Reader's Choice Factoids & Acting Oscar Trivia

I thought I was done posting about the 85th Academy Awards but here's one last takeaway post. See I realized we hadn't yet discussed YOUR votes and it is Reader Appreciation Month now (more to come). Plus one Best Actress Supremacy battle I think you'll like to ponder! 

Reader's Choice Stats Takeaway
Biggest Landslide: Anne Hathaway (Supporting Actress for Les Misérables) was the only Oscar winner to nab more than 50% of reader votes here. Though she was obviously the most polarizing actor, male or female, during Oscar season that didn't stop her from crushing her competition at the Oscars or here.
Poorest Showing: Denzel Washington's (Actor) return to form in Flight (seriously he's so good in that film) was, remarkably, in last place only 2% of the votes in his field. Yes even Jacki Weaver 4% and Alan Arkin 3% in the supporting categories won more of your love. What gives?  
Poorest Showing from an Oscar Winner: Though Christoph Waltz was also only third place in your ballots for Supporting Actor, Jennifer Lawrence actually had a weaker 3rd place showing - she took only 19% of your votes in Best Actress
Most Divisive Polling: Best Picture. Votes were all over the place with the winner (Argo) only managing 19% of the votes which was a very slim margin among the top four vote getters (readers also loved Amour, Lincoln and Zero Dark Thirty)
Agree to Disagree: Best Actress, always our marquee category here at The Film Experience, had the most votes of any of the polls and there was no agreement between Oscar, Nathaniel and The Film Experience readers: Oscar chose Lawrence; Nathaniel chose Riva; Readers chose Chastain. 

Ben Affleck's odd stats and Jennifer Lawrence vs. Joan Fontaine after the jump...

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Oscar Horrors: Terrifying Mrs. Danvers

Oscar Horrors, a daily series for October, looks at Oscar nominated contributions to the horror genre. Here's Jose to talk about one of the best villains of all time.

HERE LIES...Mrs. Danvers, played exquisitely by Judith Anderson who was nominated as Best Supporting Actress of 1940 for her work in Rebecca. She lost the Oscar to Ma Joad and vanished in the fire.

I grew up in a family where Hollywood classics were as revered as Catholic saints. I remember being a child and being freaked out by the black and white people uttering undecipherable phrases from what I assumed was some sort of TV grave. None however freaked me out as much as the wide eyed Mrs. Danvers (did she ever blink?!?) who endlessly haunted the poor new Mrs. de Winter (Joan Fontaine).

The passing years didn't make Mrs. Danvers less creepy. In fact, the more I aged, the scarier she got. It must be due to the fact that she's not only a horror figure in the strict physical sense. Yes, her long black dress, severe hairdo and eerily seductive voice didn't help, but there was something else about her that made me fear the idea of marrying Laurence Olivier and moving to a mansion. 

Reading Hitchcock Truffaut I suddenly got what is it that made her so terrifying and the master himself explained it best:

Mrs. Danvers was almost never seen in motion. [The heroine] never knew when Mrs. Danvers might turn up and this in itself was terrifying. To have shown Mrs. Danvers walking would have been to humanize her.

So, there we have this diabolical creature, almost a human mausoleum, whose entire existence revolved around protecting the legacy of a woman who was never that nice to begin with. The director cleverly framed all of Mrs. Danvers scenes so it always appears that it's Mrs. de Winter who must serve her.

The heroine's submissive position and Mrs. Danvers' ominous presence make for one of the most complex relationships in any Hitchcock movie (the homoerotic and homophobic undertones contained in this movie have inspired countless essays of their own!). Though Hitchcock would go on to shape countless other fascinating character dynamics, Mrs. Danvers still looms large. She's inspired a myriad of characters since that range from the surreal (HAL 9000) to practical carbon copies (Mrs. Obrien in Downton Abbey) whose only purpose is to show their masters who's the boss.

Movie Love

Hello, readers of The Film Experience – Matt Zurcher, here. Aside from joining in on a few recent editions of Hit Me With Your Best Shot, it’s my first time writing at The Film Experience. I want to publicly thank Nathaniel for inviting me to cover for him today. In order to introduce myself, I wanted to make a little list focused on a trademark of this site – the adoration of actresses.

Is it possible to fall in love at the movies? I’m not talking about the fleeting arousal that Hollywood manufactures so well – I’m talking about that strange, lingering fantasy. Pauline Kael’s book titles – “I Lost It at the Movies,” “Going Steady,” “Reeling,” “When the Lights Go Down,” and “Movie Love” – all render moviegoing as a sexual experience. I can’t disagree with Pauline. There is something deeply intimate going on between the viewer and the screen. Fiction isn’t so far from Fact. When we’re properly pulled in, we don’t separate our feelings for the person sitting next to us from the person whose face is 20 feet tall.

These are five performances that continue to enchant me. Who have you fallen for in the dark?

5. Teresa Wright, The Best Years of Our Lives [Wyler, 1946]

I want to give the biggest high-five to the casting director of Best Years of Our Lives. Teresa Wright was not the most beautiful or charming choice to play the romantic lead and daughter of Frederic March’s WWII veteran. But her presence in Best Years is warmer than a Snuggie. She is the ultimate girl to take home to your parents. She isn’t sexualized and creates a portrait of calm concern for her family and relationships. She plays a young woman who believes in the value of emotional intimacy. Gregg Toland’s photography can’t be left out of this discussion. It’s a perfect example of Hollywood manufacturing the impossible ideal that pushes film so close to us.

four more lovely ladies after the jump

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