Q&A: Young Directors, Male Actresses, Awesome Marisa

My apologies straightaway that this week's Q & A is so late. A particularly nasty bout of insomnia derailed me for over a day. I was without rail. Back on track now and the time has come to answer your questions, 10 of them at any rate.

BBats: What young director (3 or less films) are you most excited about seeing over the next decade?
Nathaniel: This is a great question but difficult because then you have to really stop and think about who made which pictures when and you have to set aside people you've been rooting for forever that will seemingly be 70 before they birth a third feature (I'm talking to you Jonathan Glazer and Kimberly Peirce). It'd be weird to say John Cameron Mitchell since he's been making great movies for a decade now but in fact he's only made three. Still it's hard to argue with that diverse, unique and cathartically vivid trio: Hedwig and the Angry Inch (2001), Shortbus (2006), and Rabbit Hole (2010). I would follow him anywhere though I might be shoving him from behind while doing so because he's too freaking slow. 

My list would have to include 34 year-old Cary Fukunaga who has made two features but already has a great sense of the camera's place in storytelling as well as a place's place in storytelling (Sin Nombre) if you get me. On top of that he's got a steady hand with strong actors (Jane Eyre). 

Cary Fukanaga, Xavier Dolan, and Steve McQueen

I'd also go with 22 year-old Xavier Dolan who sure can make pretty pictures (I Killed My Mother, Heartbeats) and can also act inside of them. His influences are super apparent but he's very young and it should be thrilling to watch that already glorious image-making while on the soundtrack a filmmaking voice find itself. I'm very curious as to how Andrea Arnold's career will develop. She already has an Oscar from that gritty compelling short film Wasp (2003) and Fish Tank was so special. Finally, there are two filmmakers who are about to unveil their sophomore feature after a startling debut: 37 year old Joachim Trier (will Oslo August 31st equal Reprise or prove too similar?) and 42 year-old Steve McQueen (will Shame top Hunger... but then how could it?) which means that my list is already up to five and your question was singular so I'll stop there. But the three names in bold are the ones I can't stop thinking about this year.

Roark: What's your favorite movie in your least favorite genre?
Nathaniel:  I'm not crazy about westerns but I love Howard Hawks's Red River (1948). I was going to say "horror" but then when I stop to recall how many I do love (Psycho, Carrie, Rosemary's Baby being the holy trinity) it becomes clear that I far prefer horror to westerns. 

Luke and Adrian: Best Post Oscar move for Natalie Portman?
Nathaniel: Laying low now that she's had her money-guzzling year. Wait it out until something challenging but different than Black Swan comes around. I'm guessing it would be a lot easier for her to find her next Closer than her next Black Swan so if I were her management team I'd be looking for a high profile prestige ensemble drama... or even a highly stylized but lighter something... She was terrific in Wes Anderson's Hotel Chevalier and the short treated her like a star. Directors who know how to frame her spectacular face and amp up her sexuality in deeper than surface ways tend to get the best rewards; too many Your Highnesses and Friends With Benefits and that Oscar win won't age well.

Evan: What three movies are you most looking forward to from the remainder of 2011?
Nathaniel: Shame for the McQueen/Fassbender reunion, The Skin I Live In for the Almodóvar/Banderas reunion, and I Don't Know How She Doe.... KIDDING! and  A Dangerous Method for the Cronenberg/Mortensen reunion. Look at me all Director/ACTOR things instead of actresses. Where am I? WHO AM I?

Mr W: And are you going to revive you reader spotlights any time soon?
Nathaniel: Yes. The new fall season of The Film Experience kicks off on September 13th and we'll also go back to honoring you... the collective you, I mean. Not that Mr. W isn't worth honoring :) 

Tom M: Which Male Actors (past and/or present) come closest to having careers/images/appeals like the actresses you love? (Not necessarily asking about your favorite actors but if there are any actors that trip your actressexual wire...if that makes any sense.)

my answer, plus Woody Allen and an ode to Marisa Tomei if you click-to-continue

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Notes From Venice: "The Ides of March"

Editor's Note: Please welcome Ferdi from Italy (pictured below) who has been a Film Experience reader for many years. He's also a critic for LoudVision so please visit them if you speak Italian. We're very happy to have him sending us bite-sized notes from Venice this year for The Film Experience. - Nathaniel R.

