Visual Effects Shortlist - Scene Breakdown

By Ben Miller

The 10 finalists for the Best Visual Effects Oscar were announced last week.  Though once reserved for films that pushed the boundaries of what films could visualize, the Oscars have since gravitated towards spectacle and bombast.  Of the 10 films, none came from an independent studio or had a budget less than $100 million.  That isn't to say their effects should be discounted, but don't expect to see something like Ex Machina or shortlisted documentary Welcome to Chechnya from last year.  This category is usually reserved for outright spectacle, and these shortlisted films reflect that.

Let's focus on one specific setpiece per film that highlights the visual effects artists...

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Thankful for... Deborah Lipp

This year for our "thankful for" column we're mixing it up a bit and interviewing our team to share our gratitude for them. I first met DEBORAH LIPP through a mutual obsession with Mad Men. I'm proud to call her a friend and had the pleasure of attending her wedding several years back.

Deborah has a busy life (new books out!) so we dont see her around these parts much but she began popping in on occasion way back in 2012. As a James Bond fan she's written about her 007 favourite 007 films (and lots of other Bond posts). She's also wondered if Notorious is Hitchcock's only feminist film and since she loves romoms she's sung the praises of several here including Kissing Jessica Stein, Moonstruck, and and Four Weddings and a Funeral. She most recently popped in to review the final Daniel Craig Bond film No Time To Die.

Our short interview follows...

When did you first fall in love with the movies?

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Box Office: 007 Money and 2021's Highest Grossers

All you need to know about this very strange ecosystem shift in moviegoing is that an Icelandic language film (Lamb) made the overall top 10 despite having a per screen average of just $1,715. These are odd times we're living in when only blockbusters are making bank and even those aren't operating at close to full strength. There used to be 25-30 movies in wide release at any given time but there were literally only 8 in release this weekend here in the US. One wonders how the economics will all play in the future decade since streaming isn't as profitable as the traditional theatrical market and films have always been budgeted for pre-COVID realities. Will we see production values decrease in the next decade as Hollywood starts trying to make things on the cheap or just much higher subscription prices for streaming services?  What did you see this past week/weekend? More notes are after the jump.

Weekend Box Office October 8th-10th 🔺 = new or expanding / ★ = recommended
WIDE RELEASE	PLATFORM TITLES
No Time To Die	Lamb
1 NO TIME TO DIE 🔺  $56 Deborah's Review	1 LAMB 🔺 $1.0 in 583 theaters Cannes Capsule
2  VENOM LET THERE BE CARNAGE  $32 (cum. $141.6)	2 THE JESUS MUSIC [DOC] $150K in 270 theaters (cum. $857k)...

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Review: Daniel Craig's last stand in "No Time To Die"

by Deborah Lipp

No Time To Die explicitly advertises itself as “the conclusion” of a series that began with Casino Royale (2006), so there’s no spoiler in talking about No Time to Die (2021) as the conclusion of Daniel Craig’s James Bond series. I will keep major spoilers out, but I will certainly talk about this film in a way that understands it in the context of the Bond franchise, and as a “conclusion” of sorts. Fair warning and all that.

As we have come to expect from the Bond films of the last twenty or so years, No Time to Die is lavishly produced, has an A-list cast, and is beautiful to look at. As a standalone film, it’s good, perhaps very good, but the whole point of No Time to Die is that it isn't a standalone film. As a “conclusion,” it makes you ask questions: About James Bond and his future, about Daniel Craig and his legacy, about what a Bond film ultimately is...

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Yes No Maybe So: No Time to Die

by Deborah Lipp

The twenty-fifth official James Bond movie, No Time to Die, was originally scheduled for release in April, and was the first major movie to suffer delay due to the coronavirus pandemic. It is now scheduled for release on November 21st and a new trailer recently dropped.

How badly do we want to see it? Let’s break it down…

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