First Look: London's "Angels In America"

Chris here

While we will be discussing Tony nominations in the morning, there's also some excitement going on across the pond: the first London revival of Angels in America. Any revisit to Tony Kushner's masterpiece merits our highest enthusiasms, so let's pore over the first photos of the National Theatre production!

That's Nathan Lane as Roy Cohn to your left, a casting choice that I still argue is somewhat strange. However if there's a few necessary things Lane brings to the table, it's 1) his towering stage presence in roles that could swallow lesser actors whole and 2) impeccable comic chops - in Kushner's own notes, the play dies if its humor gets ignored.

If nothing else, it should be a small thrill to see a legend try to stretch their range onstage.

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London "Angels In America" Revival Coming to Cinemas!

Chris here, reminding you about an important revival coming across the pond. Tony Kushner's beloved Angels in America is getting a new production in London this spring, with probable Hacksaw Ridge Oscar nominee Andrew Garfield. But wait - it's also coming to cinemas!

The National Theatre production will be broadcast this summer with Part 1 on July 20 and Part 2 on July 21.  Garfield will play Prior Walter, but he's not the only star power in the production. Joining him will be Russell Tovey and Nathan Lane as Joe Pitt and Roy Cohn, respectively. All of this casting feels slightly off for my Angels-obsessive mind, but that's not enough to diminish my excitement! Here's a first look at the cast, which also includes James McArdle and Denise Gough:

The National Theatre has had several productions shown in cinemas, such as War Horse and Helen Mirren in The Audience. Have you seen any broadcast theatre productions on the big screen?

Stage Door: "The Nance" and How I Wish It Were a Movie

In Stage Door we tell you about our latest theatrical experiences here in NYC through our movie-mad filter

As you may recall I was out of the country this year when the Tony Awards happened and thus out of the theatrical loop. I didn't even realize until leaving the theater recently that the 'playsical' I'd just seen had been a multiple winner: Sound Design, Scenic Design, Costume Design (the great Ann Roth), and Original Music. Like one of those Oscar winners everyone thinks is exceedingly handsome but no one quite rapturously loves enough in the marquee categories. 

I'm referring to The Nance as a playsical because it is a play with music, all of the music being performance-based. The incidental music and the main talk-sung song -- a disposable come-on "meet me round the corner in a half an hour" performed multiple times by strippers and The Nance -- plays a key minor role since the story takes place in the final days of the waning vaudeville circuit in NYC in the 1930s and one theater in particular which becomes a target of right-wing politicans. [more...] 

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Great Moments in Gayness: "Fosse, Fosse, Fosse"

Happy Gay Pride Week Everyone!

Dancin' Dan here to wish you all a Happy Gay Pride Month! When I think about the first gay person I ever saw on screen, I usually think of Rupert Everett in My Best Friend's Wedding, a performance I kind of love in a film that actually has a very gay sensibility. But just recently I realized that there was a much gayer mainstream Hollywood hit which came out the year before that Julia Roberts vehicle : The Birdcage.

Yes, in 1996, The Birdcage was a massive hit. It was also, oddly enough, a prestige comedy - based on a popular French play-turned hit crossover film, directed by Oscar winner Mike Nichols, starring Oscar nominee Robin Williams and Oscar winners Gene Hackman and Dianne Wiest (the cast, which also starred soon-to-be-Tony winner Nathan Lane, actually won the Best Ensemble SAG Award that year). It grossed over $100 million. And not only did a good percentage of the film take place in the titular drag club, its two main characters were gay. [more...]

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SAG Ensemble Flashback: "The Birdcage!" & Oscar Trivia

With the Screen Actors Guild Awards less than a month away, let's look back at the history of our favorite SAG Category, "Outstanding Performance by a Cast" i.e. Best Ensemble. Though the Guild had long been in the business of lifetime achievement awards, they didn't hold their first full fledged awards ceremony until 1995 for the 1994 film year. That first SAG year did not include an Ensemble movie prize which is strange since they handed out TV ensemble prizes from the start so it's not like they hadn't dreamt up that honor! The next year Apollo 13, which was something of a frontrunner for Oscar's Best Picture prize (it eventually lost), won the inaugural ensemble prize. It beat a field that included only one other Oscar Best Picture nominee (Sense & Sensibility)... a percentage ratio you rarely see today.

At the third annual ceremony the award went to the (thankfully) dated gay marriage comedy The Birdcage (1996), based on the 1978 French classic and three-time Oscar nominee La Cage Aux Folles. The films farcical comedy emerges when a gay couple (Robin Williams & Nathan Lane) try to fool a conservative couple (Gene Hackman & Dianne Wiest) into thinking of them as a "reputable" traditional family so that the son can marry the other couple's daughter (Dan Futterman and Calista Flockhart). Everything goes wrong over dinner as the gay couple has a terrible time keeping up the facade.

This is so Guatemala. They put hardboiled things in everything down there. Because, you know, chicken is so important to them. it's their only real currency. A woman is said to be worth her weight in hens and a man's wealth is measured by the size of his cock."

Will you excuse me?"

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