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Entries in Sharlto Copley (3)

Wednesday
Nov052014

Yes No Maybe So: Chappie

Manuel here to play our favorite trailer watching game.

Is it safe to say that of the 47 films to have been nominated for Best Picture ever since the category's expansion, District 9 remains the oddest, with its sci-fi concept, low-tech execution and lack of big name recognition? Neill Blomkamp and Sharlto Copley followed that up with Elysium which very few of us have thought about since it came out. They’re re-teamed for Chappie which, well, I’ll just give you the synopsis:

Every child comes into the world full of promise, and none more so than Chappie: he is gifted, special, a prodigy. Like any child, Chappie will come under the influence of his surroundings - some good, some bad - and he will rely on his heart and soul to find his way in the world and become his own man. But there's one thing that makes Chappie different from anyone else: he is a robot. The first robot with the ability to think and feel for himself. His life, his story, will change the way the world looks at robots and humans forever.

They’ve both lost me already; wanna see whether the trailer won me back? Herewith, a special YES/NO/MAYBE SO assessment of this trailer via all of the films it made me think of as I was watching it:

YES

- Chappie’s character design is enough of a riff on known commodities (C3PO, Short Circuit, 80s Robot) without feeling derivative. I particularly love the ears/antenna.
- I'm fascinated by the fact that Copley is (to my knowledge) not playing Chappie via motion capture a la Serkis, but rather in a more rudimentary fashion ("they're animating over my movements," he notes). That might make for an interesting approach; and might give us an interesting Copley performance.
- I love the POV shot from inside Chappie’s head (is he also looking for Sarah Connor?)
- That He-Man cameo is pretty awesome.
- District 9 still holds enough goodwill for me to give this a tentative yes.
- IMDB informs me that Sigourney Weaver is in this which YES! but…

NO

- ...were we just denied a Weaver sighting and is that enough for me to notch a NO? Yes and yes.
- All those explosions towards the end reminded me of Elysium (and every other action film ever made).
- Hugh Jackman + Robots = Real Steel flashbacks.
- “A.I. is unpredictable” immediately made me think of Transcendence (and of Rebecca Hall’s career; anyone have any news? Will she be given a non-thankless role soon?).
- Artificial Intelligence is a fascinating topic, but why must paranoia be pit against government involvement? Why must it always lead to things exploding and people getting shot? 
- “One machine’s journey… to become his own man,” Can we talk about this tag-line? Is Chappie secretly Kal-El? Must newly sentient beings always be framed within a masculinist view of progress? Suddenly the He-Man cameo feels less awesome. Add in a "girl in danger in need of being saved" shot and this needlessly testosterone-fueled trailer is ticking all my "No" boxes.
- The "You taught me so much more" line had me eye-rolling (Might as well be “I’m just a guy, in front of his robot…”).
- The overall design and aesthetic seems particularly reminiscent of District 9 if a bit more playful and colorful (are we in a pseudo-Eastern European dystopia with a dash of punk-rock?), but there’s very little that pops in this trailer for me (give or take a bad Jackman haircut).

MAYBE SO

- That moment with the carton of milk.
- You’ll notice this from the images above, but I think there might something else going on this film despite its ho-hum, by-the-numbers trailer (with its run-of-the-mill soundtrack, flashing title cards and kaboom! ending) and it falls more in line with the fish-out-of-water humor Disney just used to promote Baymax in Big Hero 6 and which successfully launched WALL-E as an adorably Streisand obsessed curious robot.
- The insistence of seeing Chappie as a “child” seems to be aiming for a type of Lilo & Stitch (“Do you know what a black sheep is?”) and E.T. (“You’re name is… Chappie!”) dynamic. Might this be the type of film Blomkamp and Copley have in store for us? The poster is definitely more family friendly than the film this trailer is selling.

