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Entries in Valeria Bruni Tedeschi (3)

Tuesday
May242022

Cannes at Home: Day 6 – Trolls, Actresses, and the Whole Shebang

by Cláudio Alves 

Well, folks, it seems we have another strong contender for the Palme d'Or. If Cristian Mungiu's R.M.N had people whispering about awards possibilities, Ali Abbasi's Holy Spider upped the conversation considerably. It isn't the first time the Iranian-Danish filmmaker presented work at Cannes, though Border was relegated to the Un Certain Regard competition – which it won. That same day, Valeria Bruni Tedeschi showed her latest directorial effort, Forever Young. The actress-turned-director already competed for the Palme back in 2013 with A Castle in Italy. Nevertheless, like Abbasi, her first film to be screened at Cannes was slotted for the Un Certain Regard section. In 2007, Tedeschi won a Special Jury Prize for Actresses.

As one ponders these directors' latest accomplishments, let's look back at their first prize-winning Cannes experiences…

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Tuesday
May242022

Cannes Diary #7: Park and Cronenberg are back with incredible movies

by Elisa Giudici

The masters are back with masterful movies! Seeing Park Chan-wook’s Decision to Leave followed by David Cronenberg’s Crimes of future with only a 20 minutes break between them seemed almost a waste. These two are among the most (rightfully) hyped movies of the entire year and of this Cannes edition. I really wanted some time after the first especially to think fully on what I had just seen, savoring the first impression instead of deep diving into an equally immersive but radically different film experience. Especially considering that one of the two is a perfect movie, a rare five out of five stars, 10 out of 10, or whatever other token of appreciation you can imagine.

Those two films and a new French movie after the jump...

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Friday
Oct232020

Chi Film Fest: "Summer of 85"

Coverage from the 56th annual Chicago Film Festival

by Nick Taylor

One fun thing about not really watching trailers anymore is that a movie can surprise me pretty easily. For example, I knew from teasers that François Ozon’s Summer of 85 was pitching itself as the French answer to Call Me By Your Name. The story sees two incredibly handsome teenagers named Alex (Felix Lefebvre) and David (Benjamin Voison) have a life-altering romance during a life-changing special summer. But I completely missed the trailer that revealed a whole second narrative where a zombie-like Alex is being tried for an unspecified crime that sounds a lot like murdering David. 

So, there’s the part of Summer of 85 that’s very much Ozon doing a Call Me By Your Name-style romance and the part that's the melancholic aftermath...

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