Interview: Michael O'Connor on "Fussy" Costumes & Principal Actresses

A curious reversal: I'm discussing Oscar-voting with costume designer Michael O'Connor, an Oscar winner for The Duchess (2008) nominated again for his work on the Dickensian romantic drama The Invisible Woman and he reveals that, though he takes voting seriously, he doesn't really think it's a good thing to know too much about the behind the scenes achievements on movies, beyond what you can see and judge visually. 

Michael O'Connor and one of his Oscar-nominated designs from The Invisible Woman

That’s why I don’t teach or do classes. I don't think it would be a good experience. I want the discussion when I’m doing it because it helps me work but when you watch [a movie] you shouldn’t know the discussions. When you watch a film sometimes and stay for the Q&A it’s changed the experience because now you know some of the secrets. Some of the magic is not knowing. 

And, yet, once you get Michael O'Connor talking about his craft, he doesn't quit (a wonderful problem in an interview) and his passion for Costume Design is always front and center. I'm not at all convinced that he wouldn't make a good teacher but his students would have to be quick, as he leaps from topic to topic, sometimes without warning. 

From our vantage point in 2014 his current status as an Oscar winning costume designer seems inevitable...

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Curio: Oscar Party Craftiness

Alexa here with the weekly arts and crafts curio.

Listening to Joe, Nick and Nathaniel's discussion of Oscar parties reminded me about all the Oscar games and crafts I've been ambitiously bookmarking over the years.  Maybe it's our overlong Chicago winters, but I seem to get an attack of laziness the week of the show and forgo the crafts in favor of making loads of comfort food.  But really, I want that to change this year, because, how sweet are some of these ideas?  Fun for everyone!  Even the Oscar-averse.  

Probably my favorite is the idea of spray painting Ken dolls Oscar gold.  I love the idea of going all Goldfinger on a thrift store Ken, and getting a posable Oscar statue as a result.

More craft and game ideas after the jump...

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13 Days Til Oscar: Matthew McConaughey... And the 2000 Best Actress Race?

[The Oscar countdown continues with new contributor Matthew Eng - he wrote that popular Jennifer Lawrence piece! -- making a fascinating cross gender lines comparison to 13 years back]

Thirteen years ago, the only acting prize Matthew McConaughey seemed likely to ever win was a Razzie*. Or, you know, at least a Teen Choice Award. And yet, here we are, thirteen years later, all those Wedding Planners and Failure to Launches gone (but not forgotten), and Matthew McConaughey just so happens to be:

1. an Oscar nominee
2. the indisputable frontrunner of the Best Actor race, and
3. a presumable Oscar winner.

It’s the Second Coming of McConaughey, a shockingly successful, rule-breaking career reversal that approximately zero people saw coming. But can you really blame us, especially considering that pre-Magic Mike McConaughey seemed pretty intent on solidifying his status as a Hopeless Hollywood Himbo, continually submerging his skills behind a pair of wide-eyed peepers, a self-satisfied smirk, and a notorious, Southern-fried catchphrase that may have made for one great Matt Damon impression but which can still send even some of the more willing McConaughey converts up the wall?

It’s always nice to see a performer sizably step up their game, to start choosing roles for the challenge, rather than the check. Maybe it’s the nature of the Dallas Buyers Club role or maybe it’s the inconsistent reputation of the genre he spent the better part of the past decade residing in, but McConaughey’s performance and subsequent awards trajectory have been giving me major flashbacks to Julia Roberts and the 2000 Best Actress Race, which culminated with Roberts’ inevitable coronation nearly thirteen years ago. [More...]

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Beauty Vs Beast: Oscar Hustle

JA from MNPP here with this week's edition of everybody's new favorite fun-time activity Beauty Vs. Beast, wherein we pit a movie's good and bad guys against each other in a death-match of public opinion. First things first let us congratulate the winner of last week's inaugural poll - Rebecca's diabolical Mrs. Danvers pretty much shoved The Second Mrs. de Winter right out the window at the starting line and never looked back. We do love our maleficently repressed domestics. Viva Team Danvers!

