catholic wife. Though the overall tone of the film is melancholy (aided by a simple score by Mark Orton and beautiful black and white cinematography by Phedon Papamichael), occasional moments tip towards comedy and almost into parody. Maybe I love it so much because it reminds me of my own family. I’m not sure. I do know that it was effective enough to make me momentarily forget my new home and get nostalgic for the Great Plains instead. That takes some serious filmmaking skill.

Day 6: Lone Survivor - I’m not sure how to comment on Lone Survivor as a film, because as an experience it was really difficult for me to watch. It was, however, an extremely effective war movie. Last year, Zero Dark Thirty gave us a celebration of the incredible skill and commitment the men and women in the American armed forces. This year, Lone Survivor builds a similar memorial to the Navy SEALS, but with a radically different outcome. [Titular Spoiler Ahead]  A brutal 33 minute-long gunfight between four SEALS and a Taliban army is the focal point of the film, and all but one SEAL (played by Mark Wahlburg) are killed [/Spoiler]. The goal is to put the viewer on the ground with the SEALS, and director Peter Berg succeeds. Lone Survivor is bloody, loud, and patriotic.

Day 7: Like in Genesis, this was my day of rest. I’d planned to see Her, but happily for Spike Jonze (though unhappily for me) the line for the film wound around the block and then some. As I walked to the train station, I vowed like Nathaniel at TIFF that I will do better next year. The little that I saw I loved, and next year I will know how to plan: more than just one schedule, pack protein bars and water, arrive two hours early for any Spike Jonze-affiliated movie, and find more time to write. All in all though, I had a wonderful time seeing some movies I’d looked forward to and some way outside my comfort zone. What a week! AFI Fest 2014 here I come!