Ferdi reporting from the opening day of the 68th Venice Film Festival. 

TFE Correspondent Ferdinando Schiavone shot by Fabrizio Spinetta

The Ides Of March is exactly what we've come to expect from Clooney: a solid, classically made, political contemporary drama. It's got a subtle shakespearian twist, a sharp screenplay and a strong cast. (OK, Evan Rachel Wood is always Evans Rachel Wood but, dammit! she's always good). Ryan Gosling is undoubtedly best in show with a perfectly nuanced character arc. He sparkles most in a couple of tasty scenes with Wood. But poor Marisa Tomei is soooo underused (again!) and Clooney plays a character working up to a big speech in front of a live audience (again!). Nothing new or revolutionary here, but quite everything in the right place.

Hollywood glamour aside, it's quite a shy opening film for a festival this big. (Last year things were very different with the incendiary opener Black Swan.)

Photo via Zimbio

Everyone has been saying that The Ides of March is a good movie (perhaps because it's talking about the right things in a serious way) but where are the emotions? Press reaction at the very first screening ranged from good to tepid, but it took the arrival of the stars at the press conference (all present but for Gosling) before you could feel warmth of unconditional love. How will the public react tonight when it opens the festival?

Editor's Note: Now check out these starry photos that Ferdi sent along from his photographer Fabrizio Spinetta from tonight's big event. 

George Clooney in Venice © Fabrizio Spinetta

Two more fun photos after the jump! 

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Lazy Stupid Link

Links starring the cast of... u guessed it.
My New Plaid Pants 'Today's Fanboy Delusion' featuring Ryan Gosling.
Film Dr thinks the movie is "mostly stupid" 
La Daily Musto in praise of Marisa Tomei. Nearly twenty years since that Oscar win and still going strong.

Movie|Line 9 milestones in the evolution of Julianne Moore
Grantland on Julianne Moore's adulteress film tendencies. 

At this point, her very presence in a movie alerts us to an unstable sexuality lurking just below the surface — or at least at the bottom of that extra glass of Chardonnay. She’s a marriage-wrecking, conflict-creating, ginger-haired Jezebel.

It's true. The adulteress thing is getting as default mode as the Bad Mommy thing we've discussed repeatedly.

Miscellania
Bat Blog Tom Hardy on the set of Dark Knight Rises 
Boy Culture Abel Ferrara and his DP remember Dangerous Game. Lots of Madonna stories.. and yes, she was good in that film, detractors be damned. 
Television Blend Rosie O'Donnell gets a show on Oprah's network.
The Wrap Angelina Jolie and Brad Pitt plan to do less acting. Sigh and also: hasn't Angelina already been doing less acting even as she's continued to make films ;) ?

And finally just a heads up that Carrie Fisher's Wishful Drinking is now available on DVD. It's funny. My favorite part was the celebrity genealogy section that sprung from the Elizabeth Taylor vs Debbie Reynolds Eddie Fisher scandal. 

Red Carpet: Crazy Stupid Pockets, Friends With Penis Dresses

‪Nathaniel: For this episode of Red Carpet Convos, I'm joined by our resident fashion-obsessive Jose and Guy Lodge of In Contention. We begin with a Lineup, culled from the premieres of Friends With Benefits, Horrible Bosses, and Captain America, respectively. This triple feature is now available at your local multiplex.‬

Emma Stone, Jennifer Aniston, Captain & Love Interest, Somebody

Guy: Oh, I see why you got me for this one
Jose: hehe I see Jen again
Nathaniel: Guy, I should admit right up front that I think Jen looks hot here and I mean that both ways.
 Jose: ‬ ‪is that thing made out of leather?‬
Nathaniel: ‬ ‪Right? IN THE SUMMER.‬
 Guy: ‬ ‪Ha! I like that, in playing her first real vamp character, she's committed to the cause off-camera‬
It's like something Angie would have worn back when she was still fun.
 Nathaniel: ‬ ‪Spoken like a totally biased member of Team Aniston. Grrrr! I'm sorry but the news told me that it's over 100˚ outside -- I'm pretending outside doesn't exist (curtains drawn, air conditioning at full blast) -- so i can't even deal looking at this.‬
 ‪Guy: ‬ ‪But it's short! At least her legs are breathing.‬
 ‪
Jose: ‬ ‪speaking of which, both Jen & Angie tend to do the same over and over when it comes to clothes, so I'm actually thrilled that this time Jen gave her standard look (black and mini) a slight twist‬
 ‪Guy: ‬ ‪That's a very good point -- and the hair looks a little choppier and more summery. (Sorry, this is getting stalker-y on my part)‬
 ‪Jose: ‬ ‪I still never will get dress pockets though, especially in such a tiny dress, does she have her whips and feathered handcuffs in there?‬
Nathaniel: ‬ ‪Or mash notes from Guy.‬ And a restraining order.