And so on to this week's face off. I don't know if you guys are aware of this, but the Academy Awards are coming up in less than two weeks. Did you know that? I know! It's nutso bonkers. So in the spirit of the season let's do some Oscar-themed showdowns til then. And what better place to start than with the cinematic ode to financial slash follicle excess which translated into similar nomination generosity - David O. Russell's American Hustle, which really when you come down to it is just a series of show-downs itself between actors being looney-tunes all up on each other. And with that spark of gladatorial excess let's make this week a two-fer, lads versus ladies style.

poll by twiigs.com

poll by twiigs.com

You've got one week to vote, and we'll be back with the winners and a brand new round next Monday! And please do make your cases  for these folks in the comments...

When All Acting Nominees Come From Best Pictures...

If you're an Oscar stats geek, you should check out the new blog 1:37:1 which responded to the recent debate about whether or not the number of Oscar-nominated films is shrinking due to the expanded Best Picture field with lots of charts. It's fascinating but requires concentration. Then a follow up specifically looking at the acting categories.

All was lost this year for male actors without Best Picture heatThe most interesting finding in the second article is how enormously rare it is for an acting category to feature only performances from Best Picture nominated films. It's happened only 10 times in Oscar's entire 86 year history and 2 of those times were this year alone including, for the first time ever, in a supporting category. That's a disturbing development if you're of the opinion (and you should be) that great performances can happen anywhere including within movies that aren't otherwise popular or great.

The Only Times (Once All Acting Categories Were Invented) When All Acting Nominees in a Category Came From a "Best Picture"

• 1939 BEST ACTRESS Davis (Dark Victory), Dunne (Love Affair), Garbo (Ninotchka), Garson (Goodbye Mr Chips), Leigh (GWTW)
• 1940 BEST ACTRESS  Davis (The Letter), Fontaine (Rebecca), Hepburn (Philadelphia Story), Rogers (Kitty Foyle), Scott (Our Town)
• 1942 BEST ACTOR Cagney (Yankee Doodle Dandy), Colman (Random Harvest), Cooper (Pride...), Pidgeon (Mrs Miniver), Woolley (Pied Piper)
• 1943 BEST ACTOR Bogart (Casablanca), Cooper (For Whom The Bell Tolls), Lukas (Watch on Rhine), Pidgeon (Madame Curie), Rooney (The Human Comedy)
• 1964 BEST ACTOR Burton (Becket), Harrison (My Fair Lady) O'Toole (Becket), Quinn (Zorba the Greek), Sellers (Dr Strangelove)
• 1966 BEST ACTOR Arkin (Russians are Coming...), Caine (Alfie), Burton (Who's Afraid of Virginia Woolf, McQueen (Sand Pebbles), Scofield (Man For All Seasons)
• 1977 BEST ACTRESS Bancroft (Turning Point), Fonda (Julia), Keaton (Annie Hall), Maclaine (Turning Point), Mason (Goodbye Girl)
• 1988 BEST SUPPORTING ACTRESS Cusack (Working Girl), Davis (Accidental Tourist), McDormand (Mississippi), Pfeiffer (Dangerous), Weaver (Working Girl)
• 2013 BEST ACTOR Bale (Hustle), Dern (Nebraska), Ejiofor (12 Years), DiCaprio (Wolf of), McConaughey (DBC)
• 2013 BEST SUPPORTING ACTOR  Abdi (Capt. Phillips), Cooper (Hustle), Fassbender (12 Years), Hill (Wolf of), Leto (DBC) 

a sample chart from 1:37:1

As we can see and to no one's surprise if you've ever read an Oscar stat in your life, Best Actor has the closest ties to the Best Picture race. In the 64 year span (1944-2008) in which we had only 5 Best Pictures a year, though, this exact correlation Actor-Pictuer has only ever happened twice (1964 & 1966). 

Do your share Mark Harris's original concern that the Academy is actually looking at less films now than they use to for honors?