Oscar Volley: Is there space for supporting actors in the Best Supporting Actor race?

The Oscar Volleys are back! Tonight, it's time for Eric Blume and Cláudio Alves to discuss Best Supporting Actor...

Stellan Skarsgård in SENTIMENTAL VALUE | © Neon

ERIC: Hi, Cláudio. I'm very excited to tackle this year's Best Supporting Actor race with you! This is often the most boring acting category, but am I naive to think this year might be different? There are a lot of really fantastic performances that are not only nomination-worthy but win-worthy in my opinion. Are we to be disappointed that once the precursors start naming nominees, things will narrow too small too quickly? 

For the moment, it's an open book. I would love to discuss with you the two performances that do seem like locks even at this early stage: Sean Penn for One Battle After Another and Stellan Skarsgård for Sentimental Value…

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Oscar Predix: Which actors will have big years?

by Nathaniel R

Jonathan Bailey in WICKED FOR GOOD

This post's titular prompt question is not quite the same as "Who will be Oscar nominated this coming winter?" but having a big year in your career never hurts in gaining awards traction... or at least momentum for a future year. Will Jonathan Bailey's suddenly A-list career (with two potential giant blockbusters in a span of five months) convince Oscar voters that his SAG nomination last year should be mirrored with an Oscar nod for Best Supporting Actor? Will Sinners cultural dominance this spring help Michael B Jordan and Delroy Lindo land their first overdue Oscar nods early next year or will the zeitgiest move on?

These are just a couple of the questions I've been asking myself about the upcoming Oscar races for Best Actor and Best Supporting Actor but there's more after the jump...

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Berlinale 75: "Blue Moon" isn't your traditional biopic

by Elisa Giudici

Watching Blue Moon, I couldn’t help but think of Inside Llewyn Davis, one of the Coen brothers’ most accomplished yet underappreciated films. That movie introduced Oscar Isaac in what remains his most astonishing performance, portraying a talented but ill-fated musician who arrived just a bit too soon to achieve success. A similar fate awaited Blue Moon’s protagonist, though his story unfolds decades earlier, in 1943 New York, amid the turmoil of World War II...

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TV Review: "Ripley" is a Gorgeous, but Disappointing, Remake

by Christopher James

Andrew Scott takes on the titular role of Tom Ripley in Steve Zaillian's latest rendition, "Ripley," on Netflix.

There’s something sacred about a favorite movie. Anthony Minghella’s 1999 masterpiece The Talented Mr. Ripley is a seminal film, burned into my brain as canon. Thus, there’s a certain amount of bias that is hard to overcome when judging a remake. It runs the risk of being so close to the original that it is redundant, or swings far enough away that it pales from the original.

The new Netflix limited series Ripley wisely distances itself from other renditions of the Patricia Highsmith novel, primarily through its gorgeous black-and-white cinematography and new approaches to casting. Writer-director Steve Zaillian has a clear, distinct vision of the tale that feels distinct. However, it prioritizes style over substance. Though filled with haunting beauty, this Ripley lacks personality and tension - sexual or otherwise...

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Almost There: Barry Keoghan in "Saltburn" & Andrew Scott in "All of Us Strangers"

by Cláudio Alves

Earlier this week, the Almost There series returned with a look at Penélope Cruz's failed bid for the Best Supporting Actress Oscar. Now, it's time to move on to Lead Actor, where the season's most prominent contender without a nomination was Leonardo DiCaprio in Killers of the Flower Moon. But since you're probably tired of reading my defense of Scorsese's latest, I decided to focus on two others instead. The first victim is Barry Keoghan in Saltburn, for which he was nominated at the Golden Globes, BAFTAS, and Critics Choice Awards. Our second sacrifice is Andrew Scott, whose campaign for All of Us Strangers was full of passion but few actual plaudits. There were nominations at the Globes, Spirit and British Independent Film Awards, little else...

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