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Entries in Cannes (352)

Wednesday
May112011

Cannes Cometh

It all begins tonight. That sounds like the future but it's actually the now since it's mid afternoon in France and photo ops and press conferences are under way. The Opening Night honor is Woody Allen's (just discussed in that quickies list) for the premiere of Midnight in Paris.


Several stars have already arrived -- and their numbers will only strengthen -- until they barely need any artificial lighting at the Palais from all the star glow.

Salma Hayek and Antonio Banderas (kicking off what could be a very big year for him) are already donning their mandatory star paraphenalia (sunglasses!) as they work the Puss in Boots promotional event.

Internationally Acclaimed Filmmakers and Global Beauties. Yep, it's Cannes Time.

Have you ever experienced a midnight in Paris?
Which films would be you queueing for at the 64th edition of the world's most famous film festival?

Monday
May092011

Reminder: Pedro & Antonio Cometh

I know I've been terrible about Hit Me With Your Best Shot lately but this Wednesday night we'll be celebrating the long time collaboration of Pedro & Antonio in Matador (1986) and Law of Desire (1987) -- take your pick as to which film you'll cover if you're joining us!

In the meantime enjoy this Cannes teaser for THE SKIN I LIVE IN


 

and here's some on the set footage for the extra curious among you (these props... que???). It's in Spanish but some of you will undoubtedly understand.

We might do a Yes, No, Maybe So when the full trailer arrives but it will all be reflexive as we're always a boisterous expectant "Sí" when a new Almodóvar rolls into town.

Thursday
Apr142011

The Festival They Inhabit.

Jose here to announce this year's Cannes Film Festival lineup.

As usual, Cannes will fill the Croisette with names we've heard year after year, but when those names are Pedro Almodóvar, the Dardenne brothers and Lars von Trier, you won't listen to much complains from our side.

This year the official lineup will include the following films:

Click to read more ...

Monday
Apr042011

links get physical. physical.

Let's divvy up our links into body types today. (yougottahaveagimmickifyouwanna...)

Bears  Gold Derby is wondering if Robin Williams can complete his EGOT in June at the Tony Awards. Maybe.
Invisible Woman a lot of sites are sharing this Cannes poster to your left. Faye Dunaway circa 1970 is the 64 year old festival's pinup mascot. Does this mean Cannes now views itself as a strangely tucked and surgeried unrecognizable version of its former self?
Tiny Princess
Deadline reveals that Tarsem Singh has cast 22 year old Lily Collins (Phil's daughter) as his Snow White (this is the competing project to the one with Kristen Stewart) instead of the rumored Saoirse Ronan. My guess is it's a good move since this is a sexy reimagining and Saoirse is only 16 (well 17 next week). Armie Hammer would've been robbing the cradle as Prince Charming.
Brokeback
Kenneth in the (212) has some smart words to the CMAs and People Magazine for their lame homophobic humor directed at Jake Gyllenhaal. For shame.

Drawn That Way Here is the new footage 4 minutes of Green Lantern. I'm still weirded out that even Ryan Reynold's god-like body is too imperfect to be used rather than CGI'ed. What hope is there left for mere mortals let alone increasingly frumpy bloggers who keep "forgetting" to go the gym! This doesn't change much for me in whether or not I think Green Lantern will be any good though the f/x do seem to have had a wee polish since that first trailer and that will be important to its reception.

The best addition from the original trailer is actually a subtraction: there's none of that hideously wooden dialogue between Reynolds and whasthsername as the generic love interest. But that said I didn't hate this new footage as much as Pajiba. I'm guessing that bile is bright green.

The Foreign Body Indie Wire reveals step two of China Lion's strategy towards real inroads into the US market for Chinese films.
Adamantium-Laced
Serious Film has an a-ma-zing visionary idea for the replacement director of The Wolverine.
Rapidly Aging Access Hollywood has an amusing interview bit with Reese Witherspoon, who is complaining about people viewing her as way too old for Robert Pattison in Water for Elephants.

Finally, Today's Must Read...


Voluptuous The Boston Globe Wesley Morris (such a fine writer) traces the evolution of the Actress's body from Elizabeth Taylor's voluptuousness to Christina Hendrick's Mad Men-only stardom. Inbetween notes on Jennifer Lopez, Kate Winslet, Penélope Cruz and Audrey Hepburn follow. I found the theories on Jane Fonda's evolution as a transitional figure fascinating.

