"The Lost Daughter" reigns at the Gotham Awards

by Nathaniel R

Peter Sarsgaard, Maggie Gyllenhaal, and Dakota Johnson at the Gotham Awards

Last night, while many film journalists were at one of the several West Side Story premieres, the Gotham Awards were held celebrating much less expensive but also captivating cinema.  Maggie Gyllenhaal's feature directorial debut, The Lost Daughter  reigned winning four of its five categories. This was bad news for Passing, another Netflix film (which we like even more though they're both fine films) which received 5 nominations but lost in all of its categories. Other multiple nominees who took home no prizes included A24 films like Red Rocket, The Green Knight, and C'mon C'mon, 

Outside of  The Lost Daughter the biggest awards season boost was definitely for CODA. The family drama about a child of deaf adults who wants to be a professional singer won prizes for both its leading lady Emilia Jones and her onscreen father Troy Kotsur. Kotsur really should be more competitive in Best Supporting Actor discussions so perhaps this will help!

THE WINNERS and more commentary are after the jump...

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Locarno Diary #5: Italian Horror Stories

by Elisa Giudici

I was really curious to see Italian movies selected this year in Locarno, after the change of the artistic director. Italy and this part of Switzerland have strong ties: everyone here speaks Italian. You can drive from Milan to Locarno in a couple of hours, so it is not that surprising that the Swiss Festival has strong connections with Italian movie industry. So why are the Italian movies shown in Locarno almost always a disappointment? (The two worst Italian films I saw in the past decade were both showcased here. ) I have my own little conspiracy theories on this topic but that's for another time.

This year there are three prominent Italian movies in Locarno: one in competition, one in Piazza Grande and one in the Cineasti del presente section (which is reserved for young, promising directors). After seeing Il legionario, I was quite optimistic about the fact the something has changed and the "Italian curse" in Locarno has lifted. Perhaps I was too optimistic...

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TCA Nominations 2021

The Television Critics Association has announced its nominees for the season and they make an interesting parallel kudo-party with the Emmys both in their sameness and where they diverge. I'm told voting closed before the Emmy nominations were announced so these are simple disagreements as opposed to statement making...

INDIVIDUAL ACHIEVEMENT IN DRAMA

Michaela Coel, I May Destroy You – HBO
Ethan Hawke, The Good Lord Bird – Showtime
Thuso Mbedu, The Underground Railroad – Amazon
Elizabeth Olsen, WandaVision – Disney+
Mj Rodriguez, Pose – FX
Omar Sy, Lupin – Netflix
Anya Taylor-Joy, The Queen’s Gambit – Netflix
Kate Winslet, Mare Of Easttown – HBO

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Gay Best Friend: Sammy Gray in Reality Bites (1994)

In this series by Christopher James we investigate the 'Gay Best Friend' trope in movies.

We're introduced to Sammy along with the whole crew of main characters on the roof after their college graduation, two minutes into the movie.

At last, it has come to this point. This marks the first week where I’ve covered a “first watch” for the Gay Best Friend series. Thanks go out to Julian who suggested Steve Zahn’s clean cut Sammy in Reality Bites, a 1994 Gen-X classic. As a proud, card-carrying millennial, Reality Bites had been a movie I had always meant to watch, but never gotten around to. The Winona Ryder fan in me was excited to use this column as an excuse to rectify this blind spot. Overall, the film left me a bit wanting. The characters and situations were a great encapsulation of the confusion you experiences the first years after college. It’s easy to see the lineage from this film to movies and TV shows I love and relate to (namely Girls on HBO and Frances Ha). However, the plot always felt less developed than the characters and performances. The movie exists now as a museum piece encapsulating post-grad life in the 90s. That’s not meant to be a dig. Plenty of movies from the '00s and '10s will feel the same way in 10-20 years. In fact, it speaks to why this modest love triangle from 1994 has endured for twenty-six years in the cultural conversation...

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Lynn Gives Thanks, 2020

Team Experience is giving thanks. Here's Lynn Lee...

Between the scourge of COVID-19 and the utterly dysfunctional American response, 2020 is looking more and more like a lost year for public health, good governance, and the arts and entertainment industry in this country.  Still, as tantalizing hopes of a return to normalcy glimmer on the horizon (three potential vaccines! A responsible, expertise-driven presidential administration!), Thanksgiving provides a much-needed reminder to appreciate the things that helped get us through the past several months.  Here are some of the movie and TV-related moments and discoveries that brought me joy this year:

• Parasite making history as the first Korean movie to win the Oscars for Best Picture, Best Director, and Best Foreign Film.

• The huge, unblinking gimlet eyes of Anya Taylor-Joy (which bring to mind a cross between Emma Stone and Alita): sometimes challenging, sometimes disquieting, always riveting.

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