ACE Editing: Big Little Lies, Best Picture Hopefuls and More...

by Nathaniel R

The guild nominations are here already? Oh, yup, it's January now. (Funny how the calendar keeps happening even if you're in bed for a week plus with the flu!) Hollywood's editors have spoken and here are the cutting and shaping jobs they loved best this year on screens  big and small. Curiously they have a hodgepodge of category sizes (3,4, or 5 nominees depending) and voting practices. In some categories the final voting for winners happens between January 5th and 18th and in others (within the TV side) there are blue ribbon panel voting situations where the screenings happen on the 14th. This always leaves us wondering what their prizes would be like if they were consistent. Would awards season have more surprises if those voting were forced to watch everything as they are in very few select categories within various organizations... often somewhat randomly? We think it might and wouldn't it be super exciting to try with the consistency and with the mandatory screenings?

One of the most notable things on their TV list is that Big Little Lies has been bumped from competing in miniseries (where it's competed at most every other awards shows) and is competing in regular drama series (where it surely belongs since they've announced a second season with the same characters/actresses).  Nominees in all categories after the jump...

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Brief Takes: Blade Runners, Tennis Stars, Feisty Queens, Fish Men

In an effort to break out of my silence -- October is my favorite month so why has it been so hard? -- micro thoughts on 5 Oscar hopefuls I meant to review but didn't. Whoops. Please to discuss in the comments.

Battle of the Sexes (Jonathan Dayton & Valerie Faris)
The story of Billie Jean King's (Emma Stone) famous 1973 match with Bobby Riggs (Steve Carell) and her efforts to make women's tennis viable in a sexist industry

Capsule: A timely well-crafted look back to the beginnings of a gender war that's depressingly still raging and a soupçon of queer romance to give it unique personality. Dayton & Faris's light touch is the right choice for this briskly-paced but delicately felt recreation of a pivotal American moment. Emma Stone is perfection as the heroic tight shouldered athlete at the center. Just discussed on the podcast. B+
Oscar Chances: This one could go either way. Much will depend on how smart Fox Searchlight is at selling it to voters. Though maybe don't bet against Emma Stone returning to Best Actress; she's very burrowed into King's skin but still as sunny as Emma Stone.

Blade Runner 2049, Film Stars Don't Die in Liverpool, Victoria and Abdul and the Shape of Water are after the jump

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Dystopias Large (Blade Runner 2049) and Small (The Florida Project) at the Box Office

by Nathaniel R

Weekend Box Office (October 6th-8th)
BLADE RUNNER 2049	BATTLE OF THE SEXES
1.🔺 BLADE RUNNER 2049  $31.5 on 4000+ screens new BEST OF | SHORT FILMS	6. AMERICAN MADE $8 on 3000+ screens (cum. $30.4)
2.🔺 THE MOUNTAIN BETWEEN US $10.1 on 3000+ screens new	7. LEGO NINJAGO MOVIE $6.7 on 3600+ screens (cum. $43.8)
3. IT $9.6  on 3600+ screens (cum. $304.9) REVIEW | 5 TAKEAWAYS	8.🔺 VICTORIA & ABDUL $4.1 on 732 screens (cum. $5.9) BEST ACTRESS
4. 🔺 MY LITTLE PONY  $8.8 on 2500+ new	9. FLATLINERS  $3.8 on 2500+ screens (cum. $12.3) TRAILER
5.  KINGSMAN: GOLDEN CIRCLE  $8.1 on 3400+ screens (cum. $79.9)  REVIEW OF THE ORIGINAL	10. 🔺 BATTLE OF THE SEXES $2.4 on 1800+ screens  (cum.$7.6) BEST OF... | TRAILER
🔺 = new or significant expansion numbers (in millions unless otherwise noted) from box office mojo

T'was a quieter weekend than forecasters predicted at the box office with the Blade Runner sequel having more trouble than expected (which wouldn't be trouble but for that $150 million budget -- hey, at least it's all on the screen!) The Mountain Between Us didn't turn into a towering counter-programming option but with a much much lower budget $35, it should be fine in the long run.

