Almost There: Emma Stone in "Battle of the Sexes"

by Cláudio Alves

Our most recent two-time Best Actress champion is back in theaters with Yorgos Lanthimos' Kinds of Kindness, a black-hearted tryptic that allows Emma Stone to experiment with three distinctly realized characters. To mark the occasion and the success of another tennis-related movie – Guadagnino's Challengers – let's think back to one of the few times this Academy favorite was in the race but didn't land a nomination. In 2017, right after her first Oscar win, Stone played Billie Jean King in Battle of the Sexes. Directed by Jonathan Dayton and Valerie Faris, the biopic was made in parallel with a Presidential election that saw a very different outcome than its titular match. Looking back, Battle of the Sexes reached for the zeitgeist yet failed to predict where the world was headed.

As for Stone, the project signaled her most outward flirtation with traditional prestige before her career went into another direction altogether…

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No More Links (Enough is Enough)

• NYT a fascinating new interview with the always odd Nicolas Cage
• Cartoon Brew an indie animated short is getting a theatrical release! Hair Love will open for Angry Birds 2 in theaters. Should we watch out for it at the Oscars?
• Variety sad news for those who love Asian cinema and follow the Golden Horse Awards (which we've often covered here at TFE)... a political storm is brewing and mainland China and Hong Kong are looking to boycott the event given Chinese feeling that Taiwan (where the ceremony always takes place) is not an independent nation but part of China. Naturally Taiwan feels otherwise (as do the American Oscars which invite Taiwan to submit their own films and don't lump them in with China itself)

More after the jump including new showbiz books, odd news concerning The Little Mermaid, a Barbra Streisand and Ariane Grande duet and more...

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Nathaniel's Top Ten of 2017

by Nathaniel R

Better late than never. If you've been wondering why your TFE host has been so in and out of the proceedings this season, let's just say life has proved significantly challenging offline: the end of a decade-plus relationship, homelessness (not the dramatic kind but the sleeping on friend's couches kind), a long bout with the flu, a new side gig, etcetera). So this list carries a bit of melancholy with it as 2017 was one of the hardest years of my life. (If you also had a rough year: I feel you. Hugs in solidarity). Due to all of this I didn't see as many films as is my preference and couldn't rewatch the key films I usually would have before "voting".

But in the end you have to move forward.  Time changes everything... and time changes all top ten lists also! Some of these placements that you scratch your head about now, you'll either understand in ten years time OR I'll join you in scratching my head about them with a "what was I thinking?" blush. Top ten lists are but time capsules.

People change for better and worse. Circumstances shift dramatically or perception does. The movies of 2017 helped me understand all this, many of them zeroed in on definitive months in someone's life, others hopping around in time, and still more juxtaposing the past with the present...

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Lost Podcast / Last Jedi

Surprise! The following podcast was lost after a recent move but has been recovered. This podcast was recorded over the Christmas break but the SAG part at least is hyper relevant to this weekend with the Screen Actors Guild Awards hitting tomorrow. 

Nathaniel welcomes a particularly grouchy Nick Davis and new guest Teo Bugbee who had just pulled an all nighter to see Star Wars The Last Jedi. We discuss what the hell Laura Dern and Benicio del Toro are doing in it before moving on to SAG's "Outstanding Ensemble" nominees (and other ensemble films we like, too). 

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Lost Podcast Last Jedi

London Film Festival: Roundup and Oscar Chances

Pivotally positioned in October, the BFI London Film Festival boasts the distinction of having some of the most feted films of the year, champions newcomers and not without its stalwart festival curiosities. On the ground this year was Film Experience contributor Seán McGovern who saw only a fraction of the films on offer, but nonetheless a taste of potential Oscar contenders.

Call Me By Your Name
Worried that I would be tranquillised by the hype, I nonetheless could not resist it. Yes, it's a film about gorgeous people of immense privilege, but who can dismiss how hard it is to successfully capture the furtive horniness and confused intensity of young love? Timothée Chalamet's Elio teeters between brazenness and vulnerability, and Armie Hammer captures a strange aloofness that is hard to do on screen. It actually made me want to have children - just so I could grow up and be Micheal Stuhlbarg.

Oscar chances: Director, Picture, Best Actor (Chalamet), Supporting Actor(s) (Hammer, Stuhlbarg), Adapted Screenplay, Cinematography, Original Score. Whether Academy voters embrace two LGBT films in a row is another thing.

 Six more films after the jump...

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