Sundance Review: ‘Didn’t Die’ is a Subdued Take on the Zombie Genre

by Abe Friedtanzer

There’s no shortage of zombie films and TV shows out there, and, as a result, there are almost innumerable variations on the premise of the undead. The Sundance entry Didn’t Die is best summarized by its podcast host protagonist’s declaration: “Nobody told me the apocalypse was going to be so boring.” Still, this film finds a good deal of content to mine from that premise...

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Sundance Review: ‘Ricky’ is a Tough Watch with a Strong Message and Performances

By Abe Friedtanzer

There have been many films made about people getting out of prison and struggling to restart their lives. It’s rarely an easy journey and typically includes the threat of re-incarceration due to an inability to find work or a stable support system. Rashad Frett’s Ricky is the latest to explore this premise, and it does so in a gritty, realistic manner that speaks to the incredible challenges presented at every turn when someone only has good intentions but just isn’t able to fully control what happens to them...  

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Abe’s Sundance Jury of One

By Abe Friedtanzer

Pedro Pascal in Freaky Tales | Sundance Institute

This was my ninth time being in Park City for the Sundance Film Festival, and even though a family occasion meant I only arrived on Sunday (the festival started Thursday), I still saw twenty-five films in person and three before the fest. I did three days of five movies back-to-back, which is an incomparable thrill that can also prove quite exhausting. Fortunately, there was plenty of good fare worth remembering, and some of it is even coming soon to a screen of some sort near you!

Because there’s just so much playing, I didn’t actually see most of the official award winners, but you can peruse that list here. For my “jury of one,” here are my top ten films and a few other assorted honors. My reviews, if available, are hyperlinked, as well as notes on distribution if available...

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Sundance Review: Getting Through Life and COVID with ‘Stress Positions’

By Abe Friedtanzer

John Early in "Stress Positions"

Since March 2020, a number of films and TV series have addressed the life-altering COVID-19 pandemic in their storylines. Often it’s fodder for comedy, since looking back at people furiously wiping down groceries and staying far, far apart from each other can be humorous in retrospect. In some cases, it’s just an extra obstacle to make life a little bit harder and more complicated. In filmmaker Theda Hammel’s feature debut, Stress Positions, staying afloat in a chaotic and isolating time is a considerable challenge for its memorable characters.

John Early stars as Terry, a recently divorced Brooklyn resident watching over his nineteen-year-old nephew from Morocco, Bahlul (Qaher Harhash), as he recovers from an accident...

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Sundance Review: Tracing the History of the Police in ‘Power’

By Abe Friedtanzer 

Police reform is a hot-button issue, with calls from the left to "defund the police" and responses from the right that “blue lives” matter. Complicating those concepts is the fact that every American has grown up with the police as an established reality. Considering what something else could look like requires an acknowledgment that it hasn’t always been this way and perhaps shouldn’t be. Yance Ford’s documentary Power looks at the history of the police and how that’s shaped where we as a country now.

So much of present-day policing stems from racist institutions, beginning with slave catchers as the original model for police forces, which first began in Boston and quickly spread throughout the country...

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