Guy: ‬ ‪I'm all for dress pockets. Why should guys get all the comfort?‬
 ‪Jose: ‬ ‪because we don't get to have fabulous bags * sad face *‬
 ‪Guy: ‬ ‪I like stars who go a little bit casual (but still chic) for premieres -- save the real glamour for awards season, otherwise we'll never know when it ends.‬
Nathaniel:‬ ‪Point: Guy. But I don't approve of pockets on anything unless they're holding treats inside for pets... or hungry fans.‬
 ‪Guy: ‬ ‪ ‪Anyway, at leat Jen's pockets aren't on the OUTSIDE of her dress. What's going on with Emma Stone?‬
 ‪Jose: ‬ ‪don't mess with Lanvin, Guy!‬
Nathaniel: ‬ ‪Her pockets are big enough to fit other starlets inside. If those are indeed pockets. I feel compelled to tell you that this is my least favorite color combination that has yet been invented.
 

‪Jose: ‬ ‪her dress makes me sad for two reasons‬.‬ ‪it's obviously from the collection where Juli got hers for January and i think they would've been MUCH better if they had switched them, apparently pale redheads dig crazy pink Lanvin? ‪I do think it's a fantastic, bold look though, a bit too old for Emma maybe, but I loooooove it‬

 ‪Guy: ‬ ‪I actually like the red-pink clashing and the mini-Alexis Carrington shoulders... but it'd look so nice and trim without the sewn-on clutch bags. (I realise she's going to see Horrible Bosses, but how many flasks does she need to carry with her?)‬
Nathaniel: ‬ ‪Actually she was at Friends With Benefits so back off. Flasks fully justified.
Guy: ‬ ‪I'm glad she's a redhead again, though, even though she's a natural blonde, and even though I  usually criticise starlets for doing the reverse... it's all very confusing.‬
Nathaniel: ‬ ‪Yes.‬

Nathaniel: Moving on. Every time I try to think about what to say about Captain America and his love interest (Chris Evans and Hayley Atwell) I fall asleep.
 ‪Jose: ‬ ‪LOL‬. I resent that this Chris Evans person is trying to pretend he's all geeky and stuff now, every time I see him all Benjamin Button-ized in the trailer I want to kick his ass

 ‪Guy: ‬ ‪Is that Chris Evans? I didn't recognise him behind his cunning "look, I'm smart" disguise. And without his abs.‬
Nathaniel: Is he going for a Clark Kent thing here or is he ready to let himself go since he's said that those grueling two hour workouts to look like a super soldier made him want to vomit daily?
Jose: ‬ He's just being a drama queen. If I had those abs I would not bother with clothes EVER‬.

THERE'S MORE: Chris Evan abs (in motion), Ryan Gosling's perfection, Vanessa's unfortunate frock, Hayley Atwell's identity crisis and the über sexy cast of Crazy Stupid Love at their premiere AFTER THE JUMP.

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Stage Door: Marisa Tomei vs. Julianne Moore

Stage Door will now be a weekly Tuesday series featuring Nathaniel's (or other contributors') theatrical adventures and, as often as possible, how they do connect or could connect with the cinema. So pardon this Monday entry, and subsequent double dip, but 'tis the season; we'll do this again tomorrow for the Tony Award Nominations! But today... a few notes on Marie & Bruce, the current revival of the play with Marisa Tomei (it closes this coming weekend) and the movie version with Julianne Moore.

