Box Office: You Must "Focus"

I kept thinking of Agent Carter's Russian villain whenever I saw the trailer to Focus, because he said "you must focus" every other line in that series while he performed his instant super-hypnosis. Which was ridiculous but the show is really fun. Anyway: Will Smith! The media tour around Focus kept focusing (sorry) on how Will Smith is not concentrating on box office now! and Box Office doesn't define him! so they were obviously prepping for disaster should it happen. But no disaster. He's still bankable even if a $19 million opening isn't what he used to be able to carry off with ease. I wonder if the presence of Margot Robbie helped? Or maybe people don't even realize yet that it's "that hot girl from Wolf of Wall Street".

The other new wide release was the horror film The Lazarus Effect which did over $10 million. 

In news we care more about Julianne Moore entered the top ten for the first time with Still Alice during her Oscar-winning weekend and at $12 million already the Alzheimers drama is turning into quite a little hit for her. As beloved as she is, she's not a box office star so this is a major success --along the lines of a Far From Heaven. Unfortunately her other movie, the David Cronenberg picture Maps to the Stars, tanked in limited release. I'm sure the distributor utterly confused its potential audience by holding it in reserve during those weird intermittent bursts of buzz it had for well over 9 months and then releasing it quietly while everyone was concentrating on her other movie. But she's marvelous in that one, too.

The Irish thriller '71 starring Jack O'Connell and set during 'The Troubles' also opened in very limited release (reviewed) and it's very good so you should see it. 

What did you see this weekend? Or maybe you just stayed in to bingewatch House of Cards?

Red Carpet Lineup: Lead Actresses & The Aussie Invasion

It's the final poll of the 87th Oscars and our last red carpet lineup for awhile *sniffle*. In addition to those things this is your daily reminder that Julianne Moore won an Oscar. Because it needs to be repeated often as healing balm for our beleaguered actressexuality.

Who was best dressed on Oscar night? 

poll by twiigs.com

NATHANIEL: Please welcome back Anne Marie and Margaret to discuss these ladies (and five more, too). 

ANNE MARIE: Best Actress! Obviously, we must start by repeating the best news, which is that JULIANNE MOORE IS NOW AN ACADEMY AWARD WINNER. I get tingles when I write it.

MARGARET: BLESSED BE.

NATHANIEL: Thank you. This will serve as our daily reminder (Hee! Are you sick of the daily reminders yet?) But I have to say that beyond Juli as the season ran on I came to love this lineup abundantly. It's the best possible lineup we could have gotten given the media's reticence to admit that there were intersting and worthwhile performances happening all year long in all kinds of films. I even grew to love Felicity Jones in a way (I think she gets an unfair wrap as a coattails nominee when a lot of that movie depends on her emotional fluidity and stubborness. But I hate this dress. It's so off color and pale as to make her fade away.

MARGARET:  Felicity Jones' supportive-wife staple aside, how few 'types' there are! A really great array of characters, only improved by their great performances.

NATHANIEL: I even grew to love Felicity Jones in a way. Yes, it's a type. But I think she gets an unfair wrap as a coattails nominee when a lot of that movie depends on her emotional fluidity and romantic willfulness. But I hate this dress. It's burying her. It's so off color and pale as to make her fade away.

Reese & Rosamund & Aussie goddesses after the jump...

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Sundance: "Z for Zachariah" Creaks Under The Weight Of Its Allegory

Michael C here. It's only fitting that I wrap up my Sundance reviews at the end of the world. I could not stop my brain from rebelling throughout Craig Zobel’s Z for Zachariah.

I understood the director was going for a story that worked on an allegorical level. I respected how well Zobel built up a world with just three actors and a handful of rustic locales by letting our imaginations fill in the rest. I appreciated the craft on display. Zobel is a skilled visual storyteller aided immensely by Tim Orr’s evocative photography. The trio of actors playing maybe the last three people alive all do fine work, particularly Margot Robbie, showing impressive range in a character many miles removed from her Wolf of Wall Street trophy wife. I got all the reasons why the film should work, but it never snapped to life for me, maybe because the characters were all too laden with symbolism to feel like real people capable of acting spontaneously. I wanted the cast to quit it with the furtive glances and address the issues everyone in the audience figured out five scenes ago. [More...]

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Vanity Fair 2014 "The Hollywood Issue" (Part 2)

Part 1 ICYMI, the cover with Chiwetel, Julia, Idris and George

The Vanity Fair "Hollywood Issue" tradition with its glorious and glam pull out cover is our favorite among annuals. In this 3 or 4 part series we'll investigate the full issue, generally just as enticing as the cover, starting with the cover itself (parts 1 and 2). Before we get to each star individually we must praise VF for fashioning Lupita just like a living erect golden Oscar -- get that statue, girl! -- instead of just dropping her, subserviently, on the floor like The Hollywood Reporter did! [more]

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Linking

The Stir Laura Linney had a baby despite none of us knowing she was pregnant
The Wire Joe Reid plans to see all 58 Oscar nominated movies from 2013 
LA Times George Clooney pretends to be pissed about Tina Fey's Golden Globes joke 
Gawker loves the idea of Detroit getting a bronze Robocop statue. It needs a hero! 

Film School Rejects as I predicted Margot Robbie is wracking up the roles in the wake of Wolf of Wall St
Interview Magazine Kanye West interviewed by Steve McQueen. Expect quotables 

tv
/Film what's going on with Nicolas Winding Refn's Barbarella TV series? 
previouslytv "your crotch is not that interesting" on HBO's Looking 
Vulture on the new and improved Lady Edith on Downton Abbey 
Coming Soon Jason Isaacs is joining the Rosemary's Baby tv miniseries as Roman Castavet (good part!) ... and word is that Zoe Saldana may get the famous pixie cut for it

Looking premiered and I missed it. But more when i catch up with it

a chain reaction
NY Times has a piece about why it might be better for the cinema if there were less movies each year. It's an interesting article that I mostly agree with though I wholeheartedly wish that Manohla hadn't felt the need to diss Iron Man 3 which is hardly the best example of junk blockbusters out there -- at least it was trying something vaguely new, making a Tony Stark movie rather than an Iron Man movie essentially. But let's not get distracted. Her piece was provocative asking for curation over consumption for programmers and money people. 
The New Yorker disagrees, arguing that we only get the great discoveries because so many indie films are made. You can't predict which new artists will actually deliver. 
The Front Row takes this as an opportunity to talk about what the purpose of film criticism is in the internet era and then
Mark Harris comments, too
...all of which gives us plenty to think about.