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Entries in Seann William Scott (3)

Friday
Sep162011

Cinema de Gym: 'Role Models'

Editor's Note: In Cinema de Gym, Kurt writes about whichever piece of whichever movie was playing while he cardio'ed. I wish my gym would play movies.

Kurt here. I've just moved from my suburban Philadelphia stomping grounds to a cozy new place in Brooklyn (yay!). Thus, no more weekly trips to the treadmill screening room, which, even if it had followed me here, would likely fall outside of my new monthly budget. But, fear not! I logged a lot of hours in that offbeat movie house, and though my scale might not reflect that (what gives?), I've compiled quite a lengthy list of gym films du jour. So, rather than bag the column, I'm going to burn through that Cinema de Gym queue, with a promise that my memory is sharp. 

Anyhoo, our title for today is Role Models, the 2008 Seann William Scott/Paul Rudd comedy about two dudes forced to mentor young kids as a means of community service. The segment I saw didn't reveal what crime led these guys to do the time, but it did feature a pre-Glee Jane Lynch as a characteristic ball-buster, her oppressive lectures showing more than just shades of Sue Sylvester. If not the probation officer of Scott and Rudd's characters (I couldn't tell), Lynch at least plays the woman running the role-model program, and she's rather candid about her history with drug addiction, the freedom from which has given her purpose, but hasn't much mended her social skills. Used to underscore a subversive tone that paints the legal system as bogus and chaotic, Lynch's slave driver seems wholly unequipped to work with kids, despite a constant assurance of her firm belief in the whole babysitting-as-rehab plan. She pairs Scott and Rudd with Ronnie (Bobb'e J. Thompson) and Augie (Christopher Mintz-Plasse), respectively, two kids whose lives are suffering from a lack of positive parental influence. Augie, specifically, lives with his small-minded mom and her smaller-minded boyfriend, both of whom take cruel, alternating shots at Augie's obsession with medieval role-playing.

However improbable, I liked the whole real-life world of warcraft the film cooks up as Augie's pasttime, a population of devoted, armor-wearing super dorks who turn a neighborhood park into their own Middle Earth, complete with duels, a king (Ken Jeong) and social hierarchy. It's a preferable second life for Augie, but his family's shortcomings render him defenseless when it, too, reveals itself to be a harsh place. Which is of course where Rudd comes into play, joining the club of tunic-wearing plastic sword wielders, and finally confronting Augie's troubles at the source. A dinner scene with Augie's parents has an appropriate, if obvious, gratification, with Rudd offering us vicarious jollies by telling the ignorant adults that they're deadbeats who don't have a clue who their son is. It's the scene in which everyone hears what they need to hear, including Rudd's character, who, if we're going by typical plot logic, fulfills his community service at that very point. 

I didn't get to see much of Scott and his foul-mouthed terror, who, as you may know, launched a mini-career as a go-to foul-mouthed terror following his performance in this film. Scott's current lack of work had me missing his presence (a recent stint in rehab offers some explanation for the career dip), and I'm sure if he'd appeared more often I would have had more laughs. The third feature effort from multi-hyphenate David Wain (Wet Hot American Summer), who's got a new one dropping in 2012 with Rudd and Jennifer Aniston, Role Models didn't strike me as all that funny, but it works in concept, and it suggests more emotional ambition than a lot of other titles of its ilk (which are legion, to be sure). Had the Lord of the Rings wagon arrived about eight or nine years earlier than it did (I was 20 when the last film stormed the Kodak), I maybe, just maybe, would have gravitated toward a Renaissance-Faire realm like Augie's, and if my parents were the sort who mocked it, I'm sure I wouldn't have minded having Paul Rudd go to bat for me.

Conclusions?

1. While she's done wonders for Jane Lynch's career, one could argue that Sue Sylvester also highlights how filmmakers have long been typecasting this gifted comedienne.
2. Speaking of typecasting, wouldn't it be interesting to see Mintz-Plasse in a non-geek role? 
3. Jerk parents who put their petty interests before those of their kids are pretty high on my list of love-to-hate characters.
4. I can't say I'm a fan of Rudd's career, but I think I'd get pretty weak in the knees if he stepped in to be my hero.