Watch and judge for yourself:

I must say I fall in the "No, thank you, I'll pass, wake me up if we were somehow duped by this subpar trailer" camp.  I don't want to ask whether this film will break new ground (good or even entertaining films need not do that) but I can't quite stomach the tried-and-true uplifting human spirit in a non-human vessel that'll lead to bullets and sacrifice vibe I'm getting. Disagree? Do we think Copley & Blomkamp have another surprise hit in their robotic hands?

Sunday
Aug112013

Review: "Elysium"

This review was previously published in my column at Towleroad

Matt Damon has a gym membership but no health care in ElysiumIn the future everyone has trouble finding good healthcare, there is no middle class, and Los Angeles is a cesspool. So far, so believable. By the future you mean next week, right? Dystopian fantasies work best when they prey on current fears and exaggerate like a mofo. ELYSIUM knows just where we hurt, aiming squarely for our 'have-not' wounds. Though there is no direct talk of politics in Neill Blomkamp's action flick / sci-fi allegory, this 22nd century Earth is a place where the Right Wing have obviously long since won the political wars. The Koch Brothers and Friends, the "Corporations are People!" set, have vacated the filthy planet altogether to rule from afar and horde their wealth. They orbit the earth in mouthwatering luxury aboard the titular space station Elysium which spins like a pricey slo-mo hamster wheel (think 2001: A Space Odyssey. Add bling, swimming pools and golf courses), though it's undoubtedly the 99% who are powering it with their sweaty manual labor.

One such laborer is Max DaCosta (Matt Damon) who is foolishly hoping to 'work his way up' and buy a ticket to Elysium. He's an ex-con, though, and delusional about his future prospects. Even his childhood love Frey (Alice Braga), a stand-up citizen and steadily employed nurse can't afford to move there. In the future good health care is only available to the 1% despite technology so advanced that anything this side of death is instantaneously curable (think magic not medicine) and Max and Frey are out of luck. Socioeconomic mobility is as extinct as the weird animals that Max and Frey look at in picture books as children in flashbacks -- what the hell is a giraffe?

And also: why is Jodie Foster so pissed off???  

Click to read more ...

Friday
May042012

The Link Initiative

The Avengers Initiative
Wired the physics of the Hulk's jump
Monkey See suggests some other team-up films that should follow The Avengers. Love the ending. Hee!
Guardian have you heard this ridiculously whiny Samuel L Jackson story? He's incensed that AO Scott gave The Avengers a thumbs down. I like AO Scott. The New York Times critic was at my screening and patiently waited in line. NY 1's Neil Rosen thought himself way too important to wait and just walked to the front. How do you like them apples? 
Scanners Jim Emerson sounds off on this same controversy (the Jackson vs Scott thing not Rosen's apples!) 

Not Relation
Empire Joseph Gordon-Levitt may headline a remake of Little Shop of Horrors (1986). Uh, good luck finding another Ellen Greene.
Coming Soon Sharlto Copley (District 9) is lining up a lot of movies. He next stars in Old Grave then Old Boy (the two films are not related) and now maybe Maleficent with Angelina Jolie
Details The Friday Night Lights movie is on! Squeeeeeeee
Cinema Blend Kellan Lutz will play a motion capture animated Tarzan in another adventure for the vine swinging ape man
The Wrap in the most important news of the century Demi Moore changes her twitter handle. She's no longers Mrs Kutcher 
Towleroad Anna Paquin "being bisexual is actually a thing"
Next Movie summer blockbusters reimagined as indies via their posters 

California readers take note: There's a three benefit celebrity-hosted performance of The Last Five Years in Hollywood this weekend. It's easily one of the five best original musicals to emerge in the last 10 years and you can buy tickets here. I can't imagine how it will quite work in terms of cumulative emotion with a rotating cast -- it's a two person musical in which the lovers tell their story forwards (the man) and backwards (the woman) simultaneously but it so transcends its gimmick. If you've never seen it, go. If you're not near Hollywood, give the CD a chance if you love musicals. 

I use to want to see it made into a movie but it's probably better left untouched since it's so very much a stage piece.