Gay Best Friend: Peter Steinberg (Oliver Platt) in "Three To Tango" (1999)

A series by Christopher James looking at the 'Gay Best Friend' trope

Oliver Platt's boredom-induced hairstyle is far from the worst part of "Three to Tango."

Why did every member of Friends want to do a gay themed movie as their attempted jump to film stardom? Lisa Kudrow earned awards attention in the sublimely tart The Opposite of Sex, while Jennifer Aniston’s charm and chemistry with Paul Rudd nearly made The Object of My Affection work (okay, maybe not). Matthew Perry’s dreadful vehicle Three To Tango feels like the nadir of the Friends theatrical launching pads, gay-themed or otherwise. With a script forged in gay panic, the instantly dated comedy is short on charm and laughs. However, it has casts a bizarre spell as a hate-watch. It’s an insensitive film that is a strange reflection of 1998 attitudes towards the LGBTQ community and what types of vehicles could launch a film career.

For the purposes of this column, our entryway into this movie is through Oliver Platt’s Peter Steinberg. He’s the openly gay architect partner of Oscar Novak (Perry). Through a series of bizarre miscommunications that would’ve been vetoed by the Friends writer’s room, everyone starts to think Oscar is the gay partner and Peter is the straight one...

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Putting the Genre in Gender at Sundance

by Jason Adams

A lot of ink, possibly pink, has already been spilled on this year's Sundance marking a flashpoint for female filmmakers. (You can find the same sort of headlines if you look back at last year's fest, which included Eliza Hittman's Never Rarely Sometimes Always, Kirsten Johnson's Dick Johnson is Dead, and Emerald Fennell's Promising Young Woman.) Still, women's voices at this year's fest feel dominant in a way I'm not sure they ever have before, and it strikes me that the ways we're seeing women re-working genre as a tool of dissembling trauma and male-dominance is in particular fascinating, especially as the Trump years come to their ignominious, death-rattling end...

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Gay Best Friend: George Downs in "My Best Friend's Wedding"

NEW WEEKLY SERIES!

by Christopher James

The trope of the “gay best friend” proves that not all representation is created equally. In the 90s especially, we finally got to see openly gay characters in big Hollywood movies, specifically romantic comedies. Before that, queer characters were often only coded as such. While this representation was a step forward, the types of LGBTQ+ representation were always the same: white, cis gay men without an interior life. Throughout this series, I want to revisit these characters and examine the good, the bad and the ugly of their portrayal and how it has shaped the culture of today.

George Downs (Rupert Everett) embodies a lot of what is bad about the “gay best friend” trope. So why do I love him so much? It’s not just because Everett is incredibly charming and handsome. George starts out as a sidekick and becomes the “love interest.” Sure, we never get to spend time with him a queer man and learn more about his love life and relationships. Still, he's the force that shapes and defines the narrative. That this happens in a $100 million plus Julia Roberts blockbuster is no small feat...

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Tuesday Ten: "Abduction"

Earlier today I got booted from an Oscar contender screening (Mexico's Miss Bala) that was over capacity. There was once this great thing called a "book store" (sound it out. I know it's unfamiliar) where it was easy to kill a couple of hours when you didn't have a laptop with you and something went wrong schedule wise. I've yet to find a suitable alternative so I went to the multiplex. The only movie starting at the right time to fill my schedule gap? ABDUCTION. I feel terrible about contributing to its box office gross but I will make it up to the cinema gods somehow (my first born child?). Don't judge me too harshly. I'm sure you've done something terribly terribly wrong in your life!

I'm opting to stay positive by listing... The Ten Best Things About Abduction

Best Trailer Screen Cap: Sigourney Weaver and Taylor Lautner with a huge black title card celebrating Sigourney Weaver covering his face. YES!!!

01 Sigourney Weaver has a fun entrance in one scene carrying a huge bouquet of balloons. 

02 At one point the villain threatens to kill all of Taylor Lautner's fans* on Facebook. (*okay he says "friends" but some people deserve to die.)

03 The star's girlfriend's eyebrows are more masculine than his.

04 In the movie's best stunt Lautner hurts his ankle and he remembers to limp for most of the rest of the scene. ACTING!

05 The movie hides the face of one key character the whole time but the lips were enough to give him away. Hi, Dermot Mulroney! Also: I will now fantasize that Dermot Mulroney did this for the money and was smart enough to put it in his contract that his whole face not be shown and thus associated with this movie. If Maria Bello, Jason Isaac, and Sigourney Weaver had all done the same this movie would have been very avant garde what with the entire adult supporting cast only shown through extreme closeups of lips and eyes.

06 The climax takes place at a ball game and I was able to reminisce about how good Moneyball is.

07 Maria Bello has this really emotional scene opposite a block of wood that questions its provenance "Are you my mother?" And she totally sells her love for the block of wood! "I'm not your mother but you are my son." That's what a damn fine actor she is!

08 It ended.

I tried to get to ten. I honestly did! 

It was terr-i-ble.