Emmy Category Analysis: Drama Series

By Abe Friedtanzer 

BETTER CALL SAUL

This category feels to me like one of the most interesting since there isn’t an undeniable frontrunner -- all the nominees  offer something truly captivating. While it’s possible that Succession takes it again, which I think would be disappointing since it already swept a lot the last time it was eligible, there’s legitimate buzz to be considered for at least half the slate. Let’s take a look at the series in contention, their awards history, and the episodes they submitted (links to reviews with spoilers)… 

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Emmy Category Analysis: Lead Actor in a Limited or Anthology Series or Movie

By Abe Friedtanzer

Andrew Garfield in Under the Banner of Heaven

I had fully expected Ben Foster to be here on behalf of the TV movie part of this category for The Survivor, but he’s not, and this race is actually dominated by men from series that didn’t earn a spot in the top race. Only Michael Keaton and Sebastian Stan saw their shows score overall, and both Andrew Garfield and Oscar Isaac represent their series’ only bids. Those statistics make it seem like Keaton wins this in a walk, but these are seriously good performances that are worth considering alongside his. Here are the nominees… 

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Ranking the Woodward/Newman Collaborations

by Cláudio Alves

Last month, Ethan Hawke's documentary series The Last Movie Stars premiered on HBO. Chronicling the lives of Joanne Woodward and Paul Newman, the show is a precious consideration of the couples' legacy as artists, celebrities, teachers, and private people whose love endures beyond the threshold of death. Rather than being an idealized portrait, it's a program that acknowledges its subjects' thorny complexities, emerging as a humanistic jewel that's essential viewing whether or not you're a fan of its starry duo. Inspired by The Last Movie Stars, I spent a good part of August exploring many of the movies mentioned in the doc.

Specifically, I watched every single project Woodward and Newman made together, including those where one was working behind the camera. Here's a personal ranking of those 17 titles… 

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Emmy Category Analysis: Period Costumes

by Cláudio Alves

Where is The Gilded Age with its cornucopia of tacky bustle gowns, a good portion of which are copied from fashion plates, museum pieces, and period portraits? Where are Gentleman Jack's precise visions of Romantic dress, queer aesthetics seen through a 19th-century lens? Where are the comedic stylizations of Our Flag Means Death or Julia's purviews of a television icon of days gone by? Where's the love for Schmigadoon!'s cavalcade of hot men in tight pants or Pachinko's cultural delineations rendered in a rainbow of beautiful textiles? 

Though the period category for the 2022 Emmys is the most solid of the three costume lineups (we previously discussed contemporary and fantasy fashions), many inspired period possibilities were ignored in favor of repeat contenders and curious flops...

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Emmy Category Analysis: Fantasy Costumes

by Cláudio Alves

From 2015 to 2017, fantasy and sci-fi costumes were awarded alongside period stylings at the Emmys. Then, in 2018, they got their own category. Unlike the category for contemporary costumes, this one's fond of repeats. At least, it was fond of Game of Thrones, which won the race thrice. For the past two years, though, this has been a category where the TV Academy honors big superhero productions. Watchmen and Wandavision are our most recent winners, and either Loki or Moon Knight could continue the trend. That being said, the biggest boon to a show's chances in this race seems to be its overall popularity across the board, in which case, What We Do in The Shadows might have a chance…

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