Randomness: Oscars, Silents, Women Helmers, Loser Gifs

Salon on the reinvention of Brad Pitt. Good history piece / career overview
Vulture Best Pictures as infographics
Pajiba "interviews" Amanda Seyfried about her latest hacktress movie Gone.
NPR Monkey See smart provocative piece on the politics of Warrior (2011)
New York 100 pictures of Meryl Streep through the years. She ages backwards in this gallery
IMDb a gallery of your acting nominees in and out of character

My New Plaid Pants has my favorite "which is hotter?" of all time featuring (American Psycho)
Low Resolution's top ten films of 2011. Not your average top 10 list.
Some Came Running objects to the frequent comparisons of Singin' in the Rain and The Artist
Sunset Gun, now married to Guy Maddin -- is this the first time a film critic has married a director? trivia experts? -- explains his latest project, seances if you will to remake lost silent films.
Booby Finger How To Watch The Oscars a very snarky guide if you're into that sorta thing

Film Festivals Are Infinite
With Skyfall just around the corner I find myself thinking of 007 James Bond quite often and then Pierce Brosnan popped up in my inbox. Have you ever heard of Cinemagic? It's a film festival / workshop type thing for young people interested in filmmaking. (I'm reasonably confident that someone starts a new film festival every day of each year in the 21st century; they are infinite). It's Irish born but it's been expanding and Pierce Brosnan is a celebrity supporter.

Should I revisit all the Bond films this year. I'm torn on how to honor the 50th anniversary.

Our Apologies To 50% of the World's Population
Between the still pervasive global problems of sexist, patriarchal and theocratic governments and cultures and religions that love to treat women like shit, and the latest hypocrisies of the ever sick-making US Republican party ("we believe in small government except when it comes to war-making and your personal morality so hold still while we insert this probe into your vagina without your consent!") women just can't catch a break lately. So why not share this video from IndieWire's Women in Hollywood blog about the female directed movies Oscar didn't love.

It's interesting how many quality female-helmed films there were this past year and I absolutely support the notion that we need more female directors. But I also think it's worth being realistic and saying that none of these films would have won Oscar attention even if their directors had penises. Not that kind of movie(s).

Sally Kirkland when Cher wins. Love ya, SallyWhat you still need more Oscarable links? Jesus!
24 Frames interesting bit about Alfre Woodard's activism within AMPAS
Vulture Best Pictures as infographics
In Contention Guy defends The Artist ... and has money on it.
Gawker on Netflix user reviews of Best Pictures
Slate Acceptance Speeches! Yes, I linked / wrote it but wheeee interactive

Finally... fourfour has a "how they lost" an animated gif wall of Oscar name-reading and the instant smiling that follows. I don't know what caused it but I kind of think nominees are better at hiding their feelings in today's Oscar world which makes it less fun.

Naturally I love this gif wall though my favorite isn't listed. So here it is again for you because it's my preferred method of self-flagellation.

I love you Kathleen!

I'm aware that this post is extremely scattered but it's the day before the Oscars. I'm all over the place with anxiety!

I Met Madonna. And Other "W.E." Stories

As some of you may recall from a couple of breathless tweets, I met Madonna two months ago at a W.E. press event though we weren't allowed to publish the pieces until this week. I was invited by way of my columnist gig at Towleroad so I wrote that up now that W.E. in in theaters, well past its Oscar-qualifying run (which netted it a nomination for Most Costumes). Here's a snippet:

She repeats all of our names back to us. Madonna saying your name back to you is a strangely surreal experience, both utterly mundane and impossible. 

She has entered 'The (Mostly) Gay Room' as its been dubbed to discuss her new film W.E., since most of the journalists are with gay publications. "Cool." is her monosyllabic response. She's promised we'll put her in a good mood for the rest of the day. "Let's start with levity," she says though it sounds more hopeful than bossy.  We're all squished round a table with recorders on. 