Monday
Mar282011

Reader of the Day: Jamie

Today's Reader of the Day is Jamie who lives in LA.  I've never met her but she once volunteered as a magical Film Experience elf to give us a few articles direct from the Cannes Festival (this year's lineup is announced very soon, so stay tuned). So let's start there.

Nathaniel: How did your Cannes journey come out? What's your favorite memory from it?
JAMIE: I had the privilege of attending twice (2008, 2009) through my university. Unlike many college programs, our mandate was simply to see as many films as possible. Simply getting to worship at the altar of film that frequently over the course of two weeks is irreplaceable.

My favorite memory was not seeing one of the many award-winners or much-hyped titles, but rather attending the world premiere of the restored print of The Red Shoes. Martin Scorsese and Thelma Schoonmaker hosted the screening, and hearing Scorsese talk at length about the passion the film inspired within him, as well as Thelma's relationship with Powell, made me feel like I was part of some exclusive club of cinephiles. I ended up having to miss the premiere of Precious to attend, a decision that bewildered my fellow festival-goers, but it was so worth it. I had never before seen The Red Shoes and seeing it in that environment was almost a holy experience.

                           

A holy experience.

First movie? First movie obsession?
I do not remember my first movie (for shame), and I had a lot of strange obsessions when I was younger. Due to my father's job, we always had access to all of the premium cable and pay per view channels, so I would just re-watch the films I loved on some type of continuous loop until I could move on. That's why I still know all of the dialogue to Selena.

However, my first informed obsessions came toward the end of my high school career. I impulsively bought a Miramax Best Picture DVD set that included The English Patient and Shakespeare in Love. I fell madly in love with each of the films and became obsessed with the narratives that emerged around them and their unfairly maligned legacies. It's when I first became aware of the many intricacies and politics of Oscar season. The films fostered an obsession with Harvey Weinstein and Miramax that eventually led to my first film internship, my honors thesis, and my current not-allowed-to-talk-about job.

Which current director are you rooting for in a big way in the next few years?
Lone Scherfig earned my eternal devotion with An Education. I think she has the potential to become a vital, female commercial directing voice. I don't usually root for the directors I love to sell out, but I think we need more ladies working within the studios. And Armando Ianucci made me laugh harder than I feel comfortable admitting with In the Loop. I love that he doesn't treat politics as sacrosanct and doesn't allow the humor to get in the way of making a resonant point.

Tell us about the biopic of your life. Who will it star, etcetera?
I will have to anger the movie gods and instead opt for a television series. I want Paul Feig and Judd Apatow to create an updated version of Freaks and Geeks based on my high school experience, still starring the lovely Linda Cardellini. The one thing that always bothered me about that show was that Lindsey was forced to choose between being completely straight-laced with Millie and the mathletes or a burn-out with the freaks. I too went to a suburban public high school rife with the usual parties and drama, but it was also extremely competitive and the popular kids were amongst the highest achieving. I'd love to see someone meaningfully tackle the intricacies of being a seemingly "normal" but hyper-ambitious teen still negotiating the pain and angst of growing up.

Freaks and Geeks is so genius. It takes place in a Michigan High School and name-checks places we actually went while in high school in Michigan. The clothes, the language, the "types" ... everything brings back memories -- more than any other movie or high school set show ever has for me. The show reminds me of my sister (although we were far enough apart in age that we didn't actually go to high school together like the brother / sister in the show) and all my Michigan friends so I it so hard. I really do.


Oops BIG TANGENT! Ok. Let's wrap up. Your favorite movie in the following 5 genres: musical, drama, romance, Woody Allen, and last year (yes, "last year" is a genre). Go.
Due to some unknown childhood trauma, I've always been wary of traditional musicals but I absolutely love All That Jazz and Dancer in the Dark. Regarding the former, the recent news about Bryan Singer directing a Fosse biopic infuriated me. What can any biopic reveal that All that Jazz didn't already cover? 

Network is my all-time favorite film, so it easily takes the drama category. As much as I tired of Aaron Sorkin's tear through Oscar season, I couldn't help but smile at every Paddy Chayefsky reference. Romance: Before Sunset. Even though I think it's Woody Allen's least favorite, I adore Hannah and Her Sisters. The "not even the rain has such small hands" moves me every time I see it. Having said that, I was raised on Woody Allen films and would jump at the opportunity to watch any of them at the slightest notice.

Finally, despite my previous Sorkin slight, The Social Network was by far my favorite last year. It felt like one of those special movies made just for me.