History may never let us forget that The Rose began as a Janis Joplin biopic before objections from her family and even its eventual star, Bette Midler. And sure, the similarities remain: a tragic end after a life of drugs, booze, and emotional bruises so deep that they bled out into the vocals.
But the unfortunate side-effect of the Joplin adjacency is that Midler’s achievement is overshadowed in the public consciousness. It’s Joplin as template only and its songs are nearly all covers of other blues and rock artists, and still Midler creates her own unique persona and musical identity. When so many actual biopics fail to discover the inner humanity of an artist, she ends up capturing the the crushed spirit of an entire genre...
There have been so many rumoured, green lit and delayed productions of a Janis Joplin biopic, it’s nearly impossible to keep track. But we're here to try! Janis was a 60’s superstar, with an iconic voice and an image that was reflective of the counter culture of the times. She also sadly joined the 27 club by a drug overdose.
Her incredible life and talent has been promised on the big screen for decades and the latest announcement has Michelle Williams as Joplin under the direction of Sean Durkin (Martha Marcy May Marlene). This will be based on Laura Joplin’s book "Love, Janis" made up of real letters from Joplin. This is not to be confused with the delayed version starring Amy Adams directed by Jean-Marc Vallee, halted by legal trouble which was tentatively called Get it While You Can.
But these two productions have actually been competing since the 1990’s. And before them there were other failed attempts. Let’s look back...
Glenn here offering some thoughts on films at the Sydney Film Festival. Here he is discussing the music documentary 'Amy'.
Given what director Asif Kapadia was able to accomplish with the otherwise (to me) uninteresting world of vroom vroom speed racing in Senna, logic would dictate that when handling a subject of great interest to me that the results would be even more outstanding. That doesn’t quite prove to be the case with Amy, another scrapbook collection of archival footage presenting the life of somebody who lived fast and died young, Amy Winehouse, but one which lacks quite the same verve of the director’s predecessor.
Kapadia is in the unique position of making a documentary about somebody whose life isn’t just rife for the Hollywood biopic treatment, but which actually feels like it already has been. Is her story not almost note-for-note for Mark Rydell’s The Rose with Bette Midler? It’s curious as a viewer of a documentary to feel as if I’d seen it all before in a fiction film (albeit one highly inspired by a real life person) and being disappointed because it comes off second best.
By 1979 Bette Midler was already a star. She had a Grammy (Best New Artist), an Emmy (for her televison special Ol' Red Hair is Back), and a Special Tony award for "adding lustre to the Broadway stage". (She performed in a show called Bette Midler's Clams on the Half Shell Revue). Naturally the next entertainment medium to conquer was film and become an inevitable movie star as well. Despite uncredited small parts (including 1966's Hawaii, which filmed in her home state) and underground film, Midler made her official film debut as a lead with her electrifying performance as a troubled rocker in The Rose - which, of course, brought her a Best Actress nomination, a Golden Globe, and a film career to add to her impressive résumé.
The film earned a total of four Academy Award nominations (Midler plus Best Supporting Actor for Frederic Forrest, Best Sound, and Best Film Editing). Just recently the film scored another honor when it was released through the prestigious Criterion Collection. In addition to a gorgeous restoration (I had previously only seen the film on grainy VHS and I was amazed at how sharp and bright the colors are - especially during the stage numbers), there are new interviews with Bette Midler, director Mark Rydell, as well as archival footage from a day of shooting that aired on the Today show.
The Star is TIFF about to get an "In Competition" slate at their annual festival? They've always avoided it Playbill Sutton Foster visited "The View" and talked Thoroughly Modern Millie and her new show Younger (which she is typically excellent/adorable/funny in if you haven't yet watched it. No musical numbers yet though, boo!) Wired has a longform oral history of ILM (Industrial Light & Magic) for its 40th anniversary, the fx house created originally for Star Wars that changed movies. The Daily Beast on Flula Borg, the German scene stealer from Pitch Perfect 2 Playbill this always kind of annoys me but non-nominated musicals will be performing at the Tony Awards: Gigi, Finding Neverland, and It Shoulda Been You. Better to spend the time focusing on nominees, I think. Comics Alliance Vertigo Comics was totally prepared for the world to go wild for Mad Max Fury Road. They already have prequel comics and an art book with pre-comissioned tributes by major comic artists. Towleroad Nick the Gardener takes you on a behind the scene tour of Magic Mike XXL for Ellen
Cannes Cannes RogerEbert.comloves Hou Hsiao-hsien’s longawaited epic The Assassin starring Shu Qi. Another Palme d'Or contender? This year seems highly competitive. But mixed on Youth... which is apparently highly influenced by 8½ Awards Daily Sasha says that Paolo Sorrentino's Youth about two old men in the film industry, one retired (Caine) one still working (Keitel) will be catnip to Oscar voters In Contention says Emily Blunt is "spectacular" in Sicario but Benicio del Toro is the MVP The Playlist [NSFW] has a clip from Gaspar Noé's Love
"Mad" Must Reads Because people can't stop writing about the Mad Men finale and George Miller's fourth Mad Max film. These are highly recommended!
Emily Nussbaum on the "existential brilliance" of the Mad Men finale Julianne Escobedo Shepherd examines how the meaning of Don Draper --or what we thought the show was about -- seem to have shifted over time Alan Sepinwall grapples with the two Dons or rather Don & Dick and what we want from a person/character and who they really are Mark Harris on "Artisinal Macho" and why the Mad Max Fury Road action scenes make recent action films feel so weightless Arthur Chu offers up a rundown of the long form feminism and "toxic masculinity" of the Mad Max franchise - the headline and subheader are kind of misleading but the actual point by point content / argument is terrific
1979 to Go Criterion Collection got Bette Midler to reminisce about The Rose (1979) for a dvd release!!! Take a look.
Wednesday, July 11, 2018 at 9:00AM 
History may never let us forget that The Rose began as a Janis Joplin biopic before objections from her family and even its eventual star, Bette Midler. And sure, the similarities remain: a tragic end after a life of drugs, booze, and emotional bruises so deep that they bled out into the vocals.
