Oscar's Foreign Race Pt 4: "Hey, I know that face!"

"everything u ever wanted to know about the foreign film category
*...but were afraid to ask"
Pt 1 All 81 Trailers | Pt 2 Women Directors & Debut Filmmakers | Pt 3 Zoology 

Actors You Know & Possibly Love
Successful actors really rack up the frequent flyer miles. The savvy ones cultivate relationships wherever they go. The very smartest of them pick up a second or third or fourth language and actually use those languages in their careers. Viggo Mortensen doesn't have quite the Hollywood career he deserves but notice that he doesn't settle - he's truly in love with his craft and uses his Spanish, English, Danish, and French in films all over the world. When the Danish Connie Nielsen was starting to look basic after lots of unsatisfying American films, she reminded everyone that she was actually gifted by going international with France's demonlover and returning home for Brothers. Actors who are bilingual and never use that onscreen are a mystery. It would be fun to see Sandra Bullock in a German movie or Hugh Jackman or Bradley Cooper in a French flick... even if it was only cameos since we know none of them are hurting for work. Why did Mira Sorvino not really capitalize on her Mandarin during her long dry spell? It's no accident that Charlotte Rampling and Carmen Maura never stopped working or that Kristin Scott Thomas only quit working when she wanted to; they speak multiple languages and make films outside their home countries often.

Let's look at the actors with a strong international presence that pop up in this year's Oscar submitted foreign-language films after the jump...

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NYFF: The (Prettiest) Assassin

Nathaniel returning to life, albeit to watch a film about someone who ends it, on the closing weekend of the 53rd New York Film Festival

If you believe in cinema as a reflection of reality then every college should offer at least undergraduate courses in Becoming an Assassin because that profession is always hiring! According to the movies, there are more assassins in the world than accountants. Full disclosure: I'm no fan of this overflowing subgenre. Assassin movies, like their counterparts Gangster Dramas and Serial Killer Thrillers, often glorify death-dealing or at least cast their protagonists as noble "anti-heroes" or admirably gifted / committed to their criminal art. [More...]

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Oscar Contender "The Assassin" Leads the Golden Horse Nominations

Nominations for the 52nd annual Golden Horse Awards have been announced with Taiwan's Oscar submission The Assassin leading the pack as well as netting arthouse favorite Hou Hsiao-Hsien a non-competitive statue for "Outstanding Taiwanese Filmmaker" to go along with his Best Director prize from Cannes earlier this year. The Assassin opens in limited US theatrical release on October 16th via Well Go entertainment. China's Oscar submission Wolf Totem, which is actually from animal-movie loving French director Jean-Jacques Annaud (!), only received 1 nomination for visual effects. The latter film is about a student living with Mongolian herders who adopts a wolf cub. 

Though The Assassin is likely to sweep the Golden Horses outside of acting (where only the ridiculously beautiful Shu Qi, Hou's regular muse, is nominated. No Chen Chang? Grrrr.) it's not the only big deal in Chinese languages cinema this year. Taiwan's Thanatos, Drunk, Hong Kong's popular crime thriller Port of Call, and China's acclaimed festival favorite Mountains May Depart also reaped several nominations. The event will be held on November 21st in Taipei. 

BEST FEATURE FILM

• The Assassin (Taiwanese arthouse action epic, Oscar submission)
• Mountains May Depart (Chinese family drama spanning 1995 to the future of 2025)
• Port of Call (Hong Kong crime thriller) 
• Thanatos, Drunk (Taiwanese LGBT-interest sibling drama)
• Tharlo (Tibetan black and white drama)

A complete list of nominations after the jump...

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Potential Foreign Oscar Submissions from Cannes

While most of the world obsesses on Eurovision today, we'll stayed obsessed with France. The Cannes festival ends tomorrow with the awards ceremony and the biggies like the Palme D'Or (the overall winner) Best Actress (or 'The Anti-Marion' as it will surely soon be retitled since she's in the mix every single year but never wins) and the Camera D'Or (first film). But until tomorrow afternoon when we hear those honors, we've still got plenty to discuss including potential Oscar submissions (I must soon create those massive foreign submission charts) and the first wave of jury prizes.

UN CERTAIN REGARD
Isabella Rossellini's jury has handed out their prizes with this statement from Rossellini

We, the jury, would like to thank the Festival de Cannes for inviting us to be part of the Jury for Un Certain Regard. The experience of watching nineteen films from twenty-one countries was memorable. It was like taking a flight over our Planet and its inhabitants… Any anthropologist would be envious of us. We would like in particular to thank Thierry Frémaux and his team for their incredible kindness. I cannot refrain from expressing also my personal gratitude to the Festival for having chosen my mother Ingrid Bergman for the poster of the 68th edition of this festival. Mamma seems to hovered over all of us, filmmakers and film lovers, as a guardian angel. Thank you.

Here's a roundup of prizes including many potential Oscar submissions for Best Foreign Language Film...

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'some say Link, it is a hunger, an endless aching need...♪'

The Star is TIFF about to get an "In Competition" slate at their annual festival? They've always avoided it
Playbill Sutton Foster visited "The View" and talked Thoroughly Modern Millie and her new show Younger (which she is typically excellent/adorable/funny in if you haven't yet watched it. No musical numbers yet though, boo!)
Wired has a longform oral history of ILM (Industrial Light & Magic) for its 40th anniversary, the fx house created originally for Star Wars that changed movies. 
The Daily Beast on Flula Borg, the German scene stealer from Pitch Perfect 2
Playbill this always kind of annoys me but non-nominated musicals will be performing at the Tony Awards: Gigi, Finding Neverland, and It Shoulda Been You. Better to spend the time focusing on nominees, I think.
Comics Alliance Vertigo Comics was totally prepared for the world to go wild for Mad Max Fury Road. They already have prequel comics and an art book with pre-comissioned tributes by major comic artists.
Towleroad Nick the Gardener takes you on a behind the scene tour of Magic Mike XXL for Ellen

Cannes Cannes
RogerEbert.com loves Hou Hsiao-hsien’s longawaited epic The Assassin starring Shu Qi. Another Palme d'Or contender? This year seems highly competitive.  But mixed on Youth... which is apparently highly influenced by 8½
Awards Daily Sasha says that Paolo Sorrentino's Youth about two old men in the film industry, one retired (Caine) one still working (Keitel) will be catnip to Oscar voters 
In Contention says Emily Blunt is "spectacular" in Sicario but Benicio del Toro is the MVP
The Playlist [NSFW] has a clip from Gaspar Noé's Love  

"Mad" Must Reads
Because people can't stop writing about the Mad Men finale and George Miller's fourth Mad Max film. These are highly recommended!

Emily Nussbaum on the "existential brilliance" of the Mad Men finale 
Julianne Escobedo Shepherd examines how the meaning of Don Draper --or what we thought the show was about -- seem to have shifted over time
Alan Sepinwall grapples with the two Dons or rather Don & Dick and what we want from a person/character and who they really are
Mark Harris on "Artisinal Macho" and why the Mad Max Fury Road action scenes make recent action films feel so weightless 
Arthur Chu offers up a rundown of the long form feminism and "toxic masculinity" of the Mad Max franchise - the headline and subheader are kind of misleading but the actual point by point content / argument is terrific 

1979 to Go
Criterion Collection got Bette Midler to reminisce about The Rose (1979) for a dvd release!!! Take a look.