It's Lucky Number Seven for the ASC

Jose here. As if this year wasn’t already complicated enough in terms of finding "the one" frontrunner (don't get me wrong, I'm not complaining!), now the American Society of Cinematographers has gone and made matters worse (in a totally beautiful way) by having their first three-way tie in history which led to a whopping seven nominees for their Outstanding Achievement in Cinematography in a Theatrical Release Award. Joining usual suspects 12 Years a Slave, Gravity and Inside Llewyn Davis were much less “obvious” choices including The Grandmaster (which our friend Michael has been championing) and Prisoners (which is kinda obvious...) and for those who think this means a snub for American Hustle should remember that none of Russell's movies have ever been nominated for a cinematography award by either ASC or AMPAS. 

The full list of nominees:

• Sean Bobbitt, for 12 Years a Slave
• Barry Ackroyd, for Captain Phillips
• Philippe Le Sourd for The Grandmaster
• Emmanuel Lubezki, for Gravity
• Bruno Delbonnel, for Inside Llewyn Davis
• Phedon Papamichael, for Nebraska
• Roger Deakins, for Prisoners

So far, Gravity and Inside Llewyn Davis have been racking up the critics awards in this category, so it’s interesting to see what an actual guild has to say. We could say that five of these will be our Oscar nominees, especially since the ASC and Oscar rarely agree in their nominees or awards (in 27 years only 10 ASC winners have gone on to win the Oscar).

TRIVIA and more after the jump!

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Nebraska, Finely Aged and Potentially Oscar Record-Breaking

I'm sure you've seen the melancholy yet uplifting new spot for Nebraska that points out the ages of its principal cast and how long they've been acting. It's inspiring, for sure, as longevity often is. Hollywood and the Oscars often favor the sprinters (note all the stars, particularly actresses, who won too soon and all the films that opened in the rush of awards season that were only hot for two months) but life is a marathon.

Assuming Bruce Dern and June Squibb are both nominated on January 16th (and smart money says they will be) they'll both be among the top three oldest performers ever nominated in their categories. It will break down like so...

OLDEST BEST ACTOR NOMINEES
01 Richard Farnsworth, The Straight Story (1999) who was 79
02 Bruce Dern, Nebraska (20) who is 77*
03 Henry Fonda, On Golden Pond (1981) who was 76
04 Clint Eastwood, Million Dollar Baby (2004) who was 74
05 Peter O'Toole, Venus (2006) who was also 74
06 Morgan Freeman, Invictus (2008) who was 72
07 Sir Laurence Olivier, The Boys From Brazil (1978) who was 71
08 Frank Langella, Nixon (2008) who was also 71
09 Paul Newman, Nobody's Fool (1994) who had just turned 70

Those are the only 70somethings ever nominated for Best Actor... if Robert Redford and Bruce Dern are both nominated we'll have a perfect full top ten of 70something Best Actor candidates; they're only two months apart in age (with Dern born first). Among these senior men Henry Fonda was the only winner. If Dern wins --  and I've long thought he might with that magic combo of a likely Best Picture nominee, a moving performance, and a stellar campaign --  he'll become the oldest winner ever in the Best Actor category. 

OLDEST BEST SUPPORTING ACTRESS NOMINEES
01. Gloria Stuart, Titanic (1997) who was 87... and the oldest in *any* category actually
02. Ruby Dee, American Gangster (2007) who was 85 *but there are conflicting reports on her age*
03. June Squibb, Nebraska (2013) who is 84
03. Jessica Tandy, Fried Green Tomatoes (1991) who was 82
05. Eva Le Gallienne, Resurrection (1980 - recently discussed) who had just turned 82

Those are the only 80somethings ever nominated in Supporting Actress and none of them won. Can June Squibb break the pattern this year? (The current oldest winner ever in this category is Dame Peggy Ashcroft for A Passage to India (1984) who was 77). Speaking of Squibb, have you been watching the American remake of the British nursing comedy series Getting On? Squibb guest stars in one episode as a foul-mouthed cigarette-smoking patient. She and Niecy Nash are pretty great together.

What do you make of Dern & Squibb's Oscar chances? 

Boston Chooses 12 Years A Slave, Enough Said?

The Boston Society of Film Critics' (BSFC) very first Best Picture prize went to Martin Scorsese's Raging Bull (1980) and over the next 32 years they've mixed smart off the path choices with future Oscar darlings. In the past decade they seem to have mellowed and mainstreamed and unless you count a tie in 2008 (Wall•E shared the prize with Slumdog), it's been well over a decade since that grabby run when they thought outside the box consistently (1998-2001) when they were giving Best Film prizes to great movies like Out of Sight (2 below the line Oscar nods) Three Kings (0 Oscar attention) and Mullholland Dr (1 Oscar nod) which were obviously not going to play big with the Academy. (During that period they were also making interesting calls in non Oscar-baiting performances so something about the membership must have changed thereafter.

This year they've wrapped their Bostonian arms around native New Yorker Solomon Northrup in a big way giving 12 Years a Slave three top prizes. They were also kind to Nebraska and Enough Said which each won 2 prizes. Full list of winners with commentary after the jump

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Team FYC: 'Nebraska' For Best Original Score

In this series TFE contributors sound off on their favorite fringe contenders. Here's Anne Marie on Mark Orton and the Tin Horns.

Alexander Payne's latest film Nebraska is getting much-deserved acting kudos. Bruce Dern has undoubtedly given a career-topping performance as the muddled and melancholy Woody. However, an unacknowledged but equally fine character is the folk score by Mark Orton. Orton reunited with his band the Tin Horns to play the music for his first feature film score. They mix traditional bluegrass elements like guitar and fiddle with surprises including a dobro and a xylophone. The effect is full Americana with a lot of quirkiness and a little sadness--giving voice to the unvoiced themes in the film.

Like Deborah, I ask that the Academy think small this year. We have the usualy heavy-hitters filling film scores with sound and fury, and soon the Coen Brothers will be releasing that other folk film that's sure to turn attention away from Nebraska. However, Mark Orton's score stands alone.  Like other characters in the film, the score hints at deeper meanings but never falls into the easy cliches and chords of melodrama. With deceptively simple orchestrations and a powerful musical thread throughout, Mark Orton has crafted a beautiful score that feels both familiar and unique.

Podcast: Spirited Spirit Discussion

In this week's episode,  Nick channels that THR Hollywood Actress Roundtable (previously live-blogged) and Nathaniel, Katey, and Joe join in but eventually it comes around to this week's topic: Spirit Award nominations.

We haven't seen all the films but the best thing about the Spirit Awards is advocacy for smaller titles you might not be familiar with. Are they shirking that privilege and responsibility with the focus on so many future Oscar nominees in the last few years? The discussion includes but is not limited to: Inside Llewyn Davis, Afternoon Delight, Mud, Upstream Color, Frances Ha, Fruitvale Station, All is Lost, Computer Chess, Short Term 12, Blue Caprice, and Spring Breakers.

You can listen at the bottom of the post or download it on iTunes. Join in the conversation in the comments.

Spirit Awards Nomination Chat