Oscar Volley: It's a Best Supporting Actress lovefest!

Our Oscar Volley series continues with Cláudio Alves and Nick Taylor doing a deep dive on a category near and dear to their hearts...

NICK: First, quick introductions! What drew us to this category, you ask? The Supporting Actress category was one of my favorite fields to rummage through when I was initially exploring the Oscars. Tilda Swinton, Lupita Nyong’o, Sandy Dennis, Thelma Ritter, Mo’Nique, Dianne Wiest, Agnes Moorehead - all led me to new ideas about film and performance I hadn’t dreamed of before then. Watching talented actresses carve out whole worlds from the corners of their films became one of my favorite things to search for in movies.

I have a very specific memory of discovering the Supporting Actress Smackdown after watching Kramer vs Kramer for the first time only a few weeks after the podcast on 1979 dropped and listening to the discussion with rapt attention. And then the 1948 episode came out like, the next day! Gave me wild misconceptions on how fast things updated, lemme tell you...

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Oscar Volley: Can anything dethrone 'Dune' in Best Production Design?

With just over a week until nominations are announced Cláudio Alves, Mark Brinkerhoff, and Nathaniel Rogers discuss the Best Production Design race…

DUNE is in it to win it.

CLÁUDIO: The Art Directors Guild of America recently announced their nominees, and I'm in love with the Period Feature lineup. The French Dispatch, Licorice Pizza, Nightmare Alley, The Tragedy of Macbeth, and West Side Story offer such a varied approach to the matter of scenography, either swinging towards hyper-stylization or aiming for immersive historical accuracy. Honestly, I'd be OK if AMPAS just copied the guild's picks, though that's not likely to happen. Not with Dune in the conversation. As far as I'm concerned, it'd be a massive surprise if Patrice Vermette's conception of a dilapidated future doesn't end up winning it all. The scale of the achievement is undeniable, the sense of monumentality and balance between Villeneuve's sense of severe sci-fi and Frank Herbert's Baroque descriptions.

The question, then, is which of the period nominees will get the chop and if there are other outside contenders to consider. Examining the history of AMPAS' relationship to Paul Thomas Anderson's flicks, my guess is that Licorice Pizza is the most vulnerable. What do you think, Mark? 

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Oscar Punditry: Who Will Be Our Surprise Acting Nominee and Who Could Still Be Snubbed?

By: Christopher James

Kristen Stewart looking for where her SAG nomination went.The SAG Nominations sure threw a lot of people’s Oscar predictions upside down. One can always expect SAG to throw in a major curveball or two (call it the Sarah Silverman in I Smile Back effect). However, few could’ve predicted that former frontrunner Kristen Stewart would be snubbed for her role as Princess Diana in Spencer. It was almost as surprising to see Aunjanue Ellis miss for King Richard, especially when the movie made it into Outstanding Cast!

As surprising as it all was, we now have a lot of answers (rather than guesswork) as to who the major players are in Oscar's acting races since the Globes have already announced their winners, the Critics Choice nominations have long been out, and we've also seen the BAFTA longlist. We can use math and past Oscar patterns with these precursors to determine who the acting nominees might be this year...

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Best Picture Nominees - Who's Up? Who's Down?

by Christopher James

Is Nomadland still looking like the clear winner for Best Picture?

Oscar nomination morning changes everything. What it takes to be nominated for an Oscar and win an Oscar are very different. As we enter this new phase for the Oscars, who is best set up for success on April 25th? The eight Best Picture nominees were all the most nominated movies of the year. Mank led with ten nominations. The rest of the nominees all had relatively good days, each earning six nominations except for Promising Young Woman, which received five nominations. Among non-Best Picture nominees, Ma Rainey’s Black Bottom led with five nominations and News of the World with four nominations.

With the Oscar mainly coalescing around the eight Best Picture movies, which of them benefitted? Were any movies disappointments, despite a Best Picture nomination? Can anything beat current frontrunner Nomadland?

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Aaron Sorkin at the Oscars

by Cláudio Alves

With The Trial of the Chicago 7 streaming on Netflix, one of the season's strongest awards contenders is now widely available. Even in times of pandemic and one of the weirdest Oscar races ever, it feels like a safe bet to rely on AMPAS to shower the movie with gold. The Academy is known to love an inspirational true story and Sorkin's sophomore directorial effort fits the bill. Some would argue it does this too emphatically, choosing formulaic drama over probing political critique and structuring the narrative around Tom Hayden's redemption to the detriment of the other historical figures.

Whatever faults the movie has, such matters are unlikely to undermine what already feels like a sterling awards narrative. This is a picture of political repression and revolutionary ideals that reflects and comments on our present time. Its themes are as urgent as ever. Furthermore, the Academy has long shown they are keen on Sorkin's brand of self-righteous garrulousness, and almost all of his movies have received Oscar nominations. With that in mind, let's reminisce about the filmography of Aaron Sorkin and its presence at the Academy Awards…

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