The 92nd Oscars Afterthoughts and the Complete Winners List

by Nathaniel R

You know how we do at The Film Experience. We'll have a few days of post-mortem on the 92nd Academy Awards, honoring the films of 2019. So it's not quite over yet but the rest is the after-party if you will. And we think you will feel like partying. We sure do. Parasite won 55% of your votes in our readers poll for who SHOULD win (with Hollywood and 1917 fighting for a distant second place on the Best Picture chart) and it also took the top prize at both the Team Experience Awards and my own prizes right here. And then it actually went and won Hollywood's top honor, too, defying all odds (again) to become the first Foreign Language picture ever to triumph at the Oscars. It will go down as history as one of the best choices the Academy ever made in the top category along with films like Moonlight, Silence of the Lambs, Amadeus, All About Eve, and other classics...

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Final Oscar Predictions!

Hello beloved readers and fellow cinephiles. Sorry for this ultra-last-minute prediction post (which is cross-posted at Towleroad) but let it serve a dual purpose. It's to be read now and/or laughed at after the Oscars once I've shown that my crystal ball is totally defective.

One of these three films will win Best Picture

If you've been living under a rock the Best Picture field looks like so...

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1999 with Nick: Best Cinematography Falls on "Cedars"

This week, in advance of the Oscars, Nick Davis is looking back at the Academy races of 20 years ago, spotlighting movies he’d never seen and what they teach us about those categories, then and now...

Spotlight Movie: Snow Falling on Cedars

Today's case study from the 72nd Academy Awards is a less auspicious instance than yesterday's of a movie sneaking onto Oscar's ballot with just one nomination. I'd also call it an example of good filmmaking that, in context, arguably constitutes bad filmmaking, or at least disappointing and misguided filmmaking. Cinematographer Robert Richardson is not the exclusive or even the primary defendant in the case I’m going to make. He was probably executing to the best of his ability the mandates of a director and a producing team intent on the picturesque. Still, I’m not sure we needed to reward him for following such dubious orders. And now, as so often in this movie, we flash back...

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Best Picture in Monochrome

by Cláudio Alves

The trend of rereleasing critical darlings in black and white is apparently here to stay. After George Miller’s Mad Max: Fury Road and James Mangold’s Logan, it’s time for Bong Joon-ho’s Parasite to be revisited in sharp monochrome. The artistic value of such exercises is dubious, but they do offer a chance to reflect upon a film’s visual idiom and aesthetic construction. After all, do these works gain something by being in color? Is that an intrinsic part of their form or simply a consequence of convention? Would they be better, at least better looking, in black and white?

Those answers will have to remain unanswered, but as a fun exercise here are some from this year’s Best Picture nominees. They’ve been drained of color for your pleasure…

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"Because you love movies"

by Cláudio Alves

There's something mercenary, a bit unseemly, about many Oscar campaigns. Nobody should be slighted for campaigning too hard or for showing they want the award too much, of course -- that's not what we're saying (no Hathahating here). Still, studio's FYC ads tend to feel pushy, more interested in vacuous hyperbole than a genuine celebration of any film's particular merits.

All of that said, sometimes a campaign hits the nail right on the head, negotiating the needs of clever promotion and cinephile wonderment with utmost ease. Such is the case of Once Upon a Time ...in Hollywood's latest ads. As the final Oscar voting starts, Sony has played its last card in the campaign game. It's a rather simple one, focused on special screenings and a bunch of traditional paper ads as well as some internet banners. Their genius lies in the simplicity of it all, avoiding incomprehensible lists of critics' prizes in favor of a simple powerful message...

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