Almost There: Jamie Lee Curtis in "True Lies"

by Cláudio Alves

When announcing his honors for the year's first half, Nathaniel cited Jamie Lee Curtis among his Supporting Actress favorites. If Everything Everywhere All At Once keeps its buzz going into the awards season properly, we might see Curtis among this year's Oscar contenders. This Hollywood princess turned erstwhile scream queen has had a storied career full of outstanding performances, and it's about time the Academy pays her respect. Maybe the reason for her nomination-less state is that Curtis' best work tends to happen when she's playing in genre pictures – comedy, action, and horror. Such is the case of 1994's True Lies, a James Cameron-helmed action-comedy for which the actress got some buzz.

As we wait to see how Curtis' new Oscar hopes pan out, let's look back to the 90s and re-examine the actress' take on the character of Helen Tasker…

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Hit Me With Your Best Shot: Titanic (1997)

by Nathaniel R and other Best Shot participants

As our season finale (series finale, too, at least in this format) we thought 'Why not go down with the ship!!!' The RMS Titanic to be specific. Twenty-five years on James Cameron's Oscar-winning prestige disaster film Titanic (1997) is still giant with audiences and one of those rare movies that "plays" for everyone.

After the jump the choices from the Best Shot club...

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The Honoraries: Samuel L. Jackson in "Pulp Fiction"

We're celebrating each of the upcoming Honorary Oscar winners with a few pieces on their career.

“And you will know my name is the Lord when I lay my vengeance upon thee.”

by Lynn Lee

If Jungle Fever (1991) put Samuel L. Jackson on Hollywood’s map, Pulp Fiction (1994) made him a star.  With his jheri curl helmet, glowering eyes, and stentorian voice, Jackson’s gun-toting, Bible-quoting Jules Winnfield became an instant icon.  At least, it wasn’t long before high school and college boys of the mid to late ’90s were sporting “BAD MOTHERFUCKER” wallets and reciting his “path of the righteous” speech – without, of course, anything resembling SLJ’s diction or élan.

It wasn’t just him, of course...

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"sweetheart..."

Which Best Actress would you have voted for 25 years ago in the Oscar race?

• Brenda Blethyn, Secrets & Lies (BAFTA, GLOBE, LAFCA, CANNES, BSFC)
• Diane Keaton, Marvin's Room
• Frances McDormand, Fargo (SAG, OSCAR, NBR, CFCA, KCFCC, CCA, SEFCA)
• Kristin Scott Thomas, The English Patient (NBR *supporting)
• Emily Watson, Breaking The Waves (NYFCC, NSFC)

This is why we do Gold, Silver, and Bronze medals here at TFE. It's easier that way! Anyway... 1996 was one of those years like 1950, 1974, 1987, 1995, or 2006 that Best Actress fans will be debating forever. Do you think 2021/22 will be like that or will we look back on the current race as a mild 'coulda been better' one? 

Almost There: Ian McKellen in "Richard III"

by Cláudio Alves

With its streaming release on Apple TV+, it seems like everyone is watching The Tragedy of Macbeth. As people discuss Joel Coen's adaptation of Shakespeare's Scottish play, talks of Oscar are nearly unavoidable - Denzel Washington is poised to earn his ninth acting nomination for the titular role. However, while his awards triumph feels obvious, one shouldn't think that playing the Bard's most famous roles is an easy ticket to the Oscars. Many major adaptations have been snubbed over the years, and even when the Academy embraces a Shakespearean flick, it rarely extends such love to its cast.

Look no further than Sir Ian McKellen's first major bid at big-screen stardom. In 1995, after starring in a famed stage production directed by Richard Eyre, the actor decided to take that Richard III to the movies…

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