NEW REVIEWS
Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries by Sean Donovan (23)

Thursday
Sep142017

TIFF Discovery: A Shirley Henderson Master Class and a Wild Argentinian Family

by Sean Donovan

The films featured in TIFF’s ‘Discovery’ section are sometimes given short shrift by the festival at large. Already arriving with the disadvantage of being announced last, and thereby with the least amount of time for anticipation to brew, these small modest productions (many of which are debut features for their directors) are easily buried underneath the hype of awards season giants and glitzy red carpets. If that’s the macro view of things, in micro the audiences that find their way to ‘Discovery’ films are incredibly eager and excited, anxious for the chance to look at films that may never find healthy distribution outside of festival spaces. Here are two of the absolute highlights of TIFF’s ‘Discovery’ program:

Click to read more ...

Thursday
Aug032017

Stage Door: Andrew Garfield and Nathan Lane in "Angels in America" 

by Sean Donovan

 

Roy Cohn, the devilish super-lawyer towering over Tony Kushner’s epic two-part play Angels in America, is introduced to the audience at his favorite place, his office telephone, shifting between various calls, screaming at his clients and associates, and relishing his position of supreme power and influence. In between calls he leans over to his protégé, closeted Mormon lawyer Joe Pitt, and remarks

I wish I was an octopus, a fucking octopus. Eight loving arms and all those suckers, know what I mean?”

Click to read more ...

Monday
Jul312017

Review: The Emoji Movie

By Sean Donovan

The internet has spent the past few days savagely ripping apart The Emoji Movie, the animated film about sentient emojis and the adventures they have within your smartphone. This is a film made specifically for children of the internet, who might gaze upon this Sony vertical integration monstrosity of app references and infomercials for about a minute before heading back to their own smartphones. It’s tough to review The Emoji Movie, because it’s tough to take its lack of creativity and basic construction seriously when such cynicism and apathy burns off the screen. It singes your eyebrows. No one cared about making this movie; I can’t imagine anyone coming up with a criticism the filmmakers would even protest. The Emoji Movie is the unadulterated heart of capitalism pumping out disinterested beats, an infomercial for WeChat here, a paid ad for CandyCrush there, Sony everywhere you look...

Click to read more ...

Thursday
Jun222017

FYC: "The Good Place" for Best Comedy

Team Experience are sharing their Emmy hopeful favorites. Here's Sean Donovan...

The Good Place was one of the quietest critical successes of the 2016/2017 television calendar, amassing a small but loyal band of followers. They attended to every minuscule detail of the show’s terrifically nuanced mythology. Yet, of all the Emmy FYCs The Film Experience has been doling out these past two weeks, this feels like one of the farthest reaches. The Good Place is perfectly in the lane of a future cult classic. But that's the problem. To become a true cult classic, your greatness must somehow allude the powers that be at the time. 

For the uninitiated, The Good Place follows Eleanor Shellstrop (Kristen Bell) who, following her sudden death in the pilot, finds herself in the afterlife, specifically the carefully non-denominational “Good Place,” presided over by cheerful architect Michael (Ted Danson)...

Click to read more ...

Tuesday
Feb282017

So how did Jimmy Kimmel do? A conversation

EDITOR'S NOTE: Hello readers. My brain is always so scattered post Oscar. The hosting gig, which so occupies discussions of the show each year in real life and online, is curiously the part of the show that I always find least interesting. I'm there for the movies and the celebrities, not the jokes.

But recognizing that this is an uncommon blind spot, I asked three of our contributors, Sean Donovan, Chris Feil, and Eric Blume to weigh in on Jimmy Kimmel as host. They're joined by new team member Kim Rogers, who is a talented actress I saw in a play a couple of years ago, who also likes to blog. Naturally they didn't quite obey the Kimmel directive... but who can concentrate on one topic with Oscar's Envelope Gate and Trevante Rhodes running around in his undies. Here is their conversation. - Nathaniel R 

CHRIS: So how well has everyone studied the Oscar Zapruder film of the Moonlight team taking the stage?

SEAN: I feel like it could be the next season of SERIAL- unpacking who had what envelope when, and why, and how many duplicates? so many questions


CHRIS: First of which: has anyone checked on Trevante Rhodes? Is he ok?

Click to read more ...