Best International Film Reviews: Final Flurry before the Shortlist

by Cláudio Alves

The Oscar shortlists are almost upon us, culling the 90-plus Best International Film submissions to a measly 15-wide field. Unfortunately, that means we're running out of time to consider those unfortunate titles unlikely to catch AMPAS' eye, no matter how deserving they may be. This includes productions perchance a bit too low-profile and others whose style skews too far from the Academy's sweet spot. Sometimes it's a matter of formalistic austerity. Sometimes, unresolved bleakness or genre stylings do the troubling trick. So, from an Iranian movie set to an Alpine tragedy, going through multiple wartime tragedies and the domestic sorrows of an Irish girl, let's indulge in a final flurry of capsule-sized reviews…

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Oscar Volley: A deep dive into Best Actor

Team Experience is discussing the various Oscar categories. Here's Cláudio Alves, Michael Cusumano, and Elisa Giudici to discuss Best Actor.

ELISA GIUDICI: Last year, we thought this Oscar was locked by Chadwick Boseman's intense performance. Yet we were surprised by the outcome, with Anthony Hopkins winning the golden statuette. The Academy was so confident about Boseman’s victory they moved the Best Actor category after Best Picture, the traditional one that closes the ceremony… only to stare at an empty stage, because the winner Anthony Hopkins was at home, sleeping. In 2022, Will Smith is the frontrunner in the Best Actor category. The odds are clearly in his favor…

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Oscar Volley: Who will triumph in Best Documentary?

Team Experience is discussing the various Oscar categories. Here's Baby Clyde, Glenn Dunks, and Nick Taylor to discuss Best Documentary Feature.

Baby Clyde: Every December (Or more likely January) when I’m putting together my year end ‘Best of’ list, it’s always filled with docs and International Features. In recent years I’ve found them vastly more interesting than the prestige pics that get churned out by Hollywood and inevitably nominated for Best Picture (I’ll be coming to that soon). 2021 was no exception. Half of my Top 10 is made up of documentaries. Three of which have made it into this category.

The big, splashy, hit of the year Summer of Soul, cleared its biggest hurdle by making the list in the first place. (The sometimes snobby Doc branch is notorious for snubbing the crowd pleasers -- Remember the Won’t You Be My Neighbour? debacle).  Whilst I’m mostly delighted by the quality of the nominees it does leave me with a quandary... 

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Oscar Volley: ‘Cruella’ is the one to beat in Best Costume Design

Continuing our Oscar Volley series at The Film Experience.  Cláudio Alves and Glenn Dunks discuss Best Costume Design

Cláudio Alves: This is my favorite Oscar race! I studied Costume Design in college and still design for theater. However, that doesn't necessarily correlate to my appreciation of the Oscar category. That admiration stems instead from this branch's propensity for lone nominees, the recognition of films with little to no hope of breaking into other races. Sometimes, that lonely contender even wins, though it's been over a decade since that last happened – 2006's Marie Antoinette with costumes by Milena Canonero.

Truthfully, I could envision that occurring this year with Cruella. Beyond that Disney fashion show, one wonders if there'll be any surprise single-category nominees. Honestly, I'm having trouble coming up with a potential candidate unless it's Cyrano or House of Gucci drastically underperforms. What about you, Glenn? 

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Oscar Volley: It's a Best Supporting Actress lovefest!

Our Oscar Volley series continues with Cláudio Alves and Nick Taylor doing a deep dive on a category near and dear to their hearts...

NICK: First, quick introductions! What drew us to this category, you ask? The Supporting Actress category was one of my favorite fields to rummage through when I was initially exploring the Oscars. Tilda Swinton, Lupita Nyong’o, Sandy Dennis, Thelma Ritter, Mo’Nique, Dianne Wiest, Agnes Moorehead - all led me to new ideas about film and performance I hadn’t dreamed of before then. Watching talented actresses carve out whole worlds from the corners of their films became one of my favorite things to search for in movies.

I have a very specific memory of discovering the Supporting Actress Smackdown after watching Kramer vs Kramer for the first time only a few weeks after the podcast on 1979 dropped and listening to the discussion with rapt attention. And then the 1948 episode came out like, the next day! Gave me wild misconceptions on how fast things updated, lemme tell you...

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