Box Office: I Feel Pretty, A Quiet Place, and More...

by Nathaniel R

Weekend Box Office (March 23rd-25th)
W I D E 800+ screens	L I M I T E D excluding prev. wide
I Feel Pretty	Lean on Pete
1. A Quiet Place $22 (cum. $132.3) REVIEW, SECOND OPINION, SCREENPLAY	1. 🔺 Bahrat Ane Nenu $2.8 on 305 screens NEW
2. Rampage $21 (cum. $66.6)	2. Beirut $1 (cum $3.9) on 755 screens
3.🔺 I Feel Pretty  $16.2 NEW	3. Death of Stalin  $340k on 210 screens (cum. $6.8) REVIEW
4.🔺 Super Troopers 2 $14.7  NEW	4.  Lean on Pete $177k on 65 screens (cum. $347k) REVIEW
5. Truth or Dare $7.9 (cum. $33)	5. 🔺 The Rider $78k on 9 screens (cum. $142k) REVIEW

A Quiet Place dominated the box office in its third weekend (it's added theaters each weekend despite opening very wide!). It's a genuine smash already earning back more than 10 times its budget in just three weeks time globally.  Super Troopers 2 and I Feel Pretty, two new wide release comedies, didn't fare as well though I Feel Pretty could prove to have legs given that word of mouth is much stronger than Schumer's previous film, the misfire Snatched, and the budget is reasonable, too...  

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Review: Lean on Pete

by Eric Blume

Andrew Haigh, the director of the new film Lean on Pete, is a major, major talent.  He pulled a career-best (and Oscar-nominated) performance from Charlotte Rampling in his last film 45 Years, made a splash a few years before that with the lovely two-hander Weekend, and his big HBO show Looking was for my money one of the best gay anythings ever made.

Haigh has a particular talent with actors, and also for establishing moments of quiet power within a story. What's more he trusts that that power is enough.  These talents are firmly on display in Lean on Pete, the story of 16 year-old Charley (Charlie Plummer) who finds himself completely alone alongside the eponymous, discarded quarterhorse...

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A First Trailer for Haigh's "Lean on Pete"

Chris here. Andrew Haigh's adaptation Lean on Pete made it all through the fall festival season with only a few stills to entice us. But now we have a gorgeous new trailer to feast our eyes upon ahead of the film's March release. You might recall that the film's young star Charlie Plummer won the young actor Marcello Mastroianni prize at the Venice Film Festival - looks like we've got one of 2018's major breakthroughs, as he has the plum role of the kidnapped John Getty in Christmas's All the Money in the World.

After the impressive triple punch of Weekend, 45 Years, and HBO's short-lived Looking, we are ready to line up to anything Haigh delivers. But this story of a boy escaping home with the horse he tends to seems like an interesting narrative progression for the writer/director, and his keen emotional insights seem to be perfectly calibrated to study a troubled teen. And he looks to deliver some of his most gorgeous visuals

With this and The Rider, Chloe Zhao's horse-centric festival darling and Indie Spirit nominee, it looks to be a big spring for horses on the indie scene. Insert your "Andrew Hayyyyy" joke here. What do you think of this first trailer?