How Had I Never Seen . . . . "Lust, Caution"?

by Nick Taylor

Happy Venice Film Festival, y’all!! While Nathaniel and Elisa are off in Italy enjoying some of the season’s hottest potential offerings, I figured it’d be fun to play along at home and finally watch some noteworthy Venice prizewinners I somehow hadn’t seen yet, or have been prioritizing for years but never gotten around to viewing.

And among the most urgent films for this tour was 2007’s Golden Lion winner Lust, Caution, Ang Lee’s story of espionage in Japanese-occupied Hong Kong across several years of World War II, dramatizing on-the-ground political stakes with an eye towards contemporaneous cinematic flourishes and the defining grit and elegance of ‘40s noir. The 1979 novella by Ellen Chang was infamous for supposedly extrapolating story elements from the life of Chinese spy Zheng Pingru. Lee’s film reignited those controversies while drawing some of its own, facing confusion about its country of production and earning an NC-17 rating that put it in hot water with numerous censorship laws.

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How Had I Never Seen..."Independence Day"?

by Cláudio Alves

Some of my recent choices for the "How Had I Never Seen" series may have leaned towards the esoteric. Probably most people don't wonder why or how they have never set eyes on Valley of the Dolls or Girlfriends. This time around, however, I've decided to fix a pretty deep lacuna in my movie-watching, one that's firmly in the mainstream rather than an arthouse curio. Today marks the 25th anniversary of Roland Emmerich's 1996 Oscar-winning mega-blockbuster Independence Day. To commemorate the date, I finally watched the flick that turned Will Smith into a star of the silver screen, redefined the effects-driven summer movie, and birthed a new era of Hollywood entertainment… 

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How Had I Never Seen… the "Valley of the Dolls" movies?

by Cláudio Alves

As part of a robust Pride-themed selection, the Criterion Channel has added Russ Meyer's 1970 Beyond the Valley of the Dolls to its streaming roster. The Roger Ebert-penned follow-up cum send-up to the 1967 trashterpiece Valley of the Dolls is as campy as its predecessor, making the lurid underbelly of show business into the stuff of dragtastic entertainment. In other words, it's a perfect flick to put on whilst celebrating Pride Month. As I'd never seen either picture, I decided to take this as an opportunity to explore them both and share my thoughts with you, dear readers. I don't know what I was expecting from this double feature, but it wasn't what I found. Suffice it to say, I was surprised, gooped, and gagged…

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John Waters @ 75: Hairspray (1988)

by Cláudio Alves

As Oscar fever dies down, we return, here at The Film Experience, to the John Waters retrospective in celebration of the director's 75th birthday. I'm immensely grateful for Nathaniel, who invited us each to choose a movie, since it gave me a grand opportunity to dive deep into the filmography of this auteur. Before this month, I had only seen three of Waters' movies, but now I've watched most of his features, including five of the projects he did with legendary drag queen Divine. The picture I'm here to explore is fundamental in the legacy of both artists. Hairspray was to be Divine's last movie before a tragic death at the age of 42…

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How Had I Never Seen... "Monsoon Wedding"?

by Cláudio Alves

Last year, Chloé Zhao won the Golden Lion at the Venice Film Festival for Nomadland. Unlike Cannes, which only awarded one woman (Jane Campion for The Piano) with the Palme d'Or in its history, Venice has named five female directors as the grand victors of its main competition. One of them, Mira Nair's Monsoon Wedding, I hadn't seen.  Since the Criterion Channel has just added Mira Nair's 2001 Venice-winner, it seems like a good time to correct this lacuna. Without further ado, let's delve into the rainy festivities of this Monsoon Wedding…

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