Monday, September 3, 2018 at 11:56AM Having previously covered those pink pink pink first days in Venice, on to some other memorable looks (and a few actresses included just because we like to look at them...)
Friday, August 17, 2018 at 2:00PM This week Nathaniel R, Murtada Elfadl, and Chris Feil talk Oscar changes and Spike Lee's new joint.
Index (1 Hour and 2 minutes)
00:01 Spike Lee's new joint BlacKkKlansman. He's still got it. Also we talk about how he uses Gone With the Wind, and Birth of a Nation.
15:30 Oscar's recent announcement about the "popular achievement category" and all the problems we imagine it will cause. We are not pleased but we do offer our own fixes to issues of audience's being more into the Oscars.
40:00 Film Festival excitement TIFF and NYFF plus The Favourite, and Peterloo rumors.
47:00 We return to Spike Lee and list our three favorite scenes in BlacKkKlansman.
54:00 Fall film chatter: On the Basis of Sex, Mary Queen of Scots, and The Miseducation of Cameron Post versus Boy Erased
60:00 Goodbyes!
You can listen to the podcast here at the bottom of the post. Continue the conversations in the comments, won't you?
Tuesday, August 7, 2018 at 1:45PM An intimate convo this week as Nathaniel R welcomes Murtada Elfadl to the podcast. (Apologies for the oddly imbalanced sound - still fiddling with the equipment, wondering why we're so cursed!)
Index (42 minutes)
00:01 Desiree Akhavan's The Miseducation of Cameron Post
10:10 Mission: Impossible - Fallout and Tom Cruise's ego
21:05 Eighth Grade, Bo Burnham, and authenticity
33:00 Sorry to Bother You and LaKeith Stanfield
39:00 August is a really good month for movies for once!
You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you?
Saturday, August 4, 2018 at 2:30PM 
The Miseducation of Cameron Post takes place in the 90s and is about a young queer woman who is sent to a gay conversion center after getting caught having sex with the prom queen at her high school. Once there she bonds with her fellow “inmates” (played by American Honey’s Sasha Lane and The Revenant’s Forrest Goodluck among others). She is forced to contend with the strict brother and sister team (Jennifer Ehle and John Gallagher Jr) who run the center and pretend they can "cure" her. The film is based on a novel by Emily M. Danforth and was adapted for the screen and directed by Desiree Akhavan (Appropriate Behavior). It won the Grand Jury Prize at this year’s Sundance and has been making the festival rounds since January. We recently spoke with Akhavan in New York as she geared up for the film's release. The interview has been edited and condensed for clarity.
Murtada Elfadl: The book is longer and has much more detail, how did you arrive at the story for your film?
Desiree Akhavan: I always knew that I only wanted to focus on the last 200 pages; Cameron's time at God’s Promise. I think that when adapting a book it’s about whittling down for yourself what the kernel of inspiration is. What you loved about it and wanted to translate to the screen. And what you think you tangibly can translate into a different medium. To me that was the tone. My co-writer and I were always working in service to maintaining that tone...
Thursday, May 24, 2018 at 3:16PM by Nathaniel R
This is always so much fun. Why do I go so long inbetween "episodes"? You asked a bunch of questions so here are a bunch more answers. Continue the conversation with your own answers to these questions why don't you? We thrive on community here not just blabbering at you.
So let's get right to the Reader Qs, shall we?
RYAN T: Just got back from vacation where I visited Italy for the first time. Alas no epic romance Call Me By Your Name style... but it did make me wonder: what are some of your favorite Italian films?
NATHANIEL: I have never been to Italy. AND I have never had an epic vacation romance. I FEEL CHEATED! I could definitely use some boning up on Italian cinema and am happy to take suggestions from all of you.
I'm afraid my answers in this regard are very "basic cinephile" but here are the 8½ I'd probably list as my favorites...
