Best Picture Nominees - Who's Up? Who's Down?

by Christopher James

Is Nomadland still looking like the clear winner for Best Picture?

Oscar nomination morning changes everything. What it takes to be nominated for an Oscar and win an Oscar are very different. As we enter this new phase for the Oscars, who is best set up for success on April 25th? The eight Best Picture nominees were all the most nominated movies of the year. Mank led with ten nominations. The rest of the nominees all had relatively good days, each earning six nominations except for Promising Young Woman, which received five nominations. Among non-Best Picture nominees, Ma Rainey’s Black Bottom led with five nominations and News of the World with four nominations.

With the Oscar mainly coalescing around the eight Best Picture movies, which of them benefitted? Were any movies disappointments, despite a Best Picture nomination? Can anything beat current frontrunner Nomadland?

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Lunchtime Poll: Oscar omissions... the ones that sting?

by Nathaniel R

A lot of people -- including me! -- wanted to see Delroy Lindo nominated

Cláudio will be sounding off on the "almost there" class of 2020 soon but until then, let's get the disappointments out of our system before we concentrate on enjoying the rest of the Oscar race, which has now entered it's second phase. 

Here's to the fallen! Which misses on Oscar nom morning -- our Christmas! -- are the closest things to coals in your stocking? I'll start with the five I (virtually) weep for outside of the acting categories...

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Best Editing: The Art of Disorientation

by Cláudio Alves

There seem to be two big schools of thought regarding what good film editing is. On the one hand, classic Hollywood precepts indicate a preference for the invisible, cutting so organically enmeshed with the rhythms of the story one barely notices its mechanisms. On the other hand, there's a showier style, editing that calls attention to itself and demands applause, especially in the realm of action cinema. In either case, an unwritten rule posits clarity of information and storytelling as a defining tenet. Editing should facilitate the movie-watching process by allowing the audience to follow along with the narrative or thesis, its emotional beats, spatial awareness, and chronology. Nonetheless, two of this year's biggest contenders in the race for the Best Editing Oscar do the exact opposite, choosing to engage with the art of editing as a tool of disorientation rather than clarification, chaos instead of order…

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How Olivia Colman broke my heart in "The Father"

by Cláudio Alves

We always carry part of ourselves into the films we watch. Memories, past events, half-forgotten trauma and half-remembered dreams, inform how we perceive art, how it affects us and persists in our mind long after the screen fades to black. When dealing with a work about a universal experience like aging, we can only assume each viewer will see a slightly different picture. The Father I saw isn't The Father you'll see, or even The Father its makers intended to create. Many came out of the film raving about Sir Anthony Hopkins' tour-de-force as an old man suffering from dementia, his reality warped into a nightmare of perpetual disorientation. While I appreciate him a great deal, it's the work of another thespian that most affected me.

Ever since I watched the film weeks ago, I can't stop thinking about Olivia Colman's performance, how I saw myself in her, how I saw my parents in the character she portrays, how she broke my heart…

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Let's do Globe Predictions! Why not, right?

You guys. We know we're not supposed to take them seriously and people get offended when anyone dares to admit that they totally love them. BUT the Golden Globes are enjoyable -- it's a fact. So this year we pour one out for the continually scandal-laden problematic HFPA and what might have been in a non-pandemic-cursed world. The Globes shindig is easily one of the best showbiz nites of each year but it can't possibly hold its usual excitements without all those stars of screen and television milling around drunk both during and inbetween commercial breaks. We wish Amy Poehler and Tina Fey luck at trying to make it lively without a crowd to laugh along with them. It won't be the same without the open bar (on television that is. We're stocking ours up for  sad pandemic home viewing)

Christopher already handled the TV predictions so it's my turn for the movies. After the jump, foolish predictions in all categories for this Sunday night's virtual ceremony...

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