Beauty vs Beast: Saoirse and Her Sisters

Jason from MNPP here with another round of "Beauty vs Beast" for you people. This weekend Mary Queen of Scots hits theaters and I'm sure you'll hear more about it here being, you know, a movie starring two impressive young actresses being impressive once again - one of those actresses, the one called Saoirse, well she's spent 11 straight years now impressing us, and today we're looking back at the place that started, i.e. with Joe Wright's Atonement. Saoirse should face down female relatives more often - her "cousin" Queen Elizabeth, her mother Laurie Metcalf, her sister Keira Knightley... it works out well for her.

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PREVIOUSLY We tackled the parental figures of Moonlight last week (they could both use a good tackling, honestly) and y'all clearly thought the Oscars got it right, giving Mahershala Ali almost 70% of you vote. Said AlexD:

"Performance wise they're hand in hand for me. Both superb, both brilliantly adding depth and emotion to their characters. Ali shines all the dark and less flattering qualities of a character with whom we mostly sympathize on screen, while Harris humanizes a character with whom we don't (on screen)."

Beauty vs Beast: Black Boys Looking Blue

Jason from MNPP here, still a little stuffed with turkey but ready for this week's "Beauty vs Beast" poll nonetheless - Barry Jenkins' fine new film If Beale Street Could Talk is hitting screens in a couple of weeks, and so we turn our eyes upon 2016's most deserving Best Picture Winner Moonlight to prepare. It seems likely that the film's Best Supporting Actor winner Mahershala Ali will at least be nominated again this year, if not win, for his best-in-show work in Green Book, which I have few qualms with. But it does remind that I never understood why Naomie Harris' work in Moonlight went unrecognized at the Oscars, as she was best in that show for me. Granted her character is much more difficult to root for than Ali's conflicted dealer is...

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PREVIOUSLY Before the holiday we had ourselves a Fassy-Off, facing down two of Michael Fassbender's best perfomances for director Steve McQueen, and I guess TFE loves itself a sex addict because Shame's Brandon swung himself three-quarters of your vote. Said Sarah:

"I love both of these performances but I went with Hunger in the poll mostly because of the "foal" speech he gives which I love but Shame is a real powerhouse performance. It's a shame (heh) how people were so preoccupied with the full frontal that they don't give the performance (and the film and Mulligan) the credit it deserves."

Believe the hype: "Green Book" is a true crowd pleaser

by Nathaniel R

The final day and a half of the very short but very fun Middleburg Film Festival went by with a whirl. We've since received word on the winners. Though Middleburg is a non-juried festival, the audience votes for a people's choice style prize. The documentary winner was Biggest Little Farm, a film about the director and his wife trying to develop a sustainable farm on 200 acres in California. Farm has been making the festival rounds for the past two months and is aiming for an April 2019 bow in movie theaters.

The narrative feature winner, echoing the crowd-response at TIFF a month earlier, went to Peter Farrelly's Green Book. Green Book was the closing film of the festival and I was able to catch its first screening on Sunday before racing to the airport to return home. The crowd went wild for it and it's worth noting that Middleburg has a more diverse audience than a lot of festivals (that's probably due to the vast social connections of the founder Sheila C Johnson, co-founder of BET who is one of the nation's richest African-American women and very involved in the arts). Sadly I wasn't able to attend the Q&A though I did manage to snap this photo before racing to the airport as the star Viggo Mortensen, the composer Kris Bowers, and director Peter Farrelly entered to a wild standing ovation to discuss the movie... 

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Supporting Actor - New Oscar Chart!

by Nathaniel R

Barring a late year surprise like, oh any number of famous guys from the Dick Cheney biopic Vice (formerly known as Backseat), we may know the shape of the Best Supporting Actress race before any of the other acting races this year. That's unusual since the supporting shortlists usually clear up last since Best Picture heat is so (generally speaking) crucial to their composition.

So why the early cementing buzz? That's because  Mahershala Ali in Green Book, Sam Elliott in A Star is Born, and Timothée Chalamet in Beautiful Boy have all already staked a very solid claim. They look like the three who will be battling it out for the actual statue. The race would arguably already be wrapped up for Sam Elliott to honor both his long long career and this perfect fit of a role but for the fact that it looks like Ali and Chalamet, both co-leads in their films, will be competing in this category (sigh) since their co-leads (Viggo Mortensen and Steve Carell, respectively) also have penises but the advantage of top billing. So... you know how that goes with Oscar campaigns.

Check out the newly revised Supporting Actor Chart. All new text and photos for everyone!

would you rather...?

And now for a silly celeb-filled distraction from the awful real world (I threw my back out yesterday somehow and can't be with the marches against hate and on Trump Tower which is my real answer to what I'd rather be doing. But let's play anyway.

Would you rather...

• shower with Salma Hayek?
• night shoot with Rachel Bloom and Vincent Rodriguez?
• cockpit train with Mahershala?
• call Reese on her shell phone?
• share a moment with Luke Evans and his friend Lakshmi?
• play with Josh Brolin's snake?
• have some ice cream with Tony Shalhoub?

Pictures to help you decide after the jump.

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