The week's most crowded theaters (albeit only 4 of them) belonged to A24's The Florida Project, which Chris reviewed and Jason shared a personal essay about here already. We highly recommend it. The film is off to a very solid platform start of $153,000. For context that's about 2½ times the first weekend of Sean Baker's previous awards worthy critical darling Tangerine , which also happened to be a supremely empathetic, wickedly funny, moving look at a marginalized community. We love Baker for his consistent great skill with first time actors and that singular but versatile niche. Much less popular but far more of a specialty audience only item was the debut of Agnes Varda's delightful new documentary Faces Places which Murtada reviewed.  

What did you see this weekend? Apart from Blade Runner 2049 (which, more soon) I had a theater weekend taking in "The Play That Goes Wrong" on Broadway and a very wacky very naked modern dance performance inspired by the films of Almodovar. No, really! 

C O N S I D E R - Favorites of 2017, 3rd Qtr

by Nathaniel R

Blade Runner 2049 is our current prediction for "Most Nominations Without Best Picture" though maybe it'll snag that, too.Here at The Film Experience I like to keep track of favorites all year long for two reasons. The first is to not to be unduly influenced by the studio shenanigans of backloading the film year with their intended Oscar hopefuls. The second is to prevent forgetfullness when it comes time to give out the Film Bitch Awards, my own virtual awards fest to close out each film year.  When I don't keep careful track it's much harder to wrap things up at year's end.

Being a bit late this quarter, here are Best ofs per Oscar category from films released from July through October 6th (an extra week added on because we're running late). This list does not include films with known release dates from now until the end of the year. We'll save those films till we get there. Unreleased films without a future date are marked with an asterisk. Got it?

Key movies I missed this quarter  (that I'll try and catch up with on screeners hopefully): It, Valerian, Logan Lucky, Patti Cake$, Tulip Fever, Good Time, Lady MacBeth, and A Ghost Story

PICTURE and/or DIRECTOR and/or SCREENPLAY
(i couldn't decide which to cut so this first grouped selection is 8 wide)

     released
ATOMIC BLONDE (David Leitch) The lack of audience turn out for this uber-stylish, inventive actioner, with Charlize Theron showing all the other movie stars how to do action hero performances  (again!) was one of the bummers of summer '17.
BATTLE OF THE SEXES (Jonathan Drayton & Valerie Faris) Such a surprisingly strong history lesson and funny resonant drama, too
BLADE RUNNER 2049 (Denis Villeneuve) Hypnotic if already overrated (calm down! If you're claiming that it's better than the original if it's not your #1 of 2017 with ease you'll have to explain why you've dissed one of the greatest and most influential movies ever made)
DUNKIRK (Christopher Nolan)
THE FLORIDA PROJECT (Sean Baker) The new criticism that I keep seeing online that this film romanticizes poverty is a head-scratcher as it's an exceedingly dark movie that merely looks like candy (due to all that color). The imagined future of virtually all the characters is outstandingly bleak and politically aware for those who are willing to see it. Sean Baker's recent (also terrific) movies Starlet and Tangerine are similarly focused / staged / and tonally nimble with gallows humor, character specificity, and socioeconomic concerns. If having this much empathy for marginalized people is romanticizing poverty, I say bring it on!
mother! (Darren Aronofsky) Sorry not sorry.

more after the jump including best unreleased pics, highlights in cinematography, costumes, and the like...

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Beauty vs Beast: Dreaming of Electric Sheep

Jason from MNPP here... or am I? Is this me? Am I here? So many existential questions here on the eve of the release of Blade Runner 2049 this weekend and all I have is a "Beauty vs Beast" poll to face them down with. Y'all gotta help me suss it out! Are we a Deckard (Harrison Ford) or are we a Pris (Daryl Hannah)? And is this the version of life with the voiceover and the unicorns or isn't it? I am so confused...

PREVIOUSLY Last week we wished David Lynch's Eraserhead a happy 40th birthday, and in a delightfully close contest you came down on the side of the pulsating little baby pod thing - a testament to a special effect that Lynch himself steadfastly refuses to label as such, I'd say. Said Nick T:

"Baby, because I asked my dad if he resonated with Henry's parental struggles raising me and he gave me a look that said I was still making him struggle."