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Entries in Michelle Pfeiffer (203)

Sunday
Jul312022

Would you rather?

A game to excuse the hours we waste looking at celebrity instagrams. So... Would you rather?

• enjoy the ocean beside Julianne Moore?
• explore Lee Pace's cave?
• go barefoot on the streets of Paris w/ Janelle Monae?
• have a self-care day a la Millie Bobby Brown?
• play on a rug w/ Ranveer Singh?
• join Daryl Hannah in her bubble bath?
• watch Sharon Stone paint?
• make popcorn w/ Kevin Bacon?
• have a cup of coffee w/ Michelle Pfeiffer?
• flip and tumble like Nope's Brandon Perea?

Pictures are after the jump to help you decide.

Click to read more ...

Monday
May092022

What's next for Pfeiffer?

by Nathaniel R

Michelle behind the scenes of her THR photoshoot (from her Instagram acct)

Though we've been obsessed with Michelle Pfeiffer for our whole lives we haven't had much occassion to revel in that love given her infrequent appearances on screens in the past two decadess. At last, with her kids in their 20s and her unisex fragrance line Henry Rose fully established and successful, she finally appears to be ready to act frequently again. French Exit (2020) was an excellent warm up to return to leading lady status and she's absolutely acing the great role of the influential Betty Ford in The First Lady (2022) and receiving 'best-in-show' raves for her work. We're crossing our fingers for an Emmy nod.

What's next?

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Saturday
Apr232022

The First Lady, Ep. 1 - 'That White House'

by Eric Blume

Showtime's limited series The First Lady kicked off its premiere episode last week. It's a bit of a mixed bag out of the gate. The episode consists of several 10-minute-ish scenes covering each of our protagonists:  Michelle Obama (Viola Davis); Betty Ford (Michelle Pfeiffer); and Eleanor Roosevelt (Gillian Anderson).  A ticker on the bottom of the screen whisks us backward and forward between these women whose stories are about forty years apart from each other. 

There's not a great deal of grace in this back-and-forth execution, feeding us small glimpses of each lady in semi-satisfying increments that don't seem to have a meaningful connection between them outside of generic "I'm my own person" theme.  It's probably easiest to tackle these three stories independently, because episode one doesn't give us much of a linking thread or powerful throughline yet, and because there are pleasures to be had within the confines of this awkward setup...

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Friday
Dec242021

What If?: When Meryl Streep / Michelle Pfeiffer Almost Starred in "Evita"

by Gabriel Mayora

On Christmas day, twenty-five years ago, Evita (1996) premiered nationwide in theaters. The musical adaptation was helmed by Alan Parker and international superstar Madonna was its leading lady. For her divisive star turn, the actress was famously awarded a Golden Globe for Best Actress in a Musical or Comedy over Frances McDormand (Fargo), who went on to claim the Academy Award in the equivalent category a couple of months later. Yet, Madonna’s name was left out of the Academy’s Best Actress line-up, suggesting the casting and Madonna's pop stardom may have proven too controversial for the group. 

Much like Effie White, Fantine, and Velma Kelly, Eva Perón is the kind of role that appears destined to win awards sight unseen. What happened, then?

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Tuesday
Oct262021

Winona Ryder @ 50: "The Age of Innocence"

by Cláudio Alves

It didn't take long for Winona Ryder to capture the Academy's attention. In 1990, Mermaids marked the young actress' first brush with awards buzz, and, three years later, The Age of Innocence cashed in on that promise. For playing May Welland, the fiancée, then wife, of Daniel Day-Lewis' Newland Archer, Winona Ryder was nominated for the Best Supporting Actress Oscar and probably came quite close to winning. She won the Golden Globe and Anna Paquin's win at the Oscars for The Piano was considered a surprise at the time. And yet, reading reviews from the time and even modern considerations, it's clear that Ryder's performance isn't as universally beloved as her victories might imply. Indeed, it's divisive work…

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