"What a character!"

by Nathaniel R

We're almost finished with the Film Bitch Awards in the Oscar parallel catgories but we took a wee break from that to continue the fun stuff, the "extra" prizes. We've already announced Breakthroughs, Juvenile Performances, Casting and Ensemble work so now we move on to best characters (and we'll end next week with "limited/cameo" performances plus incredible invidividual scenes). This is great fun for us each year so hopefully that cinematic joy is contagious...

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Globe chaos: A deep dive into the Comedy or Musical nominees

By: Patrick Gratton

At long last, the second phase of the awards race is well underway. This past week we had Globe and SAG and Critics Choice nominations and then the Oscar shortlists. Normally all of this takes place earlier but this season is elongated and fragmented to. Originally, I though that the abnormality of this race would give way to industry groups following the critic’s leads and anoint, say, Riz Ahmed, Carey Mulligan, Paul Raci, and Youn Yuh-jung, as frontrunners following the critical tallies. Clearly I was wrong, The HFPA saw this possible route, and instead chose violence. 

First things first, let’s just contextualize the Comedy or Musical designation within the framework of the Golden Globes themselves. The drama/comedy division of Picture and Lead Acting awards by genre started in 1951, when the HFPA awarded both A Place In the Sun and An American In Paris as their "Motion Picture, Drama" and "Motion Picture, Comedy or Musical" winners. The HFPA would later divide Motion Picture Comedy and Musical into separate categories in 1958, only to reinstate the category as we know it in 1963...

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'Tis the season to be Meryl

by Juan Carlos Ojano

As a Streeper myself, what a time to be alive!

Last week, two films starring 21-time Oscar nominee Meryl Streep debuted: the dramedy Let Them All Talk (Dec. 10 on HBO Max) and the musical The Prom (Dec. 11 on Netflix). A double feature in a year is nothing new to her; she just did that in the last two years. However, her films this year could not be anymore different in terms of subject matter and filmmaking style, but both show the wide range, skill, and adaptability that Streep has, proving that her “greatest living actress” title is nowhere near a product of baseless mythologizing...

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Review: "The Prom" on Netflix

by Nathaniel R

I first saw The Prom on Broadway during its sort of sleeper success run (I believe it broke even? but for a Broadway original without stars, that's a success!) and I loved it as much as Principle Hawkins (Keegan Michael-Key) reveals that he loves going to the theater. I relate to Hawkins, okay? And I know what that says about me. Consider if you will, these potentially cringe lyrics about seeking escape through art in  "We Look To You"... 

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Yes No Maybe So: "The Prom"

Where's the zazz baby?

The zazz is right there in The Prom trailer, Nicole. Why do you ask?

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