Back to 'Broad City'

Let’s take a short break from film news and reviews and check in with TV. After a long wait the funniest show on TV is coming back. Which one is that you might ask? Why Broad City of course. Ilana (Ilana Glazer) and Abbi (Abbi Jacobson) are back after being away for than a year. And how our world have changed since they’ve been gone. However they seem to have remained as funny as ever. This time they will find themselves entangled with RuPaul, Jane Curtain, Steve Buscemi and Wanda Sykes. They will leave their beloved New York to gun-loving Florida. And Abbi’s nemesis Bevers is somewhat unrecognizable! We are beyond delighted at the prospect of a few hours on our couch with these hilarious women. You will be too after checking the trailer.

Broad City returns on August 23rd. In the meantime tell us what is your favorite moment from the previous three seasons.

YNMS: Rough Night

Chris here. With the vengeful bitches of The Beguiled, the raucousness of Girls Trip, and the asskickery of Atomic Blonde coming for our eyeballs, it's shaping up to be a delightfully less macho summer movie season! And now the Broad City team of writer/director Lucia Aniello and Paul W. Downs is bringing another female-led delight for the summer, Rough Night. Scarlett Johansson leads the exciting cast of Zoë Kravitz, Kate McKinnon, Ilana Glazer, and Jillian Bell for the debaucherous (and deadly) bachelorette party - brace yourselves for "Bridesmaids and The Hangover meet Weekend At Bernie's" comparisons as this one opens.

The first trailer brings the NSFW laughs and shows off the ensemble - so take a look and we'll break down the Yes No Maybe So after the jump...

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Interview: Chris Kelly on "Other People", favorite actresses, and the best NYC party he’s ever been to

by Murtada

You may be familiar with Chris Kelly from his work as a writer on Broad City and Saturday Night Live. Other People marks his feature debut as a writer and director, it premiered earlier this year at Sundance, creating awards buzz for Molly Shannon's supporting performance. A semi autobiographical story, the film is about a struggling comedy writer (Jesse Plemons),who moves back home to help his sick mother (Shannon) who’s in the final stages of cancer. Living with his conservative father (Bradley Whitford) and younger sisters (Maude Apatow and Madisen Beaty), David feels like a stranger in his childhood home. He is supported by his ex (Zach Woods) and best friend (John Early) as his mother worsens, all the while trying to convince everyone, including himself, that he’s “doing okay". Other People is a an assured and funny debut that goes deep into familial relationships and comes up potent in its depiction of grief, gay friendships and what it means to be a good son and brother.

Our conversation with Kelly is after the jump:

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Emmy FYC: Ten Nominees?

Emmy nomination voting begins Monday. For the next week or two we'll be sharing FYCs of some kind. Here's Daniel...

If you haven’t had a chance yet to read Debra Birnbaum’s shake-up Emmys proposal in Variety, I highly recommend you do. Her argument seems tailor made for feedback from passionate awards watchers (i.e. TFE readers) who have cultivated reams of opinions for how various awards bodies do business, nomination-wise, in an ever-changing marketplace of taste and broader appeal. Living in this age of television where high quality programs are on an infinity loop, she wonders whether the Emmys should consider expanding their Outstanding Drama and Comedy Series categories to ten nominees.

Sound familiar?

While there’s a certain integrity in maintaining a tradition of exclusive acclaim – after all, not every deserving piece of art can statistically make the cut – one wonders how a taboo-busting, conversation-elevating, and surprising comedy like the aptly named Broad City can so consistently take bong hits off the zeitgeist without seeing a few gold men women along the way. That aren’t hallucinations, mind you. Same goes for The Americans, which has been uniformly accepted by critics as one of the all-time greats and yet fails time and time again to nudge out a longstanding favorite like Downton Abbey. The Emmys notoriously pick their favorites and bitterly cling to them so could this be an inclusive measure to better reflect populist and critical tastes?

On the flipside, for every District 9 or A Serious Man, there’s a Blind Side amongst expanded groups. On the movie side, AMPAS has struggled to find clarity on this issue – abandoning the hard ten for a jostle between seven and nine. That's made some yearn for a time when five was fine. There's no guarantee that bigger sized envelopes equal 'pushing the envelope' in awards selections. After expanding their roster to seven nominees last year, perhaps the Emmys are better served to wait and see how their fresh shuffle deals in the long game. As Birnbaum touches upon, mainstays like Mad Men and Nurse Jackie have ended their runs and opened up space for new nominees. And, yet, the juggernaut that is Modern Family journeys on unchecked, save a Veep.

Should the Emmys take a page from the 2009-2010 Oscar playbook and expand their nominations in hopes of new players? Or will their fresh groceries go stale? How do you adjust an influx of quality with such limited quantity?