Cláudio's 2022 Top Ten

by Cláudio Alves

While the Academy mulls over its nominees and decides on winners, the awards season reaches its last phase. Campaigns are at their apex, precursors shake the race, and speeches are aplenty. So, here at The Film Experience, it's time to share personal favorites, getting closure on the cinematic year as we do so. Indeed, Nathaniel's Film Bitch Awards are on its way, with some categories already announced – go check them out. In the meantime, I'm here to share my own top ten, which runs the gamut from apocalyptic gore to the year's best performance, from Jesus-y donkeys to Catholic guilt with a side of gay longing...

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Best of Animated Features, Shorts, and Voice Work

by Nathaniel R

Wagner Moura and Antonio Banderas do fine voice work in "Puss in Boots: The Last Wish"

For today's installment of Oscar talk and our own Film Bitch Award nominations, let's discuss cartoons. Our nominations are up for Best Animated Feature which you can see here and include the thoughtful eccentricities of Guillermo Del Toro's Pinocchio,  the witty propulsivesness of Puss in Boots: The Last Wish, and the strangely undervalued hormonal marvel that is Turning Red. Three clear worthies that are difficult to choose between! It's a more mainstream list than we usually have but that's the way the year panned out (and we only have 3 nominees each year due to, well, sanity).

Apologies to the punk riot of Inu-Oh which is an intermittent thrill. As for Marcel the Shell...

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Year in Review: Best Music and Soundscapes

by Nathaniel R

Are all cinephiles "visual" people or are some more sonically attuned? I ask this because in order to draw up my own lists of "bests" in the aural categories, I have to really focus to note the soundscapes. In some cases, as with the sinuous alien creepiness of Nope and the haunted bold swings of TAR, the genius is hard to miss even for those of us who are more visually oriented. If any of you have theories as to how Oscar's sound branch didn't include either in even their finalist lists, I'm all ears... no pun intended.

For the most part it's the images I remember which may explain why I am so allergic to end credit songs over a dark screen being hailed the "Best" of any given season in Original Song. Marry the images and sound and it's far more memorable and valuable to the overall film experience...

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The Power of the Underdog: Dolly de Leon and the Filipino of 2022

by Juan Carlos Ojano

WARNING: This article contains mild spoilers on Triangle of Sadness.

2022 has been a year unlike any other for the Philippines. The past year brought an unprecedented amount of Filipino actors to the international film scene. Leading the pack is Dolly de Leon as yacht cleaner Abigail in the Palme d’Or-winning satire Triangle of Sadness. As Abigail, de Leon showed the feisty resolve of an underdog waiting to be unleashed after a disruption in the social order. Together with other films this year discussing class divide like The Menu and Glass Onion, Triangle of Sadness struck a chord with audiences. With a slew of critics’ groups mentions, Dolly de Leon has enters the current Oscar nomination voting period strong: An LAFCA win, a Golden Globe nomination (a first for a Filipina), and a longlist mention at the BAFTAs. Any attention is much needed given a crowded Supporting Actress field.

But De Leon is not the only Filipino actor who enjoyed the spotlight this past year... 

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Baker's Dozen: Best Screen Animals of 2022

by Nathaniel R

One of the underdiscussed joys of cinema, at least if you're an animal lover, are the non-human creatures that swim, gallop, slither, hop, and play across the screens. Debates continue about the use of non-human actors onscreen, but animal characters can be as memorable as their human scene partners whether they're computer generated, stop motion puppets, or furry or feathered actors. 2022's cinema gave us the full menagerie. Among the most memorable "real" animals, for better and worse, were Empire of Light's wounded pigeon, A Man Called Otto's feral yet easily domesticated cat, Everything Everywhere All At Once's weaponized pom, the homicidal chimp and lion of Nope and Beast, respectively, and Babylon's diarrhetic elephant. If you prefer fantastical beasties, the titular animated characters from The Sea Beast, My Father's Dragon, and DC League of Super Pets had their charms while "Socks" the robot cat of Lightyear was that misjudged film's MVP.

Speaking of fantastic, the following list is dedicated to Meilin in Turning Red for embracing her inner red panda, even if she isn't technically eligible being an all-too relatable teenage human girl person... 

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