Cannes at Home: Day 11 – A Tale of Two Realisms

by Cláudio Alves

Well, it's over. Another festival ends, and so does another edition of the Cannes at Home series. I've watched many a great film this past week and hope you have enjoyed the ride. To finish things off, it's time to consider the last two filmmakers to present their latest works at the Croisette. Alice Rohrwacher dazzled away with her La Chimera, starring a scruffy-looking Italian-speaking Josh O'Connor, and Ken Loach's The Old Oak proved as divisive as all his late-career films have been. 

This last Cannes at Home dispatch looks at these auteurs' greatest pictures, titles that crystalize the two distinct forms of realism each work within. There's Rohrwacher's magical spin on Italian neorealism with Happy as Lazzaro and Ken Loach's perpetuation of the kitchen-sink tradition of British social realism in Kes…

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Netflix December: Mowgli, Dumplin', and The Lobster

A belated Streaming Roulette. We forgot to share Netflix's new offerings so here we are a week late, surveying new titles by freeze framing films at random places with the scroll bar and whatever comes up first, that's what we share. No cheating.  Whats new on Netflix? Let's see...

I killed your brother.

The Lobster (2015/2016)
"Heartless Woman" absolutely upset me in this movie... but I love the rest of the movie (including that nobody has a name except the main character) which made my top ten list in its year. The Favourite is my new favorite Yorgos Lanthimos now, though. Which is your favorite of his merciless and haunting but sometimes indelibly funny movies: Dogtooth, Alps, The Lobster, Killing of a Sacred Deer, or The Favourite?

Related: Remember that great piece Daniel Walber wrote about The Lobster's phony flowers and production design.

[whispering in foreign languages]

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EFA Nominations: Poland's "Cold War" Leads

by Nathaniel R

Joanna Kulig in "Cold War"

It was a big morning for Oscar hopefuls in the foreign language film category as a handful of them have been nominated for multiple European Film Awards. Pawel Pawlikowski, whose nun drama Ida won the Oscar a handful of years back, is leading the EFA field with his new music-filled drama Cold War, about a musician and singer in a long tragic love affair across Europe. It's nominated in 5 categories. The nearest rivals with 4 nominations each are Italy's Dogman, Sweden's Border, and Italy's Happy as Lazzaro (the only one not submitted for the Oscars). Two other Oscar submissions also had cause to celebrate: Denmark's police thriller The Guilty and Belgium's trans ballerina drama Girl were also nominated for a few awards. 

The complete list of nominations and a few more comments are after the jump...

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NYFF: Happy as Lazzaro

Jason Adams reporting from the New York Film Festival

The surprises that flow out of Alice Rohrwacher's Happy as Lazzaro start like a trickle - an idiosyncratic sound in the forest, a mysterious red light burning in the night sky - and flash to a flood by  the mid-point, washing away what we thought we knew of its retro-future strangenesses. The earth cracks like a shell, piece by piece, and reveals another odd shell underneath.

Lazarro tells the story of an isolated band of sharecroppers in rural Italy, whose Sisyphean work in the tobacco fields only seems to plow them further into debt day after day...

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Cannes: How's the Palme d'Or Competition Shaping Up?

by Nathaniel R

Which of the 21 films that Cate Blanchett and her jury are screening, will win the Palme d'Or? It's the most coveted film festival prize in the world and it's always a nail biter even when the prize seems obvious due to the vagaries of jury voting. Only one film will win the Palme but juries are expected to spread the wealth so there's a lot to consider each year among the best-received films when you're talking "winners" since acting prizes, writing, and special prizes await us next weekend. Juries have been known to surprise by handing a random award here or there to a film that critics didn't like at all... or ignoring some obvious giant especially in the two acting awards. So in other words, take the "Cannes sensation!" reviews with a block of salt because you never know.  

Not all of the 21 films have screened yet but these 4 look like contenders of some sort to us from our vantage point across the Ocean...

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