I mentioned the play briefly before. It opens with Marie and Bruce in bed. Marie is unable to sleep and proceeds to talk herself in circles, spewing bile towards her sleeping husband whom she apparently hates and plans to leave that very day. She tells us about his prized typewriter which she threw away and complains that it's a hot summer, they've both had the flu, and neither of them have jobs. After she wakes him, she emasculates him repeatedly while he tries to make coffee and dress for a lunch date. You get the sense that she's Martha but he's not George  --- a one sided Virginia Woolf (not that this play is a qualitative match but, then again, what is?). Instead of fighting back, he merely says "well darling" this and "well darling" that, smothering her with verbal affection which she returns with mocking bile.

The play is staged superbly in its current revival with a gorgeously flexible set which, with only minor adjustments, acts as the couple's bedroom, the dining room of a friend's party, and a romantic cafe. (It's basically a mini three-act play performed without intermission.  Both Marie and Bruce are hard to get to know but you still feel for them since they seem so ill at ease in all three environments. Or at least Marie does. The constant fourth-wall breaking monologues, which generally feel natural in theater settings and too affected in movies (and Marie and Bruce is no exception), help win you over to the harsh characters.

Throughout the entire second act, the party, you become privy to snippets of conversations from each partygoer. It's the best part of the play, staged ingeniously with a rotating set as if you're circling the party and drifting from conversation to conversation as people actually do at parties. Strangely, or perhaps ingeniously, the key to Marie's character seems to be one of these offhand conversations.

In the movie version, Marie (Julianne Moore) seems entirely stoned during the party sequence -- not just confused about her own feelings -- but she leans in to this particular party profundity (monday monologue alert!), bewildered but cognizant that she should understand it. And feels immediately sick thereafter.

Woman at Party: I understand what you're saying but isn't it possible for sometimes people to not feel what they actually do feel? Do you know what i mean?

I mean they may actually feel a certain thing but they don't really know that they do because
in their own conscience minds they're so incredibly involved in what they think that they feel that they don't really feel the thing at all. Do you see what i'm saying?

I mean like, for example, a very common example is when you're supposed to feel pleased by something thing like when somebody gives you a present and you're supposed to feel pleased but actually you don't because the thing is something that  actually you hate or you actually already have the thing. But you're not supposed to say 'Well, I really hate this.' You're supposed to say 'oh boy that's great I really like it.'

Julianne Moore has always had a gift with neurosis and her best characterizations tends to involve women who are lost to themselves through self delusion, mental illness, or societal mores (See: Amber Waves, Cathy Whitaker, Carol White, Laura Brown, etcetera). In theory Marie -- who seems very decisive only to gradually reveal herself to be confused and paralyzed -- is a perfect match for her gifts but it's actually Marisa Tomei who wins this round. It helps a lot that her vehicle is better all around and has more precise ideas about how Marie will interact with the audience; the movie can't seem to make up its mind about how much of a storyteller Marie should be or whether or not she should stare directly at the camera and break the fourth wall. But there is something in Tomei's gabby everywoman sensuality, and instant relatability that trumps the character's offputting nature. Marie is still an incredibly unhappy woman spreading her misery around -- Tomei doesn't sugarcoat it -- but she's somehow more sympathetic. Moore, with her inarguable star allure is maybe too much of a presence -- unwittingly closing the already impenetrable character off even further.

The play: B; The movie: C-; The current revival: B+/A-

Stage Door
Drama Desk Nominees announced. Color me very surprised that all three principles from Women on the Verge... got nominated: Sherie Rene Scott, Patti Lupone and Laura Benanti (pictured left). Only Benanti as the ditzy chatterbox who sleeps with a terrorist thrilled the audience the night I attended; the musical was no match for the Almodóvar source material.
Gold Derby has the Drama League nominees. I served one year on the nominating committee several years ago and it was a ton of fun (they have a rotating civilian section of the nominating committee)
Back Stage Blog Stage Seems that Sutton Foster (one of our favorites) and Bobby Canavale (The Station Agent, Will & Grace) are now an item.
Kritzerland Camelot's original London cast recording from 1964 is getting released this summer. Laurence Harvey instead of Richard Burton as King Arthur! [gasp]
La Daily Musto lists a very odd assortment of his fav "11th hour" Broadway Musical numbers. He seems to have a very loose definition... but there's absolutely no beating "LOT'S WIFE" from Caroline or Change. I saw that show twice and both times I thought I was going to explode inside it was so moving.