Who's your role model?

Sunday
Sep112011

TIFF: Norwegians and "Goons."

Paolo here. I've never made a secret that ever since watching that Lars von Trier film, it's been my goal to see TIFF movies that are pretty gross (I say last year's was Aronofsky's Black Swan but most would say Bruce LaBruce's LA Zombie). If the three films I saw today were combined, there would be more abject and nudity to rival all else. Oh, and these movies have some bad parenting too.

Apparently John 'Johnny Rotten' Lydon is making cameos now, appearing in and producing a movie called Sons of Norway. His younger self has a big presence and influence in the evolving characters, as young Nikolai watches the legendary rocker on television, the latter pretending to know about what 'punk' or what anything means. Nikolai is surrounded by people who have their own definitions of the musical movement, like his Communist/Dadist inspired father or a leather jacketed young man who fancies himself as a band's singer, recruiting Nikolai on lead guitars.

What I do like about it is how Nikolai's exposure to punk weaves in and out of a tragedy that befalls his mystically gifted mother instead of the latter causing the former. Most movies portray youths participating in antisocial behaviour as either a product of a bad generation or a family, and he is both. His mother couldn't have stopped him from listening to this kind of music and supports him, actually. His father also can't be bothered to be a good parent after being distraught, letting his son tend to the house. The movie is jus as easily about their father-son relationship, the former occasionally speechatizing his way to defend his son.

Why is this movie 'gross?' The answer... plus two more films after the jump.

Click to read more ...

Wednesday
Mar162011

linker like me

Did you see last night's Glee "Original Song"? I always feel so melancholy at Regionals episodes because I know that means no Glee for awhile. For a show I often actively dislike on account of lazy writing, wasted opportunities and ridiculously unnecessary pandering (People loved the show before it started pandering to them! Why bend over backwards to worry about what people might like now?), sometimes the show makes it really hard for me to pretend that I don't just love it, warts and all. So many highlights in this one, from Brittany's always dependable split second deadpan "favorite song: my headband" to a rare Mercedes showcase "Hell to the No" to a gay kiss played emphatically and without apology, to the return of undergirding themes (Rachel's future completely obvious stardom versus small town limitations) to that killer joyous finale "Loser Like Me" in which the kids learn the age old oppressed minority trick of turning insults into empowering F-you pride. Anyway, loved it. I still wish that show I loved last year about small town Broadway geeks trying to find their voices would come back but the new now old Glee is still great cathartic fun when it remembers to be.

Gold Derby on Mark Wahlberg's dreams of The Fighter Mickey Ward 2. Some sound-Oscar-reasoning from Wahlberg's Fighter alter ego Mickey Ward.
Awards Daily Natural Selection (feature) and Dragonslayer (documentary) win jury hearts at SXSW
Just Jared Seann William Scott taking care of personal and health matters in treatment. Best wishes. I think he's adorable even if he has way too many consonants in his name.
Movie|Line Ewwwww. They're rebooting Daredevil now?
Playbill Kathleen Turner (nearly back on Broadway in High) will be interviewed in the Times Talk series in May. Tickets available.
Movie|Line bizarre lengthy Tarzan audition tape
Gordon and the Whale Hey, if Alessadro Nivola gets Michael Fassbender's cast offs, maybe Fassbender should say no a little more often? I love them both but Nivola has been way too neglected and I don't want Fassy to burn out.

Beatrice Dalle and Jean-Hugues Anglade in BETTY BLUE

Acidemic "Beatrice Dalle My What Big Teeth You Have." Beatrice is on my mind as I just watched this newish french flick Domain where she is typically vivid and dangerous feeling, even while simply strolling through a park or ordering a glass of wine.  Have you ever seen Betty Blue? Still one of the craziest movies ever to snag a Best Foreign Film Oscar nom.
Towleroad Remember that story about Jake Gyllenhaal being photographed in a men's room at SXSW. It's been animated. (The transformation into Jack Twist is a funny touch.)
Serious Film revisits Viggo Mortensen's Oscar worthy work in A History of Violence.