[read the full article]

In regards to those recording devices. If you had yours on before Madonna entered the room, you could hypothetically listen to Madonna saying your name over and over again on loop once you got home. HYPOTHETICALLY. I mean, who would do that? [ahem]

More including W.E. thoughts and Madge's new video...

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Review: "Albert Nobbs"

This review was previously published in my column at Towleroad.

Albert Nobbs is story of a woman living as a man in Ireland in the early 20th century. Albert (Oscar nominated Glenn Close) serves as a waiter at a little upscale hotel. His world is so small that he barely leaves the hotel and hardly ever utters full sentences to anyone but himself. Those private conversations generally involve the counting of shillings. Nobbs' inner life isn't quite as small. The waiter dreams of saving up enough to buy a small tobacco shop and run his own little business. When he meets a painter by the name of Mr. Hubert Page (Oscar nominated Janet McTeer) whose situation is not dissimilar but whose emotional life is obviously richer, his eyes are suddenly opened to new possibilities, including romance... or at least cohabitation.  But dreams aren't easy when a flea in your undergarments can give you away, when your career could be finished with one misstep around a wealthy patron, when a stroke of bad luck could put your employer out of business, or when the woman you set your sights on for companionship (Mia Wasikowska) might not have the purest of motives in returning your affection.

You know what's just as a hard as opening a tobacco shop when you're a woman living as a man in early 20th century Ireland? Getting your dream movie made when you're an actress of a certain age in the early 21st century... [More]

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Oscar Loves Two Women. In The Same Film. Often.

Amir here. Since the Oscar nominations were announced on tuesday we’ve all heard tons of new stats about this year's slate. All the ‘oldest’ and ‘youngest’ and ‘most’s aside, the one thing that caught my eye was the double nomination for Best Supporting Actress for The Help’s ladies Jessica Chastain & Octavia Spencer. This is now the fourth consecutive year that the category has included two nominees from the same film. For the trivia lovers among you, this equals the previous longest streak of double supporting actress nominations from 1947 through 1950: Gentleman’s Agreement, I Remember Mama, Come to the Stable, Pinky and All About Eve... (though the earlier run is more impressive since 1949 had two sets of double nominees.)

Trivia: The two longest double supporting runs (though 47-50 actually had a year with two double noms."Pinky" is not pictured by accident. Apologies). In both one actress appeared multiple times (Amy Adams and Celeste Holm) and one of those times she played a nun!!!

Last year’s winner, The Fighter’s Melissa Leo, was accompanied by her co-star Amy Adams, who had been nominated along with Viola Davis for Doubt two years earlier. When Adams was taking time off inbetween, Vera Farmiga and Anna Kendrick filled in for her for their performances in Up in the Air. Had it not been for 2007's spread of wealth, the record could have been extended another two years since Rinko Kikuchi and Adriana Barraza were both nominated for Babel the year before.

If you look back through the history of the shiny gold man you'll find that in the 76 years since the Supporting categories were introduced 28 films have managed two supporting actress nominations. That’s an astonishing number but here’s what's more interesting. (Continued... with Pie Charts!)

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The Art Direction I Live In

I always try to finish the "Oscar Categories" of my own Film Bitch Awards before the Oscar nominations. I was racing to the deadline, panting heavily, sweating profusely and then I collapsed. I am now crawling towards the finish line. If anything can revive me it's eye candy! So here are my nominees for Art Direction and Cinematography. I would post Costumes too but I'm still arguing with myself over 8 films. (So many worthy efforts!) 

But while I have your eyeballs, I want to talk about one film in particular. Film is a visual medium so you'd think it would be a given that filmmakers would convey their themes and moods and characters visually. But many of them don't, relying on dialogue as exposition or voiceover profundities or leaning heavily on the gifts of their actors to get themes and nuances across. In other words, we have too few Pedro Almodóvars behind the camera.

In the two stills above from The Skin I Live In (which went without any Oscar nominations and was not submitted by Spain for Best Foreign Film) you can see how visually rich and how carefully planned every beat in an Almodóvar film is [MORE AFTER THE JUMP]

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