25th Anniversary: "Shine"

by Nick Taylor

One of my favorite bits of This Had Oscar Buzz’s year in review episodes is the segments where they discuss a film that overcame its middling quality to cash in on their buzz and score with the Academy. This is the energy I bring to you for my 25th anniversary retrospective of Shine, an Australian film that copped seven Oscar nominations and a Best Actor prize for Geoffrey Rush in his starmaking role. I do not remember hearing or reading a single solitary comment about this film in the years since I became a cinephile. The closest I’ve ever gotten comes courtesy of folks sticking up for their personal pet among 1996’s Best Actor lineup, or scattered comments that Geoffrey Rush was better in his other nominated performances. It’s slim pickings, and having finally seen Shine for myself, I find very little of worth to really excavate here. Who’s to say how much the Artist Biopic has fundamentally changed from one decade to the next?

Our protagonist is David Helfgott (played by Alex Rafalowicz as a child, Noah Taylor as a teenager, and Geoffrey Rush as an adult), an Australian pianist who became famous in his youth and was institutionalized for years in his adulthood following a breakdown at a college recital...

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DListed first shot of Johnny Depp (or rather the back of his head) in Fantastic Beasts and Where to Find Them 2. Can't believe they're already promoting the second one before the first one is in theaters (sigh) 

RIP Because 2016 continues to be the most hateful year ever  
Deadline Robert Vaughn (The Man From UNCLE, The Magnificent Seven)  
Criterion Corner Remembering Leonard Cohen (via McCabe and Mrs Miller) 

In this very difficult week these things gave me teensy moments of solitude or defiant strength
NY Mag Hiking and running into Hillary Clinton
Advocate People of the Year: The survivors of Pulse nightclub
Review "Rules for Survival" under men like Donald Trump 
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The Matinee "Dear America..."
Towleroad The continually scrappy Elizabeth Warren on Rachel Maddow "we fight back" 
The New Yorker "How to restore your faith in Democracy" 
Gothamist advice for how to protect your fellow citizens from Trump's embolded xenophobic and racist fans if you see bullying taking place

Is "Gods of Egypt" a Bad Movie People Will Eventually Love?

The cast sees the reviews! The Horror. The Horror.The ill begotten would be blockbuster Gods of Egypt, directed by Alex Proyas (I Robot, The Crow), is currently enjoying a 13% rating on Rotten Tomatoes; you could call that score bad luck but for the fact that the movie fully earns it.

Still... There's something enjoyable about tallying up the ways it goes wrong. It continually charges toward its own spectacular idiocy with gusto. Despite heaps of exposition it never makes a lick of sense, explaining rules only to break them. It mounts each action sequence with zero artistry in disguising its shameful lust to earn extra $ as a video game (you half expect congratulatory text and bonus points on screen a la Scott Pilgrim vs The World). It builds its own crazy as high as its in-movie Tower of Babel. It wants to play with surreal Egyptian imagery but is so 2016 that it mistakes human gods with animal heads for organic derivatives of Michael Bay's Transformers. 

Each actor, freed from mundane concerns of "direction" or even other actors (green screens abound so half the time it's clear they're not together), does his/her own thing. The result is a hilarious hodgepodge of styles, accents, and wildly varying degrees of success at self-amusement: Egyptians with Australian accents? why not, Gerard Butler!; You once saw Pirates of the Caribbean and want to do something affected but can't quite commit to your mincing gay idea? Then do it half ass, Chadwick Boseman; You only want to entertain yourself? Thank you thank you Geoffrey Rush & Nikolaj Coster-Waldau. You are both having so much fun which is the only way to do a bad movie.

Maybe it's the time of year, the garbage dump month between serious adult films vying for metaphoric gold (it's just gold plating) and studio four-quadrant product vying for audience gold (the green stuff) but I found its monotonous/cheap aesthetic weirdly endearing; the sets and costumes are gold, the lighting is golden, some of the superpowers are fiery gold, and these Gods even bleed gold! This is not a recommendation so much as a "if you're in the mood for it" which I, surprisingly, was. It's a blockbuster dumb as Brenton Thwaites is twink pretty, but it just can't help itself.

Grade: C-/D+
Oscar Chances: Teehee. not even if 2016 ended today with only 40ish movies to choose from. 

Geoffrey Rush Post-"Speech"

...as in post The King's Speech not post-acceptance speech.

Until we saw Christian Bale's appropriately showy work in The Fighter -- you thought local celebrity crack addicts were wallflowers? --  we thought Geoffrey Rush's less-showy-than-expected eccentricity in The King's Speech would net him a second Oscar [Supporting Actor Category... though they're both arguably co-leads]. And why not? The man is a veritable magnet for gold (he ought to hire out as a metal detector) and, as such, is already a Triple Crowner (Oscar: Shine; Tony: Exit the King; Emmy: The Life and Death of Peter Sellers).

So what's next? Another showy eccentric on stage!

Diary of a Mad Man starring Geoffrey Rush

One assumes they'll be a couple of dark days 'round the Oscars so that Rush can attend but he'll spend Feb 11th to March 12th on stage at BAM in Brooklyn in Nikolai Gogol's Diary of a Mad Man. It's not a Quills remake no but, you know how those theatrical mad men do all kinda bleed together in still photos.

More photos at Playbill