A Marilyn Monroe Top Ten

by Cláudio Alves

In June, we don't just celebrate Pride. For those in the know, it's also the time to honor the immortal memory of Marilyn Monroe, born in the dying breaths of spring, June 1926. As a birthday present to her fans, the Criterion Channel organized a sampling of the actress' best films, making a delicious collection everyone should check out. Inspired by that list, here's my own selection of Marilyn's peak, her ten most excellent performances in a career, a life, cut tragically short. After all, one mustn't confuse the iconographic impact with a lack of substance beyond the surface. Too many have done that already. 

Marilyn Monroe was a tremendous thespian, so seamless that people, in her time and our own, still assume character and interpreter were one and the same. In any case, let's forego defensiveness for joyful exultation. Without further ado, here's the Marilyn Monroe top ten, in chronological order, unranked…

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Soundtracking: Gentlemen Prefer Blondes

by Chris Feil

If you want to look to reinforcement of traditional gender roles in the movies, sadly you can look to the history of movie musicals for consistent examples. It’s a genre that consistently returns to tropes and archetypes for its structure, but that just makes it all the more rewarding when there are examples to the contrary. Take Gentlemen Prefer Blondes for example - no seriously, take it and watch it on a loop because it is perfect cinema.

The film gives us two unique musical heroines in Jane Russell’s Dorothy Shaw and Marilyn Monroe’s Lorelei Lee, a team on the stage and in dealing with men. They are two ingenues that subvert genre tropes and traditional images of women looking for love on screen, and you can see how they do so in their solo songs...

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50 days til Oscar. 50 movies with no Oscar love

by Nathaniel R

Oooh we're getting so close! It's just 50 days until Hollywood's High Holy Night and just 10 until we know which films will be competing for which prizes. As this season winnows down to its "winners" it's good to remember that "losers" is a temporary notion. As we've said often and will continue to say: Greatness is its own reward. Oscar has been around for 90 years now and if the past 89 are any indication some movies that are completely ignored come January 23rd when the nominations are announced will be more celebrated by the people of, say, 2049 (if the world survives that long) than by the people of now. Don't believe me? Here are FIFTY randomly chosen movies of large critical or popular or historical reputation and/or devout still vocal fanbases that received ZERO -- that's right zero -- Oscar nominations in their day... 

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Beauty Break: Happy 90th Birthday to the Grauman's Chinese!

One of my favorite places in Hollywood turned 90 years old today. The Grauman's Chinese Theater, which often houses premieres and events, opened on this day in 1927, so its centennial is just ten years away. It's currently known as the TCL Theater and was called the Mann Theater before that but it's still popularly known as Grauman's. You can rename something as perks for modern corporations but sometimes the original name hangs around (as well as it should). Don't even get me started on beautiful Broadway theaters chucking their iconic stage giant names for "American Airlines Theater" or whatnot. DO NOT GET ME STARTED. 

The Grauman's most familiar pop culture aspect is its large collection of cement tiles out front bearing the handprints of movie stars from all eras. So it's time for a Beauty Break. Which of these ceremonies after the jump do you most wish you had been at? 

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Best Shot(s): Gentlemen Prefer Blondes

Commence squealing. For what could be more delightful than an evening with two perfect musical comedy performances? It's time to talk Gentlemen Prefer Blondes starring Jane Russell and Marilyn Monroe. The film, currently streaming on Netflix, was the runner up in our Readers Choice polling for Hit Me With Your Best Shot.

GENTLEMEN PREFER BLONDES
20th Century Fox. Released on July 15th, 1953 in New York
Director: Howard Hawks; Cinematographer: Harry J Wild 
Starring: Jane Russell as 'Dorothy', Marilyn Monroe as 'Lorelei', Charles Coburn as 'Piggy', Elliott Reid as 'Malone', Tommy Noonan as 'Esmond Jr'

Howard Hawk's classic was not the first iteration of the story. It was based on the stage musical which itself was based on a book which had already spawned two non-musicals. The 1949 stage musical, a huge hit on Broadway, had introduced Carol Channing to the world. New star Marilyn Monroe got Channing's  star-making "Lorelei" role for the screen. (The same thing would happen to Channing sixteen years later with her other signature role Hello Dolly) But sometimes a movie turns out so spectacularly well that it's impossible to imagine it existing in any other shape than the one it's in, all other versions prior or subsequent feel like faint cultural echoes. 

Best Shots after the jump...

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