The Manipulative Monarch of "Farewell, My Queen"

We're celebrating Marie Antoinette for a few more days this week. Here's abstew - Editor

The legendary figure of Marie Antoinette has been the subject of gossip and infamy for over 200 years now. Although most scholars agree that all we may think we know about the excessive queen is mostly a misunderstanding. Even the most well-known phrase attributed to her, "Let them eat cake!", has been debunked as never actually been spoken by her. Even in her own time, there were pamphlets spread around France accusing her of infidelities with both men and women. At her trial, she was accused of staging orgies at the Palace of Versailles and even committing incest with her own son. Playing off of these rumors, French director Benoît Jacquot's 2012 film about Marie Antoinette, Farewell, My Queen, based on the novel by Chantal Thomas, invents a lesbian relationship between the Queen and a duchess at court...

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Red Carpet: Venice, Toronto and Kruger (Oh, My!)

Jose here. I'm glad to report that as the temperatures come down, slightly, so do the hemlines, which means it's red carpet season! <3 So let's get down to business! First up in Venice we have Eva Herzigova in a sheer, but elegant, Alberta Ferreti. The Italian designer's bold work usually pops up in Venetian red carpets and Herzigova's simple styling make us think she's equally ready for a fancy cocktail party, as she is for lounging poolside. Next up the divine Emma Stone in Atelier Versace, who more and more seems to be paying homage to red carpet goddess Nicole Kidman and you won't hear me complain about that.

European red carpets tend to be more playful which is why it's no surprise to see Chiara Mastroianni in this androgynous suit from Gucci, the smoky makeup and severe hair round up one of my favorite looks of the year. Since Amy Adams is in the new Tom Ford movie, she might as well wear what he designs, right? (Also, talk about multitasking Mr. Ford) She's a vision in this sparkling column that seems to have sprung from a Halston wet dream.  More looks after the jump!

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Interview: Alice Winocour on Disorder, PTSD, and Joining the Academy

by Nathaniel R

Alice Winocour, writer/director of "Disorder"The absence of strong female representation behind the camera has been a constant sore subject this past year in the world of cinema. But there are shining exceptions to the rule. Though Alice Winocour began making shorts a dozen years ago and released her first feature in 2013, the 40 year old French director really broke through with the one-two punch of Mustang (which she co-wrote) and Disorder (which she co-wrote and directed) last summer at Cannes. Mustang went on to an Oscar nomination for Best Foreign Language Film (and much love - including right here). After serving on the Cannes International Critics Week jury this summer (one year after her own breakthrough double) she's making the rounds promoting Disorder which has finally hit US screens after its festival run.

I had the pleasure of seeing both films nearly back to back at AFI last November and I was stunned that the same person was involved with both. She admits that "it was funny to switch from one film to the other" during their festival runs. They really couldn't be more different, one a memoirish feminist drama and the other a tightly wound home invasion thriller. I had the pleasure of sitting down with her in Manhattan this month to talk about her big year.

NATHANIEL: Since you've written a few features was Disorder a conscious choice to show your directorial chops? Thrillers are not generally thought of as writer's pictures. 

ALICE WINOCOUR: Writing is an unconscious process. You don't think about it like that. You just fall in love with the subject or character and then you start to tell the story...

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Melinkia

Variety Emmys are revoking Peter MacNicol's "Guest Actor" nomination for Veep since he appeared in 50% of the episodes (it's supposed to be under 50% a rule we support after years of abuse by studios and actors) but who gets his spot? Stay tuned.
Pajiba reacts with glorious schadenfreude to the news that Divergent is being demoted to TV for its final film
What Mama Said the best review of The Legend of Tarzan out there
THR the resurgence of Dungeons & Dragons in showbiz as geek culture reigns

Interview revives an old cover story from 1991 on Kathy Bates
Decider Who is the worst character on Gilmore Girls?
No Film School on AMC's giant purchase of Odeon (they're going to be way too powerful for one company in terms of how you see movies) -- and China's growing rapidly growing theatrical business.
Towleroad IFC picks up James Franco's latest gay endeavor, King Cobra, the true story of a murder in the gay porn industry 
Pajiba Diane Kruger and Joshua Jackson have split up after 10 years. Sad face. So Pajiba looks back on their coupledom.
The Film Stage chooses the 50 best sci-fi films this century thus far. 50 is a lot for 16 years. The top ten feels substantial but I can't forgive them for having The Lobster so low it's practically sitting alongside those terrible Matrix sequels and Ex-Machina and Mad Max Fury Road not in the top ten feels... well, these lists are made to get people riled up (and clicking) so I'll stop there.
The Guardian interviews the undervalued Rebecca Hall 

Today's Watch
If you haven't yet seen this bit from The Late Show with Stephen Colbert, you must. Longtime readers will know that TFE worships Broadway musical star Laura Benanti. Her voice is spectacular but her comic skills are just as strong. Here she is doing Melania Trump just one day after people noticed their resemblance. [Hat tip: Vulture]

And James Corden gets both FLOTUS and Missy Elliott in the car (Holla!) for some Carpool Karaoke and talk about "Let Girls Learn". Joyful. Inspiring. Just what we need right now. 

Review: The Infiltrator

Manuel here with a review of The Infiltrator which opened yesterday nationwide.

Fact: Steven Soderbergh’s Traffic is one of the most influential films of the 21st century. That’s not a qualitative assessment but an increasingly common thought that’s rankled in my brain. Can you believe Soderbergh actually struggled to get his film financed because Hollywood execs didn’t think audiences would want to watch an entire film about the drug trade?

Fast-forward to summer 2016 when USA is premiering Queen of the South, Netflix will bring us season 2 of Narcos, two competing El Chapo TV series are in development, and Bryan Cranston’s The Infiltrator joins an ever-growing list of films about the war on drugs that range from the sublime (Sicario) to the pedestrian (Blow) with everything in between (Savages, anyone?).

In Brad Furman’s The Infiltrator, the Breaking Bad actor plays U.S. Customs Service special agent Robert Mazur who, as is par for the course in certain genres, decides to take on one last job to go undercover as “Bob Musella.”...

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