Since his breakthrough performance in The Idiots, where he played the sensitive, tragic Jeppe, Nikolaj Lie Kaas has remained one of the most interesting male actors in the world. Jumping from genre to genre, and from big Hollywood productions, to intellectual television series, his body of work is as varied as it’s complex. He’s played real life people, an assassin trying to thwart Tom Hank’s plans, a romantic hero, and one of the most beloved literary characters in contemporary Scandinavian fiction. But in Peter Schønau Fog’s You Disappear he reveals layers previously unseen as he plays Frederik Halling, a school headmaster whose world is shaken when he’s accused of embezzlement. Could it be that the brain tumor affecting his personality is to blame, or has Frederik always been this way?
The late, great Michael Nyqvist plays Frederik’s lawyer, and Trine Dyrholm plays his loving wife. You Disappear has been selected to represent Denmark at the Academy Awards next year, so I caught up with leading man Kaas, to discuss his work in the film, the way in which he approached a character like Frederik, and his opinion on awards season.
New York Social Diary RIP gossip columnist Liz Smith. I grew up reading her syndicated column *sniffle* This link is a remembrance of her by Denis Ferrara who was a very close friend and collaborator on her column Esquire the ten best comedies of the year including Ingrid Goes West, Thor Ragnarok, Girls Trip, and Lady Bird Independent Firing Kevin Spacey from House of Cards might be more difficult than Netflix thought, legally speaking Awards Daily the case for Michelle Pfeiffer. Give her her damn Oscar already Variety Zendaya is doing a film about the first African-American woman to graduate from Vassar (who passed as white to do so). It's called A White Lie
DeadlineWonder Woman 2 has moved to a November 1st 2019 release and Gal Gadot, contrary to reports over the weekend, is already locked in to star. Patty Jenkins will direct again. We hope there's no sophomore slump because the first one was so damn enjoyable/inspiring Variety keeps us updated with what's going on with Martin Scorsese's The Irishman which Netflix will stream. Variety, perhaps for click-bait purposes, acts like the theatrical release is in doubt but it is surely not; Scorsese would never sign a contract that doesn't give him at least some theatrical distribution so expect the usual limited release that no one goes to in theaters because its' also streaming for free on Netflix situation (upcoming with Mudbound) IndieWire Denis Villeneuve might direct Bond 25 but right now a relaunch of Dune is still his priority YouTube new trailer for The Greatest Showman. It's basically the old trailer with a couple more dialogue clips thrown in and some less tuneful than "This Is Me" song that Jackman is talk/singing. I'm still dying to see it because musicals for life, don'cha know /Film Quentin Tarantino's next movie is about the year of 1969 rather than the Charles Manson murders as previously reported. Let's hope it's better than that 1988 film 1969 which starred Winona Ryder and Robert Downey Jr
Off Screen Damn Joan a Barbie doll funeral Vulture every Taylor Swift song ever, ranked. Fun read even though i think it's silly and click-baity to claim "Look What You Made Me Do" is the worst song she ever wrote Theater Mania 11 Asian-American shows on stages this season across the country Playbill Lin-Manuel Miranda's ongoing effort to help Puerto Rico recover from Hurrican Maria
Exit Videos If only more directors could find a way to harness Kate Beckinsale's natural wit in movies. This video made me LOL so much. Watch every second of it, please. Below that is a Justice League if it were made in the 80s "opening credits" sequence. Cute and weirdly plausible which I'm not sure is a compliment to the movie which is about to open.
The massive DOC NYC festival continues this week in New York City until the 16th, showcasing over 250 films and events. We have one more capsule collection to go up the coming days to close out the festival, but today we're entering the wonderful and strange world of David Lynch in Blue Velvet Revisited, which screens tonight at Cinepolis Chelsea at 9.30pm.
I don’t know about you, but 2017 hasn’t been the strongest year for movies in my eyes. Part of that may have to do directly with the product itself. But a more significant part is that quite literally no movie I have seen this year has had quite the gravitational pull of Twin Peaks. The return of David Lynch and Mark Frost’s classic 1990s television series was maligned by many, but found a dedicated collection of fans for whom it was 18-hours of pure Lynchian madness, the likes of which have been frustratingly missing from our lives since the magically-coiffed master packed up his lawn chair on Sunset Boulevard after trying to milk a much-deserved Oscar campaign for Laura Dern’s performance in Inland Empire in 2006. The series was, simply put, working on a whole different level to every movie I’ve seen in the last 12 months.
Lynch’s mystique is almost as famous as his film and television projects...
It's only eleventy days until Hollywood's High Holy Night. If you aren't familiar with "eleventy" think back to The Lord of the Rings: The Fellowship of the Ring (2001).
That whole Oscar winning trilogy kicks off with the celebration of Bilbo Baggins eleventy-firth birthday or 111th birthday in human years. Eleventy can refer to 110 or numbers much larger; one stops counting after awhile...
Chris here. Is it time yet to start pondering the Golden Globes comedy field? One quick bit of potentially major news is that the Hollywood Foreign Press Association has just officially designated Get Out to compete as a comedy. While this is probably music to team Get Out's ears, I'd argue that it's the appropriate choice - the film is sharp satire first, serious scares second to this viewer. But yes, this gives the film a major leg up to win a major trophy this season in a less competitive field.
This could also mean stronger chances for lead actor Daniel Kaluuya and possibly Allison Williams (who is strangely being campaigned as a lead) for Globes consideration as well. The stiffest competition will probably come from Lady Bird, but what other contenders should we be thinking about? Will The Disaster Artist register beyond James Franco's performance? Could hits like Girls Trip or Baby Driver land in the Best Picture Comedy lineup with less competition? Give us your 2017 Comedy thoughts in the comments!