Chatting with Disney's vfx contenders

by Abe Fried-Tanzer

When the Oscar shortlists were announced in nine different categories a few weeks ago, the remaining films up for Best Visual Effects were halved from twenty to ten. It turns out that five of those films left are Disney productions, and so we had the chance to sit down with the team from each to learn a bit more about what went into creating everything you see on screen.

Team Endgame
Avengers: Endgame
Each member of this specific team was beyond excited to have worked on the epic blockbuster conclusion, which, to each of them, was a scope that they had never experienced before. They code-named their work “Mary Lou,” after the famous gymnast, to reference a need to “stick the landing”...

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Toys, battle angels and photoreal lions dominate the VES Awards

by Nathaniel R

Alita Battle Angel, The Lion King and Toy Story 4 led the pack at the annual Visual Effects Society nominations though Toy Story 4 is not one of the finalists for the Visual Effects Oscar. (Inexplicably the Oscar finals had to make room for Cats which received zero nominations from the VES.) Sadly the VES completely ignored Ad Astra which was an unfortunate miss for the Oscar finalist list and suffers a further indignity here. What's a beautiful well reviewed sci-fi drama gotta do to get some respect? 

The nominations and a few comments are after the jump...

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1st Quarter Box Office Report. Twelve categories!

With the first quarter wrapping up, let's break down the year at the box office (thus far). It's much more interesting to break it down into types of films and see which films most interested the ticket-buying public. Figure are as of March 31st, 2019. Since many of these are still open, these aren't final results but we thought it would be a fun snapshot of this moment, 1/4th of the way through the calendar year. (One final note: We did not include Fathom Events and other non-traditional styles of release because those numbers aren't directly comparable and often make less sense. i.e. if you couldn't see it at regular showtimes in a theater somewhere it's not included.)

TOP GROSSING FILMS WITH A FEMALE LEAD
(Excluding films where a male lead is just as prominent as his female co-star)

What Men Want

01 Captain Marvel (Disney/Marvel) $353.9 starring Brie Larson. March 29th
02 Us (Universal) $127.8 starring Lupita Nyong'o. March 22nd
03 Alita Battle Angel (Fox) $84.9 starring Rosa Salazar. Feb 14th
04 What Men Want (Paramount) $54.4 starring Taraji P Henson. Feb 8th...

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Green Book's Post-Oscar Bump and New Releases

What did you see this weekend? I only took in Greta before getting sick but I keep meaning to get to How To Train Your Dragon: The Hidden World. It was, essentially, the last weekend of the 2018 film year, since most of the major Oscar winners got one last expansion before they depart theaters (almost of all of them are already on DVD). They're milking that golden cow, they are! So, we thought we'd share everything in wide release and the corresponding chart toppers in limited for a really full box office picture this weekend. Ready? Deep breath. Let's go.

Weekend Box Office (Actuals) (March 1st-3rd)
W I D E	PLATFORM / LIMITED
1 How to Train Your Dragon 3 $30 (cum. $97.6) on 4286 screens	1 🔺  Apollo 11 $1.6 on 120 screens *NEW*

2 🔺 A Madea Family Funeral  $27 on 2442 screens *NEW*	2 🔺  Everybody Knows $467k on 209 screens (cum. $1.2)

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Box Office: Alita opens and Cold War is still strong.

What did you see this weekend? Here are the charts...

Weekend Box Office (Esimates) (February 15th-17th )
W I D E	PLATFORM / LIMITED
1 🔺 Alita: Battle Angel $27.8 on 3790 screens *NEW*	1 They Shall Not Grow Old $985k on 626 screens (cum. $15.2) Review ★

2 The LEGO Movie Part 2   $21.2 on 4303 screens (cum. $62.6)	2  Cold War $404k on 247 screens (cum. $3.5) Review, Pod, 5th Biggest Foreign Hit ★

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