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Entries in Zhao Tao (9)

Thursday
Sep272018

NYFF: Ash is Purest White

Murtada Elfadl reporting on the New York Film Festival which begins Friday

Have you seen Jia Zhangke’s previous film Mountains May Depart (2015)? Did you whoop with joy when his wife and collaborator Zhao Tao danced to the Pet Shop Boys’ Go West in the memorable opening sequence? Well you are in for another treat from this duo. Tao dances again, and to another delightful well known song that we won’t spoil here. More than that, Ash is Purest White is the showcase for her immense talent that we were hoping for...

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Tuesday
May152018

Cannes: How's the Palme d'Or Competition Shaping Up?

by Nathaniel R

Which of the 21 films that Cate Blanchett and her jury are screening, will win the Palme d'Or? It's the most coveted film festival prize in the world and it's always a nail biter even when the prize seems obvious due to the vagaries of jury voting. Only one film will win the Palme but juries are expected to spread the wealth so there's a lot to consider each year among the best-received films when you're talking "winners" since acting prizes, writing, and special prizes await us next weekend. Juries have been known to surprise by handing a random award here or there to a film that critics didn't like at all... or ignoring some obvious giant especially in the two acting awards. So in other words, take the "Cannes sensation!" reviews with a block of salt because you never know.  

Not all of the 21 films have screened yet but these 4 look like contenders of some sort to us from our vantage point across the Ocean...

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Sunday
May132018

Cannes Carpet #2: Lupita, Amber, Dame Helen, and lots of Marion Cotillard

by Nathaniel R

Fan Bingbing, Lupita Nyong'o, Amber Heard, and Marion Cotillard

The Cannes red carpet waits for no man. So we'll keep trying to bring you 16 key looks each couple of days -- wish us luck! If you missed part one that's here. Outside of movies, which we'll get to on Monday, the weeked at Cannes was filled with the 82 woman protest and of course more and more gowns. Above we have Fan Bingbing in an amazing assymetrical dress from Alexis Mabille Haute Couture with sharp black ribbon details. In the past five years of fame Lupita Nyong'o has, we believe, now worn every single color that exists. Prada peach perfect, this time. Amber Heard is making quite a statement (though what is it?) in a puffy black and white floral number from Giambattista Valli Haute Couture. And Marion Cotillard looks fresh and fun in this Adam Selman gingham dress --love the smart belted hint of green for summer and red sandals for flash. Cotillard's film this year is called Angel Face which is an apt description. And Cotillard has been working it every day at the festival... 

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Wednesday
May202015

Cannes Actress: Zhao Tao and Jane Fonda

The latest buzz from Cannes is that the Best Actress race is heating up. Or at least speculation is. Marion Cotillard's Lady MacBeth has yet to screen but those that have seen it early are typically wowed. But we know at this point not to expect Cannes juries to point and go "Her! Her!". If there is a Blanchett-Vanquisher out there it may well be Zhao Tao who stars in the "giddily ambitiousMountains May Depart.

That's the latest from the reknowned Jia Zhangke, a regular at the fest for whom Zhao Tao is a recurring player (Still Life, Platform, A Touch of Sin). Mountains is Zhangke's fourth try at the Palme and though he usually comes away empty-handed, his last attempt A Touch of Sin (2013) took Best Screenplay. Despite the jury completely changing each year Cannes somehow has an Oscar-like sense of momentum wherein you generally move up the ranks as to which prizes you take; longevity wins the Palme. (It's not as simple as that of course but there can be a weird cumulative coronation effect.)

So that makes the Palme race: Hungary's Son of Saul vs. USA's Carol vs China's Mountains May Depart? (Or am I forgetting something that's been similarly ecstatically received?) Typing them out that way it makes Cannes sound like the Olympics of the movies, only annual instead of bi-annual. And maybe it is?

In other Canne actressy news, our friend Kyle Buchanan says that Jane Fonda walks away with Paolo Sorrentino's Youth which stars Michael Caine as a retired film composer.  I'm hearing that Fonda's role is very showy (an old combative muse to Harvey Keitel's director character), but quite small. Nevertheless I couldn't help but immediately picture both Grace (Jane) and Frankie (Lily) as Oscar nominees this year in Supporting (for Youth) and Lead (for Grandma) and how much media fun would that be? Sorrentino had a major Cannes sensation and eventual Oscar winner with his last film The Great Beauty. This one is in English which naturally will give it a leg up with Oscar voters if it opens this year but it's already more divisive which can be a problem. Still love/hate divides are tough to predict with awards. All you sometimes need is the right people on the love side to turn the critical tide around. And anyway when this mixed review called it 'elegant fun' I just thought... doesn't that describe a lot of well received prestige films?

But just to remind us that she's already one of the immortals (with 2 Oscars, multiple classic films, and celebrity outside of acting as well, the legend is assured) here is Jane Fonda looking amazing on the cover of W --  their oldest cover girl ever.

Here's an interesting bit on self-awareness from the W interview

One day on the set of On Golden Pond, a film that she coproduced so that she could costar with her father, the legendary actor Henry Fonda, she was fixing her hair when Katharine Hepburn (who played her mother in the film) pinched her cheek and demanded, “What do you want this to mean?” “It was 1981, and I didn’t know what she was talking about,” Fonda recalled. “Back then, I didn’t give my looks a fare-thee-well, and that bothered Katharine. She said to me, ‘This is what you present to the world. What do you want it to say about you?’ Her question has been lodged in my psyche ever since. I now think what Katharine meant was awareness of a persona. She wanted me to consider how I wanted to be seen. Now I pay attention to how I present myself to the world. I realize that it matters.”

 

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