AV Club RIP voice acting legend June Foray Variety Amazon is moving into being their own distributor now after partnering with other distributors before. They'll try it out with Woody Allen's Wonder Wheel which they seem to have high hopes for. Screen Crush It's official - Emoji Movie is worst reviewed wide release of the year
/Film a photo tour of the Jim Henson exhibit at the Museum of the Moving Image Deadline Anne Hathaway circling the Barbie movie that Amy Schumer abandoned Coming Soon Warner Bros considering "formidable" Oscar campaign for Wonder Woman
off cinema Variety Jack O'Connell talks about his nude scene in the new revival of Cat on a Hot Tin Roof and why he hasn't watched Paul Newman in the film version Playbill Ellen Greene shares a scrapbook from the original run of Little Shop of Horrors Chicago Tribune recommended theater shows on a budget in Chi-town Boy Culture the world's youngest living Madonna fan - a 13 year old violinist! Exeunt a piece about that 'critics camp' I went to this month by one of the other fellows NYT terribly sad debacle going on with The Great Comet of 1812 on Broadway. When I first heard about Mandy Patinkin's casting I was thrilled because I haven't yet seen the show and totally love that man. But it seems in order to accomodate him (in the role formerly played by Josh Groban) they were ousting their current leading man Okieriete “Oak” Onaodowan (from Hamilton)earlier than his scheduled final date. The optics look bad even though Broadway shows do these type of celebrity casting changes constantly. Patinkin has now dropped out and Oak won't extend and now the entire cast, which includes several actors of color (the show was previously praised for its diverse casting), could be out of jobs because they might close early due to the public outrage.
Exit Video The new Charlie XCX video "Boys" is a sexy blast. So many celebrity cameos including the internet's current boyfriend Riz Ahmed, diver Tom Daley, and a slew of musicians. There is a chainsaw in this video but as Charli states
Judging by Hollywood’s gluttony with the bottomless box office buffet of remakes, sequels, and reboots, it’s a fair assumption that the average development slate subsists on a diet built purely on previously existing properties. Spider-Mans make for a great snack, Mummys are the perfect midnight meal, and Beauty and the Beast is the latest on Disney’s plate of microwaved leftovers. This week, as Frank Oz’s classic 1986 horror-comedy musical Little Shop of Horrorshits Warner Bros’ menu, the budding beast bellows once more: feed me!
EW Marisa Tomei joins the cast of Empire as a lesbian billionaire - whoa. Please let her throw down with Taraji Nicks Flick Picks is also on the halfway mark, year in review beat with a lot of movies I haven't seen (sigh) Jane Fonda on her summer screenings and returning to work on Grace and Frankie - she got an acting coach! EWPride & Prejudice & Zombies photos. Yikes. What's with the lingerie ad costumes? Awards Daily thinks Scorsese's Silence might be ready just in time for Oscar. I personally hope he takes his time and we get it next year. I like having breaks from the Oscar regulars or Oscar just becomes too much like the Emmys!
Slate thinks Rolan Emmerich's Stonewall looks too much like a cheap musical Playbill reminds us that Magic Mike (2012) is being made into a stage musical. What isn't... but still I'd totally forgotten Business Insider here's an area you never see covered: the weapons department on a studio picture. Terminator Genisys in this case Comics Alliance new pics from Batman vs. Superman. One of them seems to have Superman surrounded by a bunch of zombies so.... Twitter cracked me up when looking at that picture
Yes No Maybe So Queen of the Desert trailer has arrived, asking the question "Who the hell is Gertrud Bell" - I can't give it its own post because there are too many trailers these past couple of days. But you should YNMS in the comments if you're in the mood. So jealous of Robert Pattinson when he's holding those lion cubs. Awww.
Show Tune To Go Showtunes to Cherish For All Time These couple of weeks have all been about City Center productions for me. Every summer they do these amazing staged readings. Last week I saw Jonathan Groff and Ana Gasteyer do William Finn's "A New Brain" which is a terrific underperformed musical. (Gasteyer as it turns out was born for the musical stage, SNL aside). Next up is Sutton Foster doing "The Wild Party" so naturally I'm quite excited.
In between those two shows, as you may have heard, Ellen Greene reprised her "Audrey" role in Little Shop of Horrors this week at a staged reading at City Center. Jason went. I went. Joe Reid was wayyyyy up front (I was green with envy and confused since I bought my tickets the second they went on sale!). The New York Times Ben Brantley raved. Everyone was there. Or everyone will pretend to have been there years from now when people are still talking about this.
Ellen, who is now in her sixties, was in fine form and wearing her original costumes no less. She was a shameless ham, milking her every line, pose, and big notes for maximum audience pleasure. Whenever a singer with a gargantuan voice has a signature tune that they've sung for decades the tunes always get a little more affected every time, possibly to keep them entertained. (Have you heard Jennifer Holliday do "And I'm Telling You" lately? It's just a series of abstract vowels and growls now, it's so weird.) Ellen nearly took "Suddenly Seymour" there but still brought the house down. "Somewhere That's Green" on the other hand was just so tender and yearning and funny... my god the goosebumps. That voice can still send shivers all over you of aural pleasure, innate empathy, belly laughs. She's a treasure.
FWIW Jake Gyllenhaal played Seymour and he was very funny when ad-libbing (it's a staged reading with limited rehearsal time so some flubbed lines allow actors to embellish or get the audience on their side) and his voice ain't half bad either.
Ellen Greene's standing ovation was so epic and rumbling I feared the balcony would collapse and kill us all. Which would, come to think of it, be a fitting end for this grim comedy. The movie (be very grateful that her performance was preserved for all time) granted Audrey and Seymour a happy ending but they die in the musical. And then they sing their warning tale.
Whatever they offer you, don't feed the plant!
Picking a favorite song from this musical is impossible, I've listend to it so often over the years, but "Skid Row" is the one that doesn't get any attention that I cherish so here that is.