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Entries in short films (225)

Friday
Oct302015

Trailers for Short Oscar finalists

AMPAS has selected 10 documentary shorts from their undoubtedly long (unpublished that we know of) eligibility list to compete for the 5 nominations in the category. For those who are unaware the short film race at the Oscars each year can be a hodgepodge of years (no release dates apply obviously) because the shorts qualify for the competition by winning prizes at Oscar-qualifying festivals around the world. (The short film categories are often as international as the Foreign Language Film Award.) And the festival journey can be a long one for tiny low profile films. 

Doc trailers after the jump and a few Animated shorts, too...

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Friday
Oct162015

"Tilda Swinton" by Christopher Doyle

How have we not seen this short film from legendary cinematography Christopher Doyle before? It plays like a music video but the title and subject is Tilda Swinton. Well Tilda AND Shanghai AND Chanel.

"TILDA SWINTON" BY CHRISTOPHER DOYLE from Diane Pernet's ASVOFF on Vimeo.

 

Tilda Swinton, the goddess extrordinaire, descended in Shanghai on the day of the Solstice. In this film by Christopher Doyle, colors, textures and physiques merge into landscape. Swinton transforms her body into striking brushes and shapes against the backdrop of Pudong's skyscrapers and the dark alleys behind.

Hat tip to The Film Stage for pointing us to this unseen curio. 

Monday
Oct122015

Tim's Toons: The cool worlds of Ralph Bakshi

Tim here with as big a story as animation is apt to produce: Ralph Bakshi will debut Last Days of Coney Island on Vimeo on October 29th, on his 77th birthday no less. It's his first animated project since a pair of short films in 1997.) This makes the second time in 2015 that a triple-A Animation God has used that platform to show the world his newest project. (The first was Don Hertzfeldt's World of Tomorrow in March; but as much as we should all of us love and adore Hertzfeldt and his work, there's no comparing his prominence in the animation ecosystem to that of Bakshi, a figure who earns every bit of the phrase "living legend".)

I write these words as a person who, confessedly, doesn't have much affection for Bakshi's output. Still, it's impossible not to be curious what the mind behind the most visible underground animation in history has up his sleeve, now that the 21st Century and digital distribution have come around to offer him new avenues to showcase his art. 

I'd like to share a short primer of the offbeat corners that the always-ambitious, frequently hapless auteur has explored in his 43-year career (after the jump)

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Saturday
Sep262015

NYFF: Shorts (Animated & International)

Part of the joy of film festivals (I’m told) is discovery, and so, this being Manuel's first full New York Film Festival, he figured he’d give its various Shorts Programs a chance.

It’s not a form I watch often though you’d think it’d be growing in popularity given our ever-shrinking attention spans. And with that in mind, rather than review all thirteen shorts I watched, I’ve singled out highlights from the programs screening at the festival, which include Pixar’s latest and a dazzling black and white queer short from Argentina. More...

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Friday
Aug282015

Tim's Toons: Three Animated Oddities of 1954

Tim returning to duty.

August has been 1954 Month here at the Film Experience, and it now falls upon me to share with you the animation of that year. And man, it was a weird 'un. The important place to start is noting that in '54, Walt Disney - the man, not the multinational entertainment corporation - was massively obsessed with the creation of his brand-new theme park out in California, and the brand-new television show on ABC that shared its name and served as the new funnel for all his creative and commercial instincts.

With Disney - the multinational entertainment corporation, not the man - thus a bit rudderless, there was a void in American animation like there hadn't been since Mickey Mouse's 1928 debut, basically. Disney itself was beginning to experiment with form in ways that Walt did not approve of, since Walt wasn't paying attention anymore, and the result was things like the Oscar-nominated short Pigs Is Pigs, one of the very weirdest shorts in the studio's history.

More...

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