Oscar Volley: Two locks for Supporting Actor... and then it's wide open?

Here are Chris James and Eric Blume to discuss one of Oscar's trickiest categories, Best Supporting Actor:

ERIC:  Chris, so happy to be reunited with you, this time to discuss the Best Supporting Actor Oscar.  This category is always one of the weirdest and often the worst... I'm still not done being angry that arguably-bad Troy Kotsur beat the genius work of Kodi Smit-McPhee last year.  But that's how this award often goes.  

Let's start with our "locks".  I think we have two:  Brendan Gleeson and Ke Huy Quan.  And that's great news, because they're both splendid performances and either would be one of the best winners in this category for the last decade.  Gleeson is the embodiment of tragicomedy, and Quan finds that perfect note between farce and realism in an incredibly playful piece of acting.  How do you feel about Gleeson and Quan personally, and would you agree they're locks? 

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“Causeway” focuses on a (muted) road to recovery

by Eurocheese

Jennifer Lawrence has returned to the screen in Causeway, now streaming on Apple TV+. Lawrence plays a veteran recovering from an attack overseas. The film opens as she's working with a specialist (Tony winner Jayne Houdyshell, doing great work in a small role) to recover basic capabilities so she can return to “regular life.”  Once Lynsey (Lawrence) returns to her New Orleans home she has one clear goal in mind – return to active duty. Her mother (Tony nominee Linda Emond) spends her nights out drinking and forgets to pick Lynsey up when she arrives. There’s clearly a troubled history between them, but most of it is left unsaid – an ongoing tactic of the movie. Not wanting to be stuck at home, she gets a job cleaning pools. 

When Lynsey's truck has problems we meet the film's most interesting character, a shop owner named James (Brian Tyree Henry)...

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Reviews: "Bullet Train" and "Thirteen Lives"

by Nathaniel R

Whenever we're about to go thumbs down on two movies, we feel the need to reiterate that we genuinely love the cinema. Even when we don't love a movie, we're (usually) glad we went. But sometimes you want to love a movie (Thirteen Lives), and it just isn't worthy. Other times you go in, fully expecting a great love (Bullet Train) but the movie is too narcissistic and cocksure to even notice you're watching it in time to love you back...

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April Foolish Pt 4 - Who might be in the 'Best Supporting Actor' discussion?

by Nathaniel R

Barry Keoghan announcing a wrap on Banshees of Inisherin via his social media

We all agree that Best Supporting Actor is the dullest of Oscar's Big Six, right? But it doesn't have to be! Too often the final lineup leaves a lot to be desired. But for the first Oscar predictions of the year, before much is known about the movies themselves, let alone their supporting* characters we can imagine all sorts of possibilities. Whose role are you most intrigued about? I'm most curious which never-nominated actor will join the club this year. Here's to hoping that Barry Keoghan, Brian Tyree Henry, Glynn Turman, Paul Dano, Seth Rogen, Harry Melling, Idris Elba, Colin Farrell, and even Chris Rock (no, really) MIGHT have the kind of roles that could get them there. They also might not (of course) but these are the April Foolish Predictions so you have to guess while essentially blindfolded.

Check out the new chart / predictions

You may have noticed that neither Leonardo DiCaprio or Jesse Plemons are on this chart. As far as we can tell  Killers of the Flower Moon is a two-lead film. Obviously films don't campaign two leads in the same category anymore (sigh) but we're not about to encourage the powers that be to commit category fraud so until campaigns tell us otherwise our new policy is to put them in the correct category.

Previously
Pt 1 Animated Feature Preview
Pt 2 Screenplays and Music Categories 
Pt 3 Visual Category Discussion

Serbia's "Father" is Amazing. And other Calgary Fest thoughts...

by Nathaniel R

"Father" wins Calgary International Film Festival

We're in an unbelievably overcrowded stretch of festivals -- AFI (a month early this year for some inexplicable reason), Middleburg, Chicago, and NewFest. And with all the movie madness, and our just concluded Montgomery Clift series, I realized with horror this weekend that I had neglected to share thoughts on the recently concluded Calgary International Film Festival.

I had the honor of being on the international narrative jury this year and after the jump, takes on the ten films we watched in ascending order of how much I dug them...

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