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Entries in musicals (686)

Friday
Jun082018

Yes No Maybe So: A Star is Born

by Nathaniel R

When the trailer for the fourth version of A Star is Born hit yesterday everyone was all surprised like "omg this looks... good. Could it be good?" Dear reader, we been saying that via the Oscar charts! It certainly helps that Bradley Cooper enlisted DP Matthew Libatique (Black Swan, Requiem for a Dream, Tigerland, Iron Man) to shoot it and from early images it looks like Libatique knew what an attention grabber this could be and is really going for broke. So much color and beauty. Yes! Let's do a quick Yes No Maybe So™ on this (and a few more trailers) after the jump...

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Tuesday
Jun052018

Stage Door: Best Musical Nominees at the Tony Awards

by Nathaniel R

Though I have not seen as much Broadway theater as I'd hoped to this year, I have finally managed to see all of the nominees in the big kahuna Tony category: Best Musical. This is the marquee category each year in that it's the one that matters financially and for bragging rights the way "Best Picture," "Drama Series," and "Album of the Year" are saved for last at the Oscars, Emmys, and Grammys respectively... even if you might personally think other prizes more significant or telling. Let's rank the nominees after the jump, shall we?

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Wednesday
May302018

Soundtracking: "Hedwig and the Angry Inch"

by Chris Feil

Perhaps you missed that John Cameron Mitchell finally returned to the punk rock scene this past weekend with How to Talk to Girls at Parties, and honestly - what gives? Regardless of this Neil Gaiman adaptation’s quality, has everyone faded from the afterglow of Hedwig and the Angry Inch so quickly? (Mitchell's promise that the film is joining The Criterion Collection later this year should fix that.)

Mitchell has given us one of the most unique musicals of the past quarter century, so any return to musical adjacency (National Anthem or otherwise) deserves our attention. Or maybe the distinctive qualities of Hedwig make comparisons - its weathered reductive comparisons to every recent rock musical you can think of - a losing battle...

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Wednesday
May232018

Soundtracking: "Burlesque"

by Chris Feil

Much as we love it, isn’t Burlesque one of our least distinct recent original musicals? The genre is no stranger to borrowing tropes that have worked in the past and Burlesque is no exception - dreams of stardom, vague romance, putting on a show to save the barn. The real culprit here the film’s mishmash assemblage of tunes, populated with high peaks and easily ignored plains.

But I should shut up because really: who cares? It’s Cher, bitch!

And oft repeated quotables aside, the presence of a singing and dancing Cher on screen is a now rare delight that shouldn’t be taken for granted (soak up those Mamma Mia! 2 rays of sunshine this July, kids). Some are quick to forget that Cher is always in on the joke, or that her lack of pretension makes opulence where more self-serious performers would be trapped in chintziness...

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Tuesday
May222018

Q&A: Actors Who Should Be More Famous, Broadway Crossovers, and Animal Horror

Hello everyone!

Nathaniel, eternally cat-sittingWe haven't done a Q & A in so long so let's jump right in. In order to actually do these more often I'll answer just five or six questions at once. Hopefully this will stir up more focused comment parties, too!

PAR: Julianne Moore, Michelle Pfeiffer, and Annette Bening enter the thunderdome. Only one leaves. Who? - par

A: LOL! I hope you aren't being cruel and just making me sacrifice two of my all time favorites at the altar of, well, my Pfavorite. But if we're talking about cage matches in post-apocalypse desert landscapes my answer is The Bening. Moore would break down into crying jags in no time, becoming too vulnerable. Pfeiffer would seem like easy prey put up a very spirited and scary pfight but you know that The Bening is all wile and steel and surprise maneuvers. How else did she conquer Hollywood and Warren Beatty and continue to become even more incredible as an actress the older she got despite being brilliant right out of the gate?

STEVE G: What film out of Cannes 2018, that wasn't previously on your radar, are you most excited to see?

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