'The Godfather' returns for its 50th (and a Best Shot episode)

by Nathaniel R

If you haven't yet heard Francis Ford Coppola's classic epic The Godfather has been meticulously restored and is returning to theaters this weekend for its 40th anniversary. They even renamed a street "Francis Ford Coppola Ave" in Hollywood in its honor.

This is as good a time as any to tell you that we'll be doing the film for our Best Shot series. Here's the schedule...

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An Offer Elle Couldn't Refuse

by Jason Adams

Have you been keeping up with the movie about the making of The Godfather? It was announced last September that Jake Gyllenhaal will be playing the infamous producer Robert Evans while Oscar Isaac will be director Francis Ford Coppola in Francis and the Godfather, with Barry Levinson directing the thing. My ears, eyes, and everythings perked right up, and so I have been paying close attention ever since and now there's more casting news...

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All hail The Prince of Darkness!

by Cláudio Alves

In the annals of American film history, you'll have difficulty finding a filmmaker as influential as Gordon Willis. He's one of the best cinematographers that's ever lived, a man who almost single-handedly invented the look we most quickly associate with the great cinema of the 70s. Low-lit and underexposed, his pictures were rich in shadow play and gloomy frames, a materialization of the decades' paranoia and moral ambiguities. Because of such a characteristic style, he gained the nickname 'prince of darkness,' though maybe we should have called him the king of cinematographers. Both titles feel correct…

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Echoes from Oscars Past

by Cláudio Alves

The past always returns, one way or the other. It haunts the present and prophesizes our uncertain futures. That's why History is a cycle of recurring nightmares and dreams, one overtaking the other in ruthless combat.

Anyway, we're here to talk about the Academy Awards. The ghosts of Oscars past always come to haunt the current races, helping shape narratives, setting records to be broken and announcing patterns of cyclical discontent. Regarding the Best Picture nominees of 2019, here are some of the Oscar champions of the past that haunt them… 

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How had I never seen... "Cabaret"?

In this new series, members of Team Film Experience watch and share their reactions to classic films they’ve never seen. 

By Ben Miller

Cabaret is Bob Fosse’s “musical” into the world of bohemian performer Sally Bowles and uptight Brit Brian Roberts.  Both try to navigate the world of love along with the struggle to reach a level of extravagance, all the while experiencing the adapting political climate of 1930’s Berlin.

Shamefully, I had never seen it.

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