One Last Hurrah for the Unloved! (Our Post-Nomination Eulogies)

by staff

We asked Team Experience to share eulogies & tributes to their most beloved cinematic achievement that was left out on Oscar nom morning. Not everything can be nominated. Since we must now turn our attention to the actual nominations, please shed one last tear of appreciation for these great artists and films.

BEN MILLER: Leave No Trace - you were too beautiful and non-assuming to be truly embraced by an awards body like the Academy.  Yes, Winter's Bone got a Best Picture nomination for Debra Granik's 2010 film, but you were rated PG and there was not a cliche, line of exposition, or bit of over-acting to be found.  You are too perfect a creation to be lumped in with the Oscars.  We will remember you when Ben Foster, Thomasin McKenzie and Granik eventually accept their future statues.

NATHANIEL R: Eighth Grade, you were too lovely and far far too young. Too humiliatingly real, too emotionally fragile and too comically pure for the heightened spectacle of Hollywood's back-patting event. You gave us hope for the future (Elsie Fisher and Bo Burnham have bright ones) while also transporting us back to our own childhood. You were a time machine even H.G. Wells would have marvelled at and cringed through... provided, of course, that he attended the British equivalent of junior high in the 19th century...

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The Ten Best Dance Sequences of 2018

Each day a new year in review list. Here's Dancin' Dan

If there was a common theme among the films of 2018 when it came to dance, it's the idea of losing yourself to the dance, of dancing as a trance-like state where either the viewer, the dancer, or both can shut everything else out and focus on this one thing. I think that's something we all could have definitely used in 2018, but it certainly wasn't all happiness and fun that was offered up for us to get lost in.

Before the countdown begins, though, a shout-out to three honorable mentions: Marina's disco fantasy in A Fantastic Woman (which was kind of last year but also kind of this year which makes listmaking INFURIATING), the climactic lighthouse sequence of Annihilation (which isn't technically a dance, but sure as hell feels like one), and this rightly cut but nonetheless adorable scene from A Simple Favor (Henry Golding has never been so adorable).

And now, let's get down and dirty...

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Jason Gives Thanks

Team Experience members were invited to give thanks this week so you'll be hearing from a few of us. Here's Jason Adams... 

For all of the hairs on my head and the hours of sleep that I've lost in 2018 I do feel, just a little bit,  as if I've traded them in for a couple of worthy life lessons this year. Enough to make up for the state of the world? Not for all the hair and dreams that have ever been or ever will be. But I will say that feeling in a near constant state of emergency has made me a smidge bit of a better writer, and it's nudged me ever so gently towards getting some of my shit together. To paraphrase Ryan Gosling's schtick -- one small step for me, one giant leap (into the abyss) for mankind. Helluva trade. Here's some of the great stuff I'm thankful for the nudges from...

• Moviepass burned high and too too bright this year, echoing our migraines, but I'm thankful to the service at its height for letting me see Luca Guadagnino's Call Me By Your Name in the theater a personal record shattering 18 times - in a crazy world those six summer weeks learning about love and peaches with Oliver and Elio and Elio and Oliver were the only thing that made any sense to me. For a film so warm and sunny I'll weirdly forever associate it with walking through cold weather in Central Park to get to or from the Paris Theater, "Love My Way" by the Psychedelic Furs blasting in my ears. (I rounded up most of my writing on the film right at this link.) 

• Funny enough the end of 2018 belongs to Luca too, as the only music haunting my ear buds this Autumn has been Thom Yorke's by turns gorgeous, terrifying score for Suspiria. I'm thankful for that whole unholy beast of a film, bursting with ideas and emotions and Tildas...

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Podcast: The Hate U Give, Burning, Border, Suspiria

Nathaniel R and Murtada Elfadl talk four new films now in theatrical release in select cities

Index (67 minutes)
00:01 The Hate U Give is heavy handed but moving. Amandla Stenberg and Russell Hornsby are very good in it
27:19 Spoiler warning about our discussions of Burning and Border (though in truth we don't get that spoilery. We still speak vaguely but if you wanna go in completely cold, skip!)
28:12 Burning starring Steven Yeun and directed by genius Lee Chang-dong
39:30 Discussion of Oscar's foreign film hopefuls and how they routinely ignores Asian movies
47:00 Sweden's bizarre submission Border and its multiple genres
53:15 Luca Guadagnino's remake of Dario Argento's Suspiria
64:00 Running times and wrap-up.

References / Further Reading
• Nathaniel's review of Burning & Border
• Dan's Review of The Hate U Give
• Chris's review of Wildlife 
• Carey Mulligan drag Instagram cuteness 
• Best Foreign Language Film Predictions

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

The Hate U Give and more...

Halloween stays on top. Suspiria packs houses (albeit only two of them)

by Nathaniel R

Staying power or lack of competition? Halloween, A Star is Born, and Venom held on to the top three spots in wide release (with Venom booting Crazy Rich Asians out of the top ten films of 2018...sigh) while the platforming Oscar hopefuls continued their slow crawl towards public awareness beyond people like us if you know what I mean...

Weekend Box Office Estimates (October 26-28)
W I D E 800+ screens	PLATFORM / LIMITED excluding prev. wide
1.  Halloween $32 (cum. $126.6) Review	1. 🔺 Johnny English Strikes Again $1.6 on 544 screens *NEW*

2. A Star is Born $14.1 (cum. $148.7) Review, Soundtracking, Podcast	2. 🔺 Free Solo $1 on 394 screens (cum. $5.1)

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