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Entries in Welcome to Chechnya (10)

Friday
Mar052021

Interview: on "Welcome to Chechnya" and putting visual effects to humanitarian use.

by Nathaniel R

Director David France and Visual Effects Supervisor Ryan Laney on "Welcome to Chechnya"

If you haven't yet screened the documentary Welcome to Chechnya, a finalist for Best Documentary Feature, don't delay. The film details the journey of a group of incredibly brave LGBTQ activists in Russia, working to help people escape Russia and Chechnya where the government condones the abduction, torture, and murders of queer people, by denying that it's happening at all. The primary storyline involves "Grisha" (not his real name) a gay event planner who was abducted and tortured in Chechnya while working on a job there.

Due to the unique risks to the people involved and the need to protect their identities, Welcome to Chechnya opted to deploy innovative visual effects rather than the traditional "shot in shadow" or blurred faces you would usually see with anonymous voices in documentary. Now the film finds itself charting unfamiliar awards territory as a finalist for the Best Visual Effects Oscar, a category that's usually focused on sci-fi films, superheroes, and action blockbusters...

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Thursday
Mar042021

"What a character!"

by Nathaniel R

We're almost finished with the Film Bitch Awards in the Oscar parallel catgories but we took a wee break from that to continue the fun stuff, the "extra" prizes. We've already announced Breakthroughs, Juvenile Performances, Casting and Ensemble work so now we move on to best characters (and we'll end next week with "limited/cameo" performances plus incredible invidividual scenes). This is great fun for us each year so hopefully that cinematic joy is contagious...

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Thursday
Feb112021

"Minari" leads the Dorian Award nominees but LGBT films underperform

by Nathaniel R

The Society for LGBTQ Entertainment Critics, to which I and a few of our writers here belong, have revealed their nominations for the film year with Ammonite, Ma Rainey's Black Bottom, I Carry You With Me, Supernova, and Uncle Frank up for best LGBTQ Film though only one of them (Ma Rainey) secured any other nominations. Minari leads with the overall nominations with six and Nomadland is just behind with five.

You can see all the nominations after the jump...

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Friday
Dec112020

Cinema Eye doc nominations

by Nathaniel R

"Time" keeps racking up the honors

The Cinema Eye Honors are now in their 14th year and considered an influential prize for documentary films. Prison sentence justice movie Time leads the nominations with six but two competitors for the top prize, Romania's political corruption doc Collective (Romania's Oscar submission) and Norway's farm doc Gunda aren't far behind with four nominations. 

Outstanding Nonfiction Feature
Boys State
Collective
Dick Johnson is Dead
“Gunda”
Time

The full list of nominations and links to our reviews are after the jump...

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Wednesday
Jun242020

Pride Month Doc Corner: 'Welcome to Chechnya' is brave, confronting cinema

Doc Corner is celebrating Pride Month with a focus on documentaries that tackle LGBTIQ themes. This week we are looking at the latest film from the Oscar-nominated director of How to Survive a Plague.

By Glenn Dunks

We may find ourselves every June celebrating “pride”, but it is important to remember that it started from a fireball of anger. A fist of societal and cultural agitation that in a single moment decided it was going to fight back against oppression and violence. It may be more than 50 years later, but it’s an unfortunate fact that even in the most modern of societies, people who identify as LGBTIQ or non-binary still face the world with varying degrees of awareness about our otherness. And while many may not choose to dwell on it, there is the ever-present knowledge that those like us around the world are being bullied, harassed, targeted, punished, hunted and killed on a daily basis --and that’s before we get into when sexuality and gender identity intersect with race, religion and nationality.

It’s hardly hidden but it can be easily neglected, which is where a film like David France’s Welcome to Chechnya comes in...

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